Thomas DeGloma – författare

The Oxford Handbook of Symbolic Interactionism features a diverse array of cutting-edge scholarship in symbolic interactionism (SI). Contributors present original research in various established and emerging areas of concern while outlining key theoretical and methodological foundations of this multifaceted and broadly relevant perspective in the field of sociology. The scholars featured in this volume present new and evolving outlooks on foundational SI themes including the self and identity, the interactive construction of meaning, classical pragmatism, interactionist research methods, performance, culture and subcultures, cognition, emotion, organizations and institutions, and social constructionism. Contributors merge these and other traditional concepts and perspectives of symbolic interactionism with a range of other influences to bring SI to bear on various developing areas of research, and to address a variety of new and interesting questions, problems, and issues. These include issues pertaining to race and racism, gender, sex and sexuality, power, digital technologies and computer-mediated interaction, crime, health and illness, and environmental concerns. Presenting an expansive and forward-looking take on symbolic interactionism while providing readers with valuable tools with which to conduct their own research, this handbook addresses important developments that are reshaping the field. The handbook is organized into four parts: (I) theoretical and methodological orientations; (II) culture, context, and symbolic interaction; (III) power and inequalities; and (IV) environment, disasters, and risk. In each part, contributors demonstrate the timely and unique contributions of symbolic interactionism to our understanding of important issues and social problems in the contemporary world.

The chorus of the Christian hymn "Amazing Grace" reads, "I once was lost, but now am found, / Was blind but now I see." Composed by a priest who formerly worked as a slave trader, the song expresses his experience of divine intervention after a perilous trip at sea, one that ultimately caused him to see the error of his ways. This theme of personal awakening is a feature of countless stories throughout history, where "wretches" like the slave owner are saved from darkness and despair by suddenly seeing the light. In Seeing the Light, Thomas DeGloma explores such accounts of personal discovery, employing a variety of primary source materials, from newsletters to websites to video documentaries and foundational texts. In stories that range from the discovery of a religious truth to remembering a childhood trauma to coming out of the closet, DeGloma reveals a common social pattern: When people escape a place of darkness by discovering a life-changing truth, they typically ally with a new community.Individuals then use these autobiographical stories to shape their stances on highly controversial issues such as childhood abuse, war and patriotism, political ideology, and religious conversion. Thus, while such stories are seemingly very personal, they also have a distinctly social nature. Tracing a wide variety of narratives through a stunning three thousand years of history, Seeing the Light uncovers the common threads of such stories and reveals the crucial, little-recognized social logic of personal discovery.

The chorus of the Christian hymn "Amazing Grace" reads, "I once was lost, but now am found, / Was blind but now I see." Composed by a priest who formerly worked as a slave trader, the song expresses his experience of divine intervention after a perilous trip at sea, one that ultimately caused him to see the error of his ways. This theme of personal awakening is a feature of countless stories throughout history, where "wretches" like the slave owner are saved from darkness and despair by suddenly seeing the light. In Seeing the Light, Thomas DeGloma explores such accounts of personal discovery, employing a variety of primary source materials, from newsletters to websites to video documentaries and foundational texts. In stories that range from the discovery of a religious truth to remembering a childhood trauma to coming out of the closet, DeGloma reveals a common social pattern: When people escape a place of darkness by discovering a life-changing truth, they typically ally with a new community.Individuals then use these autobiographical stories to shape their stances on highly controversial issues such as childhood abuse, war and patriotism, political ideology, and religious conversion. Thus, while such stories are seemingly very personal, they also have a distinctly social nature. Tracing a wide variety of narratives through a stunning three thousand years of history, Seeing the Light uncovers the common threads of such stories and reveals the crucial, little-recognized social logic of personal discovery.

The chorus of the Christian hymn “Amazing Grace” reads, “I once was lost, but now am found, / Was blind but now I see.” Composed by a minister who formerly worked as a slave trader, the song expresses his experience of divine intervention that ultimately caused him to see the error of his ways. This theme of personal awakening is a feature of countless stories throughout history, where the “lost” and the “blind” are saved from darkness and despair by suddenly seeing the light.   In Seeing the Light, Thomas DeGloma explores such accounts of personal awakening, in stories that range from the discovery of a religious truth to remembering a childhood trauma to embracing a new sexual orientation. He reveals a common social pattern: When people discover a life-changing truth, they typically ally with a new community. Individuals then use these autobiographical stories to shape their stances on highly controversial issues such as childhood abuse, war and patriotism, political ideology, human sexuality, and religion. Thus, while such stories are seemingly very personal, they also have a distinctly social nature. Tracing a wide variety of narratives through nearly three thousand years of history, Seeing the Light uncovers the common threads of such stories and reveals the crucial, little-recognized social logic of personal discovery.

