Thomas Aiello – författare
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Uncovering a little-known system of bound labor in the post-Reconstruction South
Afterthe constitutional end to slavery in the United States, southern white landowners replaced labor by enslaved people with systems of bound laborin which people worked to pay off debts or legal fines. Through the story of a labor camp in Georgia, Thomas Aiello takes a close look at the Deep South’s dependence on debt peonage and convict leasing systems during the post-Reconstruction era and draws attention to a form of bound labor that has not been discussed by scholars of racialized incarceration.
At the center of this study is the Kinderlou labor camp, which was owned by the prominent white McRee family of Valdosta. In south Georgia and north Florida, debt peonage andfelony convict leasing operated separately from an often overlooked third system: misdemeanor convict leasing. This system was largely unregulated by prison officials, leading to abuses of persons with convictions working in the turpentine industry and the kidnapping of many Black residents of the area who had never been charged with crimes.Unlike other work camps, Kinderlou deployed all three systems to bolster its workforce, making it a unique manifestation of the region’s exploitative labor operations.
Through deep archival research, Aiello uncovers injustices that drove local individuals who were imprisoned to work with federal prosecutors to seek relief and publicize the abuses they saw and experienced. The nexus of racism, work, and incarceration seen at Kinderlou is shown here to have been a form of slavery a half century after slavery’s official “end.” It also casts a long shadow on today’s carceral system.
Publicationof this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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Uncovering a little-known system of bound labor in the post-Reconstruction South
Afterthe constitutional end to slavery in the United States, southern white landowners replaced labor by enslaved people with systems of bound laborin which people worked to pay off debts or legal fines. Through the story of a labor camp in Georgia, Thomas Aiello takes a close look at the Deep South’s dependence on debt peonage and convict leasing systems during the post-Reconstruction era and draws attention to a form of bound labor that has not been discussed by scholars of racialized incarceration.
At the center of this study is the Kinderlou labor camp, which was owned by the prominent white McRee family of Valdosta. In south Georgia and north Florida, debt peonage andfelony convict leasing operated separately from an often overlooked third system: misdemeanor convict leasing. This system was largely unregulated by prison officials, leading to abuses of persons with convictions working in the turpentine industry and the kidnapping of many Black residents of the area who had never been charged with crimes.Unlike other work camps, Kinderlou deployed all three systems to bolster its workforce, making it a unique manifestation of the region’s exploitative labor operations.
Through deep archival research, Aiello uncovers injustices that drove local individuals who were imprisoned to work with federal prosecutors to seek relief and publicize the abuses they saw and experienced. The nexus of racism, work, and incarceration seen at Kinderlou is shown here to have been a form of slavery a half century after slavery’s official “end.” It also casts a long shadow on today’s carceral system.
Publicationof this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
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In the 1930s, Monroe, Louisiana, was a town of twenty-six thousand in the northeastern corner of the state, an area described by the New Orleans Item as the “lynch law center of Louisiana.” race relations were bad, and the Depression was pitiless for most, especially for the working class—a great many of whom had no work at all or seasonal work at best. Yet for a few years in the early 1930s, this unlikely spot was home to the Monarchs, a national-caliber Negro League baseball team. Crowds of black and white fans eagerly filled their segregated grandstand seats to see the players who would become the only World Series team Louisiana would ever generate, and the first from the American South. By 1932, the team had as good a claim to the national baseball championship of black America as any other. Partisans claim, with merit, that league officials awarded the National Championship to the Chicago American Giants in flagrant violation of the league’s own rules: times were hard and more people would pay to see a Chicago team than an outfit from the Louisiana back country. Black newspapers in the South rallied to support Monroe’s cause, railing against the league and the bias of black newspapers in the North, but the decision, unfair though it may have been, was also the only financially feasible option for the league’s besieged leadership, who were struggling to maintain a black baseball league in the midst of the Great Depression. Aiello addresses long-held misunderstandings and misinterpretations of the Monarchs’ 1932 season. He tells the almost-unknown story of the team—its time, its fortunes, its hometown—and positions black baseball in the context of American racial discrimination. He illuminates the culture-changing power of a baseball team and the importance of sport in cultural and social history.
