Thomas K. Nakayama – författare

The field of communication offers the study of whiteness a focus on discourse which directs its attention to the everyday experiences of whiteness through regimes of truth, embodied acts, and the deconstruction of mediated texts. This book takes an intersectional approach to whiteness studies, researching whiteness through rhetorical analysis, qualitative research, performance studies, and interpretive research. More specifically the chapters deconstruct the communicative power of whiteness in the context of the United States, but with discussion of the implications of this power internationally, by taking on relevant and current topics such as terrorism, post-colonial challenges, white fragility at the national level, the emergence of colorblind discourse as a pro-white discursive strategy, the relationship of people of color with and through whiteness, as well as multifaceted identities that intersect with whiteness, including religion, masculinity and femininity, social class, ability, and sexuality.

Whiteness is a collection of outstanding essays that employs a range of approaches to understanding whiteness a communication phenomenon. Contributors use analyses of media representations, social scientific data, poststructuralist theoretical discussions, and post-colonial critiques of whiteness. Included as well are discussions of some of the ways whiteness is enacted through commemorations, white antiracist rhetoric, pedagogy, and personal narratives that highlight the cultural politics of whiteness. Thomas K. Nakayama and Judith N. Martin conclude with specific claims out white identity and about the ways multi-methodological approaches to communication offer new insights into research. Both timely and intriguing, this collection of articles will further our understanding of intercultural communication.

The Handbook of Critical Intercultural Communication aims to furnish scholars with a consolidated resource of works that highlights all aspects of the field, its historical inception, logics, terms, and possibilities. A consolidated resource of works that highlights all aspects of this developing field, its historical inception, logics, terms, and possibilitiesTraces the significant historical developments in intercultural communicationHelps students and scholars to revisit, assess, and reflect on the formation of critical intercultural communication studiesPosits new directions for the field in terms of theorizing, knowledge production, and social justice engagement

An up-to-date and comprehensive resource for scholars and students of critical intercultural communication studies In the newly revised second edition of The Handbook of Critical Intercultural Communication, a lineup of outstanding critical researchers delivers a one-stop collection of contemporary and relevant readings that define, delineate, and inhabit what it means to ‘do critical intercultural communication.’ In this handbook, you will uncover the latest research and contributions from leading scholars in the field, covering core theoretical, methodological, and applied works that give shape to the arena of critical intercultural communication studies. The handbook's contents scaffold up from historical revisitings to theorizings to inquiry and methodologies and critical projects and applications. This work invites readers to deeply immerse themselves in and reflect upon the thematic threads shared within and across each chapter. Readers will also find: Newly included instructors' resources, including reading assignments, discussion guides, exercises, and syllabiCurrent and state-of-the-art essays introducing the book and delineating each sectionBrand-new sections on critical inquiry practices and methodologies and contemporary critical intercultural projects and topics such as settler colonialism, intersectionalities, queerness, race, identities, critical intercultural pedagogy, migration, ecologies, critical futures, and morePerfect for scholars, researchers, and students of intercultural communication, intercultural studies, critical communication, and critical cultural studies, The Handbook of Critical Intercultural Communication, 2nd edition, stands as the premier resource for anyone interested in the dynamic and ever evolving field of study and praxis: critical intercultural communication studies.

The field of communication offers the study of whiteness a focus on discourse which directs its attention to the everyday experiences of whiteness through regimes of truth, embodied acts, and the deconstruction of mediated texts. This book takes an intersectional approach to whiteness studies, researching whiteness through rhetorical analysis, qualitative research, performance studies, and interpretive research. More specifically the chapters deconstruct the communicative power of whiteness in the context of the United States, but with discussion of the implications of this power internationally, by taking on relevant and current topics such as terrorism, post-colonial challenges, white fragility at the national level, the emergence of colorblind discourse as a pro-white discursive strategy, the relationship of people of color with and through whiteness, as well as multifaceted identities that intersect with whiteness, including religion, masculinity and femininity, social class, ability, and sexuality.

