Thomas Dilworth – författare
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26 produkter
26 produkter
Inbunden, Engelska, 2010
1 429 kr
Skickas inom 5-8 vardagar
Gertrude Stein and Virgil Thomson are known as much for their formidable egos as for their contributions to twentieth-century arts. That either could collaborate intimately with anyone is surprising. Yet Stein and Thomson did work together, magnificently so, most notably on the landmark opera Four Saints in Three Acts and the fanciful The Mother of Us All. This annotated collection of correspondence reveals the spark that existed between the two American masters over the course of their sometimes rocky friendship. The roughly 400 letters written between 1926 and 1946 record the fascinating nature of their partnership-their mutual excitement over evolving projects and their process for bringing together two often radical aesthetic sensibilities. The style of the letters is careful and forceful when the relationship is strained, but most often it is relaxed and affectionate. As a record of friendship the letters are particularly compelling, replete with love, support, and mutual fascination. Not surprisingly, the correspondence is stylistically remarkable-Stein being arguably the most innovative literary modernist and Thomson the author of crisp, insightful, irreverent music criticism, the most quoted of his century. In addition to their artistic partnership, the letters provide a revealing glimpse into their individual careers in the realms of literature and music, as they document a web of mutual friendships and the vibrant artistic community of the early twentieth century. The editors' notes contextualize this valuable exchange and add a layer of richness and accessibility. The volume will interest readers, critics, and scholars in music, literature, avant garde arts and modern culture more generally.
E-bok
PDF, Engelska, 2010811 kr
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Gertrude Stein and Virgil Thomson are known as much for their formidable egos as for their contributions to twentieth-century arts. That either could collaborate intimately with anyone is surprising. Yet Stein and Thomson did work together, magnificently so, most notably on the landmark opera Four Saints in Three Acts and the fanciful The Mother of Us All. This annotated collection of correspondence reveals the spark that existed between the two American masters over the course of their sometimes rocky friendship. The roughly 400 letters written between 1926-1946 record the fascinating nature of their partnership-their mutual excitement over evolving projects and their process for bringing together two often radical aesthetic sensibilities. The style of the letters is careful and forceful when the relationship is strained, but most often it is relaxed and affectionate. As a record of friendship the letters are particularly compelling, replete with love, support, and mutual fascination. Not surprisingly, the correspondence is stylistically remarkable-Stein being arguably the most innovative literary modernist and Thomson the author of crisp, insightful, irreverent music criticism, the most quoted of his century. In addition to their artistic partnership, the letters provide a revealing glimpse into their individual careers in the realms of literature and music, as they document a web of mutual friendships and the vibrant artistic community of the early twentieth century. The editors' notes contextualize this valuable exchange and add a layer of richness and accessibility. The volume will interest readers, critics, and scholars in music, literature, avant garde arts and modern culture more generally.
Inbunden, Engelska, 2023
371 kr
Skickas inom 5-8 vardagar
Häftad, Engelska, 2023
214 kr
Skickas inom 5-8 vardagar
E-bok
PDF, Engelska, 2026854 kr
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Edward Lear as Victorian Modernist offers a bold new reading of Lear's limericks as foundational works of literary modernism. Far from being mere nonsense for children, Lear's picture-limericks-each a fusion of image and verse-operate as bi-modal metaphors that generate meaning through juxtaposition rather than narrative continuity. This interpretive mode, rooted in fragmentation and allusion, aligns closely with modernist aesthetics. Drawing on Lear's letters and unpublished diaries, this study reveals how the irritants, opinions, and idiosyncrasies of his inner life inform these deceptively playful compositions. Through close literary and visual analysis, this book uncovers a layered taxonomy of human types and social commentary, encompassing themes of individuality, society, sexuality, and more. Many of the limericks, often grotesque and unexpectedly beautiful, emerge as sophisticated works of art. The book also explores Lear's influence on the evolution of the limerick, particularly its later eroticization. By grounding interpretation in both biography and cultural context, this monograph repositions Lear not as an outlier but as a key figure in the genealogy of modernist expression.
