Thomas Malory – författare

Thomas Malorys krönika Kung Arthur och riddarna kring runda bordet i översättning och med efterord av Marie Berthelius. Hur Kung Arthur blev Kung Arthur har till och med Disney berättat om. Bakom absiden i katedralen har ett mäktigt svärd upptäckts, instucket i ett städ, förankrat i ett stenblock. Enligt inskriptionen på stenblocket är den som kan dra ut svärdet Englands rättmätige konung. Riddare från hela landet strömmar till för att försöka, men ingen förmår ens rubba svärdet, inte ens en endaste millimeter. Ingen lyckas, inte förrän pojken Arthur, som bara är en oansenlig väpnare, med lätthet drar ut det. Förvåningen är stor, och för säkerhets skull måste testet upprepas gång på gång, men det är uppenbart: Endast Arthur förmår dra ut svärdet ur stenen. Så Arthur kröns till konung, och med tiden blir han den mest ihågkomne av alla. Hans gemål är den vackra Guenever. Med henne vid sin sida regerar han i visdom och mod och kring sig samlar han de tappraste riddarna i hela Britannien, hela 150 stycken. Vid rådslag ryms de samtliga kring det runda bordet. Berättelserna om Arthur är många, och i allt som sägs finns ett spännande historiskt skimmer, det är väl det som fått dem att överleva genom både sekler och millennier. Arthurmyten är den allra mest färgstarka äventyrsmyten från medeltiden. Vi får höra berättas om det mäktiga svärdet Excalibur och om trollkarlen Merlin, Arthurs närmaste rådgivare. Merlin tillämpar vit magi och kan se framtida händelser. Vi får höra om ungmör som förtrollar riddare och spärrar in dem i fängelsehålor. Vi får följa drabbningar på liv och död som utkämpas med svärd och lans, både på slagfältet och under ordnade former i så kallade tornerspel. Det händer titt som tätt att de som drabbar samman strider så väl dolda av sina rustningar att de inte vet vem den andre är och till och med dödar sådana som inte är deras fiender. Vi får höra om paradisön Avalon. Dit förs den döende Arthur när han sårats av sin son Mordred. Och vi får höra mycket mer. Verklighetens Arthur levde i Cornwall i England på 400-talet. Historierna om honom traderades muntligt och skriftligt innan de sammanställdes av Thomas Malory 1485. Föreliggande volym redigerades av Lillian O Stevens och Edward Frank Allen 1908. Nu kommer denna version för första gången på svenska, i översättning och med efterord av Marie Berthelius. Thomas Malorys krönika Kung Arthur och riddarna kring runda bodet. I översättning och med efterord av Marie Berthelius. ISBN 978-91-7742-630-1. Högkvalitetspapper, sydda ark, hårda pärmar, 224 sidor.

Le Morte D'Arthur is Sir Thomas Malory's richly evocative and enthralling version of the Arthurian legend. Recounting Arthur's birth, his ascendancy to the throne after claiming Excalibur, his ill-fated marriage to Guenever, the treachery of Morgan le Fay and the exploits of the Knights of the Round Table, it magically weaves together adventure, battle, love and enchantment. Le Morte D'Arthur looks back to an idealized Medieval world and is full of wistful, elegiac regret for a vanished age of chivalry. Edited and published by William Caxton in 1485, Malory's prose romance drew on French and English verse sources to give an epic unity to the Arthur myth, and remains the most magnificent re-telling of the story in English.

Volume two of Le Morte D'Arthur, Sir Thomas Malory's powerful and elegaic version of the Arthurian legend, recounts the adventures of Sir Tristram de Liones and the treachery of Sir Mordred, and follows Sir Launcelot's quest for The Holy Grail, his fatally divided loyalties, and his great, forbidden love for the beautiful Queen Guenever. Culminating in an account of Arthur's final battle against the scheming, deceitful Mordred, this is the definitive re-telling of the Arthurian myth, weaving a story of adultery, treachery and ultimately - in its tragic finale - death. Edited and published by William Caxton in 1485, Malory's moving prose romance looks back to an idealised Medieval age of chivalry, drawing on French and English verse sources to create an epic masterpiece of passion, enchantment, war and betrayal.

He was born to be King. But he would die for his people ...From the moment he draws the sword Excalibur from a magic stone, King Arthur is hailed as the saviour of England. With his loyal band of brothers, the Knights of the Round Table, he reigns over a golden age of chivalry and enchantment.But dark forces are stirring in the land. Sir Launcelot's fatal attraction to Arthur's beautiful wife Guenever threatens to divide the realm. And when the scheming Mordred tries to usurp the King, one last epic battle must be fought on English soil ...