This book is an edited collection of case studies of contemporary issues in culture and communication around the world. Framed around a dialectical approach to intercultural communication, this collection offers a useful framework for thinking about contemporary research in this area. It offers in-depth cultural information about a broad range of specific cases in different places around the world. It is an ideal book to use in advanced undergraduate and graduate courses in culture and communication, global communication and intercultural communication courses. Scholars interested in contemporary work in intercultural communication will find this collection essential in mapping the state of the art in this area.

This book is an edited collection of case studies of contemporary issues in culture and communication around the world. Framed around a dialectical approach to intercultural communication, this collection offers a useful framework for thinking about contemporary research in this area. It offers in-depth cultural information about a broad range of specific cases in different places around the world. It is an ideal book to use in advanced undergraduate and graduate courses in culture and communication, global communication and intercultural communication courses. Scholars interested in contemporary work in intercultural communication will find this collection essential in mapping the state of the art in this area.

This book articulates Jotería Communication Studies as a subdiscipline and as a praxis for resisting multiple forms of oppression by focusing on how everyday performances of identity and culture challenge master narratives of power and control. Although this book is for scholars, artists, and practitioners from communication studies, gender and sexuality studies, performance studies, cultural studies, or even, Latinx and Chicanx studies in education, sociology, history, literature, media, arts, and humanities, this book speaks to and with those nonheteronormative mestizas/os who perform their sexuality and gender in queer practices and communicative forms—Jotería. As a methodological intervention into the study of marginalized and subaltern communities, this book provides research on Gay, Bisexual, Transgender, Queer, and Questioning (GBTQ) Chicano and Latino communities from specific geographic regions of the U.S. Southwest. Utilizing multiple methods, this book provides a cultural map or political snapshot of a particular time and place from a particular point of view or location and generates knowledge that highlights reflexivity, cultural/queer nuances, and decolonial acts of resistance. Specifically, this book locates “theories in the flesh” in the borderlands narratives of Jotería, such as cuentos, pláticas, chismé, testimonio, mitos, and consejos. These theories of power and resistance create knowledge about how Jotería make sense of their own difference, how people interpret their assumed or perceived difference, and ultimately, how difference is managed as an emancipatory tool toward the goal of queer of color world making.

This book articulates Jotería Communication Studies as a subdiscipline and as a praxis for resisting multiple forms of oppression by focusing on how everyday performances of identity and culture challenge master narratives of power and control. Although this book is for scholars, artists, and practitioners from communication studies, gender and sexuality studies, performance studies, cultural studies, or even, Latinx and Chicanx studies in education, sociology, history, literature, media, arts, and humanities, this book speaks to and with those nonheteronormative mestizas/os who perform their sexuality and gender in queer practices and communicative forms—Jotería. As a methodological intervention into the study of marginalized and subaltern communities, this book provides research on Gay, Bisexual, Transgender, Queer, and Questioning (GBTQ) Chicano and Latino communities from specific geographic regions of the U.S. Southwest. Utilizing multiple methods, this book provides a cultural map or political snapshot of a particular time and place from a particular point of view or location and generates knowledge that highlights reflexivity, cultural/queer nuances, and decolonial acts of resistance. Specifically, this book locates “theories in the flesh” in the borderlands narratives of Jotería, such as cuentos, pláticas, chismé, testimonio, mitos, and consejos. These theories of power and resistance create knowledge about how Jotería make sense of their own difference, how people interpret their assumed or perceived difference, and ultimately, how difference is managed as an emancipatory tool toward the goal of queer of color world making.

