A captivating exploration of the life and work of the iconic South African artist Esther Mahlangu, one of the great innovators of Pan-African Contemporary Art. 'Esther Mahlangu is one of the most important artists of our time who continues to inspire artists all over the world. Mahlangu is a visionary who brings art into society' Hans Ulrich Obrist Esther Mahlangu (b. 1935) is globally acclaimed for her bright and bold abstract paintings that are rooted in South African Ndbele art. She was a disruptor from an early age, becoming the first person to reimagine her visual heritage, historically used for decorating houses, on painting media such as canvas. Mahlangu is one of the most influential artists of Pan-African Contemporary Art. Esther Mahlangu: To Paint is in My Heart celebrates Mahlangu’s remarkable journey as a pioneer and innovator of contemporary African art, whose vibrant and distinctive paintings have captured the hearts of many worldwide. Through a series of interviews with Mahlangu conducted by Thomas Girst, Azu Nwagbogu and Hans Ulrich Obrist, readers will gain insight into her creative process, inspiration, and the cultural significance of her work – in the artist’s own words. With a preface by Nontobeko Ntombela, the curator of Mahlangu’s major 2024 travelling retrospective, this book presents stunning visuals and engaging narratives, offering an inspiring experience to the reader.

Marcel Duchamp (1887–1968) has entered mainstream culture as one of the founding fathers of modern art. Despite his popularity, books on Duchamp often shroud his work in theoretical and critical writing. Here, instead, is a book exploring the artist’s life and work in a thoroughly new and engaging manner, with short, alphabetical dictionary entries written in lively, jargon- free prose that at last allow Duchamp’s work and influence to be accessible and enjoyable for a wide audience. The book features more than 200 entries on the most interesting and important artworks, relationships, people and ideas in Duchamp’s life, from chess, puns, the fourth dimension, love and genius, to the Bicycle Wheel and Fountain, Walter and Louise Arensberg, Peggy Guggenheim, Katherine S. Dreier and Arturo Schwarz. A contextual introduction shows how the dictionary form has been an inspiration to artists and writers from Flaubert to the Surrealists. Underpinned by the latest scholarship and research, Thomas Girst’s texts show how, in the words of contemporary artist Thomas Hirschhorn, Duchamp was ‘the most intelligent mind of his time’.

How can art, how can prose and poetry originate in spite of the restraints of manipulation, propaganda, and censorship? This study explores such issues by focusing on the cultural trajectory of Japanese American internment, both during and after World War II. Previously unknown documents as well as interviews with friends and family reveal new aspects of John Okada’s (1923–1971) life and writing, providing a comprehensive biographical outline of the author. The book refutes the assumption that Okada’s novel No-No Boy was all but shunned when first published in 1957. A close reading as well as a comparative study involving Italo Calvino’s (1923–1985) Six Memos for the Next Millennium (1985) position Okada’s only book as world literature.

Legendary automobiles, designed by artists In Henri de Toulouse-Lautrec's lithograph The Motorist, a car races across the picture twelve years after the first drive of the Benz Patent Motor Car Number 1 in July 1886. At the beginning of the 20th century, La 628-E8 was published, a novel with the car number of its author Octave Mirbeau in the title. In his Futurist Manifesto, Filippo Tommaso Marinetti values the beauty of the roar and the speed of a racing car over the aesthetics of the Nike of Samothrace. Artists have been exploring the automobile since its invention. The BMW Art Cars play a central role in this: Alexander Calder's BMW 3.0 CSL was the first in a series launched in 1975 by Hervé Poulain, a lover of motor racing and works of art, and BMW Motorsport Director Jochen Neerpasch. Since then, 20 artists have designed BMW models, with many “rolling sculptures” proving their worth not only in museums but also on the Le Mans race track. With contributions from: John Baldessari, Alexander Calder, Sandro Chia, Ken Done, Olafur Eliasson, Cao Fei, Ernst Fuchs, David Hockney, Jenny Holzer, Michael Jagamara Nelson, Matazo Kayama, Jeff Koons, Roy Lichtenstein, Esther Mahlangu, César Manrique, Julie Mehretu, A.R. Penck, Robert Rauschenberg, Frank Stella, Andy Warhol and others.