Volume two of Le Morte D'Arthur, Sir Thomas Malory's powerful and elegaic version of the Arthurian legend, recounts the adventures of Sir Tristram de Liones and the treachery of Sir Mordred, and follows Sir Launcelot's quest for The Holy Grail, his fatally divided loyalties, and his great, forbidden love for the beautiful Queen Guenever. Culminating in an account of Arthur's final battle against the scheming, deceitful Mordred, this is the definitive re-telling of the Arthurian myth, weaving a story of adultery, treachery and ultimately - in its tragic finale - death. Edited and published by William Caxton in 1485, Malory's moving prose romance looks back to an idealised Medieval age of chivalry, drawing on French and English verse sources to create an epic masterpiece of passion, enchantment, war and betrayal.

Le Morte D'Arthur is Sir Thomas Malory's richly evocative and enthralling version of the Arthurian legend. Recounting Arthur's birth, his ascendancy to the throne after claiming Excalibur, his ill-fated marriage to Guenever, the treachery of Morgan le Fay and the exploits of the Knights of the Round Table, it magically weaves together adventure, battle, love and enchantment. Le Morte D'Arthur looks back to an idealized Medieval world and is full of wistful, elegiac regret for a vanished age of chivalry. Edited and published by William Caxton in 1485, Malory's prose romance drew on French and English verse sources to give an epic unity to the Arthur myth, and remains the most magnificent re-telling of the story in English.

The definitive English version of the stories of King Arthur, Le Morte Darthur was completed in 1469-70 by Sir Thomas Malory, `knight-prisoner''. In a resonant prose style, Malory charts the tragic disintegration of the fellowship of the Round Table, destroyed from within by warring factions. Recounting the life of King Arthur, the knightly exploits of Sir Lancelot du Lake, Sir Tristram, Sir Gawain, and the quest for the Holy Grail, Le Morte Darthur depicts the contradictions that underscore the Fellowship''s chivalric ideals. A pervading tension cumulates in the revelation of Lancelot and Guenivere''s illicit passion, and in Arthur''s powerlessness to prevent a related outbreak of violence and revenge. This generously annotated edition is based on the authoritative Winchester manuscript and represents what Malory wrote more closely than the first version printed by William Caxton. Intelligently abridged from the original to make a single substantial volume, the translation is supplemented by a fine Introduction, a Glossary, and extensive Notes ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This single-volume edition of the complete works of Sirhe Thomas Malory retains his 15th-century English while providing an introduction, glossary, and fifty pages of explanatory notes on each romance.

This thoroughly readable collection of Malory's famous stories of King Arthur includes the familiar legends, plots, exploits, and characters which have become part of the cultural tradition of the English-speaking world.

The definitive English version of the stories of King Arthur, Le Morte Darthur was completed in 1469-70 by Sir Thomas Malory, `knight-prisoner'. In a resonant prose style, Malory charts the tragic disintegration of the fellowship of the Round Table, destroyed from within by warring factions. Recounting the life of King Arthur, the knightly exploits of Sir Lancelot du Lake, Sir Tristram, Sir Gawain, and the quest for the Holy Grail, Le Morte Darthur depicts the contradictions that underscore the Fellowship's chivalric ideals. A pervading tension cumulates in the revelation of Lancelot and Guenivere's illicit passion, and in Arthur's powerlessness to prevent a related outbreak of violence and revenge. This generously annotated edition is based on the authoritative Winchester manuscript and represents what Malory wrote more closely than the first version printed by William Caxton. Intelligently abridged from the original to make a single substantial volume, the translation is supplemented by a fine Introduction, a Glossary, and extensive Notes

No other edition accurately represents the actual (and likely authorial) divisions of the text as attested to by its two surviving witnesses—Caxton’s 1485 print and, especially, the famous Winchester Manuscript. The Winchester Manuscript is now generally agreed to be the more authentic of the two earlier texts. The Norton Critical Edition is the first edition of Malory to recover important elements of this manuscript: paragraphing marginal annotations hierarchies of narrative division as signaled by size and decorative intricacy of initial capitals and font changes The Norton Critical Edition also represents, in black-letter font, the striking rubrication of proper names in the Winchester Manuscript, reconstructing for readers something of an authentic medieval reading experience, one which gives visual support to Malory’s extraordinary representation, in character and setting, of a chivalric ideal. No other student edition of Malory contains such extensive contextual and critical support.

P. J. C. Field, the world's preeminent Malory specialist, has wisely chosen to offer here Malory's seventh and eighth tales, recounting the decline and end of Camelot. The authoritative text is accompanied by indispensable notes and preceded by a remarkably thorough and learned--but never obscure--Introduction sufficient to prepare students and other readers to profit fully from the texts. This book is ideal for those coming to Malory for the first time and a distinct pleasure for those who already know him well. --Norris J. Lacy, E. E. Sparks Professor of French and Medieval Studies, Penn State University