This book challenges white and Western feminist approaches to embodied politics, or the use of the body in everyday enactments of resistance, while mapping transgressive performances of femininities by the funkeiras, marginalized women and transfeminine people of color artists in Brazilian favela funk. Often studied from a white feminist perspective, embodied politics reflects debates about agency and structural change that are generally applicable to white women in the West. Concurrently, studies of femininity tend to universalize experiences of gender oppression encountered by white women to women across the globe. In this work, the author offers a transnational perspective on the performative force of embodied politics as a possible means to disrupt white, classist heteropatriarchal structures that oppress particularly poor women and transfeminine people of color in Brazil. This project has a threefold goal: first, it challenges the theoretical shortcomings of white feminist approaches to embodied politics, providing instead a transfeminista take on the concept. Secondly, this project aims to shed light on how traditional methodological approaches have hindered nuanced understandings of women and people of color and their performances. Third and finally, by challenging and re-envisioning the potential of embodied politics from a transnational perspective, the text intends to contribute to the field of critical intercultural communication’s growing but still limited research around bodies and performance, especially of those who are marginalized in global contexts.

This book challenges white and Western feminist approaches to embodied politics, or the use of the body in everyday enactments of resistance, while mapping transgressive performances of femininities by the funkeiras, marginalized women and transfeminine people of color artists in Brazilian favela funk. Often studied from a white feminist perspective, embodied politics reflects debates about agency and structural change that are generally applicable to white women in the West. Concurrently, studies of femininity tend to universalize experiences of gender oppression encountered by white women to women across the globe. In this work, the author offers a transnational perspective on the performative force of embodied politics as a possible means to disrupt white, classist heteropatriarchal structures that oppress particularly poor women and transfeminine people of color in Brazil. This project has a threefold goal: first, it challenges the theoretical shortcomings of white feminist approaches to embodied politics, providing instead a transfeminista take on the concept. Secondly, this project aims to shed light on how traditional methodological approaches have hindered nuanced understandings of women and people of color and their performances. Third and finally, by challenging and re-envisioning the potential of embodied politics from a transnational perspective, the text intends to contribute to the field of critical intercultural communication’s growing but still limited research around bodies and performance, especially of those who are marginalized in global contexts.

This book situates migrating individuals’ sense of Otherness in receiving countries front and center and systematically illustrates the configuration of Western migrants’ Other-identity during their reverse migration from the West to China, which has become a new destination of international migration due to its rise to prominence in the global labor market. Consequently, international migrants from Western countries, especially those with skills desired in China, have become this country’s main target in the global race for talent. In this context, this book attends to American migrants on the Chinese mainland, who are perceived as the prototypical waiguoren in this region, as an illuminating case, and illustrates the configuration of their Other-identity, rising from their intercultural adaptation as the privileged but marginalized Other in an asymmetric power structure. This book also attempts to reveal the condition and process of Chinese Othering of American migrants that exists but is far less openly discussed in China.

Asians Loving Asians: Sticky Rice Homoeroticism and Queer Politics examines media representations and everyday interpersonal intercultural negotiations of vernacular discourses around sticky rice—an "Asian" man building sexual and romantic relationships with other "Asian" men. Specifically, Eguchi interrogates the following elements of sticky rice: the way sticky rice recycles, rethinks, and shifts the settler colonialist logics of whiteness that sustain ongoing histories of anti-Asian racism; the way sticky rice resists and reifies the mundane operation and execution of whiteness that organizes gay sexual cultures; the way sticky rice reproduces, reconstitutes, and challenges intra-regional political rivalries, economic hierarchies, and historical tensions in and across Asia and Asian diasporas; and the way sticky rice suggests alternative mappings of queer sex, desire, intimacy, and relationality. By taking further steps to unpack the complexities and contradictions of sticky rice as a gay vernacular, Eguchi offers an additional and alternative space to question and critique "Asians loving Asians." Asians Loving Asians: Sticky Rice Homoeroticism and Queer Politics will be of interest to academic audiences coming from various disciplines such as communication, cultural studies, critical race and ethnic studies, Asian and Asian American studies, women’s, gender, and sexuality studies, sociology, and more.