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In the summer of 1928, William Alexander Scott began a small four-page weekly with the help of his brother Cornelius. In 1930 his Atlanta World became a semiweekly, and the following year W. A. began to implement his vision for a massive newspaper chain based out of Atlanta: the Southern Newspaper Syndicate, later dubbed the Scott Newspaper Syndicate. In April 1931 the World had become a triweekly, and its reach began drifting beyond the South.With The Grapevine of the Black South, Thomas Aiello offers the first critical history of this influential newspaper syndicate, from its roots in the 1930s through its end in the 1950s. At its heyday, more than 240 papers were associated with the Syndicate, making it one of the biggest organs of the black press during the period leading up to the classic civil rights era (1955–68).In the generation that followed, the Syndicate helped formalize knowledge among the African American population in the South. As the civil rights movement exploded throughout the region, black southerners found a collective identity in that struggle built on the commonality of the news and the subsequent interpretation of that news. Or as Gunnar Myrdal explained, the press was “the chief agency of group control. It [told] the individual how he should think and feel as an American Negro and create[d] a tremendous power of suggestion by implying that all other Negroes think and feel in this manner.” It didn’t create a complete homogeneity in black southern thinking, but it gave thinkers a similar set of tools from which to draw.
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In the summer of 1928, William Alexander Scott began a small four-page weekly with the help of his brother Cornelius. In 1930 his Atlanta World became a semiweekly, and the following year W. A. began to implement his vision for a massive newspaper chain based out of Atlanta: the Southern Newspaper Syndicate, later dubbed the Scott Newspaper Syndicate. In April 1931 the World had become a triweekly, and its reach began drifting beyond the South.With The Grapevine of the Black South, Thomas Aiello offers the first critical history of this influential newspaper syndicate, from its roots in the 1930s through its end in the 1950s. At its heyday, more than 240 papers were associated with the Syndicate, making it one of the biggest organs of the black press during the period leading up to the classic civil rights era (1955–68).In the generation that followed, the Syndicate helped formalize knowledge among the African American population in the South. As the civil rights movement exploded throughout the region, black southerners found a collective identity in that struggle built on the commonality of the news and the subsequent interpretation of that news. Or as Gunnar Myrdal explained, the press was “the chief agency of group control. It [told] the individual how he should think and feel as an American Negro and create[d] a tremendous power of suggestion by implying that all other Negroes think and feel in this manner.” It didn’t create a complete homogeneity in black southern thinking, but it gave thinkers a similar set of tools from which to draw.
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This handbook offers a comprehensive historical overview and analysis of police brutality in US history and the variety of ways it has manifested itself.
Police brutality has been a defining controversy of the modern age, brought into focus most readily by the murder of George Floyd in Minneapolis and the mass protests that occurred as a result in 2020. However, the problem of police brutality has been consistent throughout American history. This volume traces its history back to Antebellum slavery, through the Gilded Age, the Progressive Era, the two world wars and the twentieth century, to the present day. This handbook is designed to create a generally holistic picture of the phenomenon of police brutality in the United States in all of its major lived forms and confronts a wide range of topics including:
Race Ethnicity Gender Police reactions to protest movements (particularly as they relate to the counterculture and opposition to the Vietnam War) Legal and legislative outgrowths against police brutality The representations of police brutality in popular culture forms like film and music The role of technology in publicizing such abuses, and the protest movements mounted against itThe Routledge History of Police Brutality in America will provide a vital reference work for students and scholars of American history, African American history, criminal justice, sociology, anthropology, and Africana studies.
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This handbook offers a comprehensive historical overview and analysis of police brutality in US history and the variety of ways it has manifested itself.
Police brutality has been a defining controversy of the modern age, brought into focus most readily by the murder of George Floyd in Minneapolis and the mass protests that occurred as a result in 2020. However, the problem of police brutality has been consistent throughout American history. This volume traces its history back to Antebellum slavery, through the Gilded Age, the Progressive Era, the two world wars and the twentieth century, to the present day. This handbook is designed to create a generally holistic picture of the phenomenon of police brutality in the United States in all of its major lived forms and confronts a wide range of topics including:
Race Ethnicity Gender Police reactions to protest movements (particularly as they relate to the counterculture and opposition to the Vietnam War) Legal and legislative outgrowths against police brutality The representations of police brutality in popular culture forms like film and music The role of technology in publicizing such abuses, and the protest movements mounted against itThe Routledge History of Police Brutality in America will provide a vital reference work for students and scholars of American history, African American history, criminal justice, sociology, anthropology, and Africana studies.
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