E-bok
Engelska, 2026854 kr
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Edward Lear as Victorian Modernist offers a bold new reading of Lear's limericks as foundational works of literary modernism. Far from being mere nonsense for children, Lear's picture-limericks-each a fusion of image and verse-operate as bi-modal metaphors that generate meaning through juxtaposition rather than narrative continuity. This interpretive mode, rooted in fragmentation and allusion, aligns closely with modernist aesthetics. Drawing on Lear's letters and unpublished diaries, this study reveals how the irritants, opinions, and idiosyncrasies of his inner life inform these deceptively playful compositions. Through close literary and visual analysis, this book uncovers a layered taxonomy of human types and social commentary, encompassing themes of individuality, society, sexuality, and more. Many of the limericks, often grotesque and unexpectedly beautiful, emerge as sophisticated works of art. The book also explores Lear's influence on the evolution of the limerick, particularly its later eroticization. By grounding interpretation in both biography and cultural context, this monograph repositions Lear not as an outlier but as a key figure in the genealogy of modernist expression.
Inbunden, Engelska, 2026
2 777 kr
Skickas inom 10-15 vardagar
Edward Lear as Victorian Modernist offers a bold new reading of Lear’s limericks as foundational works of literary modernism. Far from being mere nonsense for children, Lear’s picture-limericks—each a fusion of image and verse—operate as bi-modal metaphors that generate meaning through juxtaposition rather than narrative continuity. This interpretive mode, rooted in fragmentation and allusion, aligns closely with modernist aesthetics. Drawing on Lear’s letters and unpublished diaries, this study reveals how the irritants, opinions, and idiosyncrasies of his inner life inform these deceptively playful compositions. Through close literary and visual analysis, this book uncovers a layered taxonomy of human types and social commentary, encompassing themes of individuality, society, sexuality, and more. Many of the limericks, often grotesque and unexpectedly beautiful, emerge as sophisticated works of art. The book also explores Lear’s influence on the evolution of the limerick, particularly its later eroticization. By grounding interpretation in both biography and cultural context, this monograph repositions Lear not as an outlier but as a key figure in the genealogy of modernist expression.
Häftad, Engelska, 2010
243 kr
Skickas inom 5-8 vardagar
Häftad, Engelska, 2010
243 kr
Skickas inom 5-8 vardagar
Häftad, Engelska, 2010
243 kr
Skickas inom 5-8 vardagar
Häftad, Engelska, 2010
243 kr
Skickas inom 5-8 vardagar
Häftad, Engelska, 2010
243 kr
Skickas inom 5-8 vardagar
Häftad, Engelska, 2010
257 kr
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Inbunden, Engelska, 2018
370 kr
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Inbunden, Engelska, 2018
384 kr
Skickas inom 5-8 vardagar
Inbunden, Engelska, 2018
370 kr
Skickas inom 5-8 vardagar
Inbunden, Engelska, 2018
371 kr
Skickas inom 5-8 vardagar
Inbunden, Engelska, 2018
370 kr
Skickas inom 5-8 vardagar
Inbunden, Engelska, 2018
370 kr
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Inbunden, Engelska, 2018
384 kr
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Inbunden, Engelska, 2018
356 kr
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E-bok
Engelska, 2017166 kr
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The first full biography of a neglected genius and one of the great Modernists, lavishly illustrated in colour throughout‘I would like to have done anything as good as David Jones has done’ Dylan ThomasAs a poet, visual artist and essayist, David Jones is one of the great Modernists. The variety of his gifts reminds us of Blake – though he is a better poet and a greater all-round artist. Jones was an extraordinary engraver, painter and creator of painted inscriptions, but he also belongs in the first rank of twentieth-century poets.Though he was admired by some of the finest cultural figures of the twentieth century, David Jones is not known or celebrated in the way that Eliot, Beckett or Joyce have been. His work was occasionally as difficult as theirs, but it is just as rewarding – and more various. He is overlooked because his best writing is imbedded in two book-length prose-poems – In Parenthesis and The Anathemata, making it difficult to anthologise; the work is informed by his Catholic faith and so may feel unfashionable in this secular age; he was a shy, reclusive man, psychologically damaged by his time in the trenches, and loathed any kind of self-promotion. Mostly, though, he was a complete and original poet-artist – sui generis, impossible to pigeon-hole – and that has led to the neglect of David Jones: a true genius and the great lost Modernist.
Inbunden, Engelska, 2012
171 kr
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Artist and poet David Jones fought in the Somme, Passchendaele and Ypres, surviving to write and paint some of the greatest modernist works on war. Now, thanks to Dilworth's painstaking research, Jones's story can be told in detail...
Inbunden, Engelska, 2008
330 kr
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David Jones' poetry is often regarded as difficult to read owing to his highly original and unfamiliar allusions. This book seeks to provide a guided tour through the poems by making the poetry accessible to the student market and also the non-specialist reader while also providing original and new insights.