Asians Loving Asians: Sticky Rice Homoeroticism and Queer Politics examines media representations and everyday interpersonal intercultural negotiations of vernacular discourses around sticky rice—an "Asian" man building sexual and romantic relationships with other "Asian" men. Specifically, Eguchi interrogates the following elements of sticky rice: the way sticky rice recycles, rethinks, and shifts the settler colonialist logics of whiteness that sustain ongoing histories of anti-Asian racism; the way sticky rice resists and reifies the mundane operation and execution of whiteness that organizes gay sexual cultures; the way sticky rice reproduces, reconstitutes, and challenges intra-regional political rivalries, economic hierarchies, and historical tensions in and across Asia and Asian diasporas; and the way sticky rice suggests alternative mappings of queer sex, desire, intimacy, and relationality. By taking further steps to unpack the complexities and contradictions of sticky rice as a gay vernacular, Eguchi offers an additional and alternative space to question and critique "Asians loving Asians." Asians Loving Asians: Sticky Rice Homoeroticism and Queer Politics will be of interest to academic audiences coming from various disciplines such as communication, cultural studies, critical race and ethnic studies, Asian and Asian American studies, women’s, gender, and sexuality studies, sociology, and more.

The Chinese in the Philippines constitute one of the many Chinese communities globally. Although many Chinese have maintained their cultural traditions, most of them are Filipina/o citizens and have always considered the Philippines home. Embodying "Tsina/o" (Chinese) and "Pina/oy" (Filipina/o) identities, Tsina/oys must learn how to negotiate their hybridity through cultural and linguistic practices in everyday life.Using a multimethodological approach to ethnography (critical ethnographic interview, autoethnography, and cyberethnography), (Trans)national Tsina/oys: Hybrid Performances of Chinese and Filipina/o Identities examines Tsina/oy identity as intersectional performance of ethnicity, nationality, and class in physical and online environments.The book draws from critical intercultural and performance studies to analyze what makes "Tsina/oy" a complex identity and what it could mean for the future in and beyond the Philippines.The book is well-suited for undergraduate and graduate students and academics who study international and intercultural communication, qualitative research methods, and performance studies. It is also of great interest to scholars in anthropology, Asian American studies, cultural studies, ethnic studies, geography, liberal studies, sociology, among other disciplines. "This book is a travelogue to places and spaces of knowing the self in culture; crossing borders to different but familiar locations, and (re)discovering the socializing practices that shape culture and identity. Hao introduces us to complex ways of revisiting notions of intersectionality not just through the complex meeting places of oppressions in social contexts, but through the importance of a diasporic transnational hybridity. He eschews the notion of hybridity as just a mixture of discrete cultures, but the complex co-informing aspects of ethnicity, nationality, class, and the politics of place that shape a sense of self in relation to common origins and the performative variations of identity that are held in contradistinction to those shared roots. Using diverse and interlocking ethnographic and qualitative methodologies, (Trans)national Tsina/oys: Hybrid Performances of Chinese and Filipina/o Identities asks the reader to engage at the intersections, the hyphens, and the parenthetical constructions of hybridity that make the subjects of the study, including himself, both/and always searching for homeplace in communities of recognized co-informing identities that are at once the same and not the same."—Bryant Keith Alexander, Ph.D., Dean and Professor, College of Communication and Fine Arts, Loyola Marymount University “(Trans)national Tsina/oys: Hybrid Performances of Chinese and Filipina/o Identities stands as an exemplar of critical intercultural communication studies and the deep-level insights that it provides as a field to uncover the intricately woven layers of cultural identity, performativity, belonging, and the cultural politics that constitute ‘home.’ Dr. Hao’s book also highlights the key role that critical intercultural communication studies plays in unpacking the complex of diasporas in terms of (but not limited to) their identity dynamics, the power effects in claiming/remembering/clarifying one’s identity in relation to a ‘home’ (of memory, of place, of relational cultural space), and the thorny assemblage of meaning around ‘belonging.’”—Rona Tamiko Halualani, Ph.D., Professor of Intercultural Communication, Department of Communication Studies, San Jose State University