A rich sociological analysis of how and why we use anonymity.  In recent years, anonymity has rocked the political and social landscape. There are countless examples: An anonymous whistleblower was at the heart of President Trump’s first impeachment, an anonymous group of hackers compromised more than 77 million Sony accounts, and best-selling author Elena Ferrante resolutely continued to hide her real name and identity. In Anonymous, Thomas DeGloma draws on a fascinating set of contemporary and historical cases to build a sociological theory that accounts for the many faces of anonymity. He asks a number of pressing questions about the social conditions and effects of anonymity. What is anonymity, and why, under various circumstances, do individuals act anonymously? How do individuals accomplish anonymity? How do they use it, and, in some situations, how is it imposed on them?  To answer these questions, DeGloma tackles anonymity thematically, dedicating each chapter to a distinct type of anonymous action, including ones he dubs protective, subversive, institutional, and ascribed. Ultimately, he argues that anonymity and pseudonymity are best understood as performances in which people obscure personal identities as they make meaning for various audiences. As they bring anonymity and pseudonymity to life, DeGloma shows, people work to define the world around them to achieve different goals and objectives.

A rich sociological analysis of how and why we use anonymity.  In recent years, anonymity has rocked the political and social landscape. There are countless examples: An anonymous whistleblower was at the heart of President Trump’s first impeachment, an anonymous group of hackers compromised more than 77 million Sony accounts, and best-selling author Elena Ferrante resolutely continued to hide her real name and identity. In Anonymous, Thomas DeGloma draws on a fascinating set of contemporary and historical cases to build a sociological theory that accounts for the many faces of anonymity. He asks a number of pressing questions about the social conditions and effects of anonymity. What is anonymity, and why, under various circumstances, do individuals act anonymously? How do individuals accomplish anonymity? How do they use it, and, in some situations, how is it imposed on them?  To answer these questions, DeGloma tackles anonymity thematically, dedicating each chapter to a distinct type of anonymous action, including ones he dubs protective, subversive, institutional, and ascribed. Ultimately, he argues that anonymity and pseudonymity are best understood as performances in which people obscure personal identities as they make meaning for various audiences. As they bring anonymity and pseudonymity to life, DeGloma shows, people work to define the world around them to achieve different goals and objectives.

A rich sociological analysis of how and why we use anonymity.   In recent years, anonymity has rocked the political and social landscape. There are countless examples: An anonymous whistleblower was at the heart of President Trump’s first impeachment, an anonymous group of hackers compromised more than 77 million Sony accounts, and best-selling author Elena Ferrante resolutely continued to hide her real name and identity. In Anonymous, Thomas DeGloma draws on a fascinating set of contemporary and historical cases to build a sociological theory that accounts for the many faces of anonymity. He asks a number of pressing questions about the social conditions and effects of anonymity. What is anonymity, and why, under various circumstances, do individuals act anonymously? How do individuals accomplish anonymity? How do they use it, and, in some situations, how is it imposed on them?   To answer these questions, DeGloma tackles anonymity thematically, dedicating each chapter to a distinct type of anonymous action, including ones he dubs protective, subversive, institutional, and ascribed. Ultimately, he argues that anonymity and pseudonymity are best understood as performances in which people obscure personal identities as they make meaning for various audiences. As they bring anonymity and pseudonymity to life, DeGloma shows, people work to define the world around them to achieve different goals and objectives.

Memory is at the center of a diverse array of political conflicts, moral disputes, and power dynamics. This book illustrates how scholars use different interpretive lenses to study and explain profound conflicts rooted in the past. Addressing issues of racism, genocide, trauma, war, nationalism, colonial occupation, and more, it highlights how our interpretations of contentious memories are indispensable to our understandings of contemporary conflicts and identities. Featuring an international group of scholars, this book makes important contributions to social memory studies, but also shows how studying memory is vital to our understanding of enduring social problems that span the globe.