A captivating exploration of the life and work of the iconic South African artist Esther Mahlangu, one of the great innovators of Pan-African Contemporary Art. 'Esther Mahlangu is one of the most important artists of our time who continues to inspire artists all over the world. Mahlangu is a visionary who brings art into society' Hans Ulrich Obrist Esther Mahlangu (b. 1935) is globally acclaimed for her bright and bold abstract paintings that are rooted in South African Ndbele art. She was a disruptor from an early age, becoming the first person to reimagine her visual heritage, historically used for decorating houses, on painting media such as canvas. Mahlangu is one of the most influential artists of Pan-African Contemporary Art. Esther Mahlangu: To Paint is in My Heart celebrates Mahlangu’s remarkable journey as a pioneer and innovator of contemporary African art, whose vibrant and distinctive paintings have captured the hearts of many worldwide. Through a series of interviews with Mahlangu conducted by Thomas Girst, Azu Nwagbogu and Hans Ulrich Obrist, readers will gain insight into her creative process, inspiration, and the cultural significance of her work – in the artist’s own words. With a preface by Nontobeko Ntombela, the curator of Mahlangu’s major 2024 travelling retrospective, this book presents stunning visuals and engaging narratives, offering an inspiring experience to the reader.

Marcel Duchamp (1887–1968) has entered mainstream culture as one of the founding fathers of modern art. Despite his popularity, books on Duchamp often shroud his work in theoretical and critical writing. Here, instead, is a book exploring the artist’s life and work in a thoroughly new and engaging manner, with short, alphabetical dictionary entries written in lively, jargon- free prose that at last allow Duchamp’s work and influence to be accessible and enjoyable for a wide audience. The book features more than 200 entries on the most interesting and important artworks, relationships, people and ideas in Duchamp’s life, from chess, puns, the fourth dimension, love and genius, to the Bicycle Wheel and Fountain, Walter and Louise Arensberg, Peggy Guggenheim, Katherine S. Dreier and Arturo Schwarz. A contextual introduction shows how the dictionary form has been an inspiration to artists and writers from Flaubert to the Surrealists. Underpinned by the latest scholarship and research, Thomas Girst’s texts show how, in the words of contemporary artist Thomas Hirschhorn, Duchamp was ‘the most intelligent mind of his time’.

How can art, how can prose and poetry originate in spite of the restraints of manipulation, propaganda, and censorship? This study explores such issues by focusing on the cultural trajectory of Japanese American internment, both during and after World War II. Previously unknown documents as well as interviews with friends and family reveal new aspects of John Okada’s (1923–1971) life and writing, providing a comprehensive biographical outline of the author. The book refutes the assumption that Okada’s novel No-No Boy was all but shunned when first published in 1957. A close reading as well as a comparative study involving Italo Calvino’s (1923–1985) Six Memos for the Next Millennium (1985) position Okada’s only book as world literature.

Legendary automobiles, designed by artists In Henri de Toulouse-Lautrec's lithograph The Motorist, a car races across the picture twelve years after the first drive of the Benz Patent Motor Car Number 1 in July 1886. At the beginning of the 20th century, La 628-E8 was published, a novel with the car number of its author Octave Mirbeau in the title. In his Futurist Manifesto, Filippo Tommaso Marinetti values the beauty of the roar and the speed of a racing car over the aesthetics of the Nike of Samothrace. Artists have been exploring the automobile since its invention. The BMW Art Cars play a central role in this: Alexander Calder's BMW 3.0 CSL was the first in a series launched in 1975 by Hervé Poulain, a lover of motor racing and works of art, and BMW Motorsport Director Jochen Neerpasch. Since then, 20 artists have designed BMW models, with many “rolling sculptures” proving their worth not only in museums but also on the Le Mans race track. With contributions from: John Baldessari, Alexander Calder, Sandro Chia, Ken Done, Olafur Eliasson, Cao Fei, Ernst Fuchs, David Hockney, Jenny Holzer, Michael Jagamara Nelson, Matazo Kayama, Jeff Koons, Roy Lichtenstein, Esther Mahlangu, César Manrique, Julie Mehretu, A.R. Penck, Robert Rauschenberg, Frank Stella, Andy Warhol and others.