Thomas Schatz – författare

'Hollywood' as a concept applies variously to a particular film style, a factory-based mode of film production, a cartel of powerful media institutions and a national (and increasingly global) 'way of seeing'. It is a complex social, cultural and industrial phenomenon and is arguably the single most important site of cultural production over the past century.This collection brings together journal articles, published essays, book chapters and excerpts which explore Hollywood as a social, economic, industrial, aesthetic and political force, and as a complex historical entity.

"Boom and Bust" traces the movie industry through the momentous decade of the 1940s. It discusses changes in the structure of the studio system - including the shift to independent production - and the dominant stars, genres, and production trends through the period.

From the author of The Genius of the System, the classic tale of Hollywood’s first golden age, comes the story of its last.Thomas Schatz returns us to an era when a newly enriched movie industry rediscovered its creative energy, and indie went mainstream without losing its edge.Between 1989 and 2004, all the old studios either merged with other media giants or were swallowed up by even bigger diversified behemoths, leading to an infusion of money and fast-tracking the digital revolution. Yet even as CGI and piles of cash fueled a new breed of blockbusters—Batman and Titanic, Toy Story and The Lord of the Rings—an indie ethos permeated the industry. And at the crossroads of commodification and aesthetic vision, auteurs ranging from Steven Soderbergh and Quentin Tarantino to Sofia Coppola and Ang Lee became household names.Power Surge traces these trajectories, which increasingly clashed and commingled during the 1990s and early 2000s, resulting in nothing short of a new golden age—and perhaps the last gasp of the century-old studio system.

From the author of The Genius of the System, the classic tale of Hollywood's first golden age, comes the story of its last. Thomas Schatz returns us to an era when a newly enriched movie industry rediscovered its creative energy, and indie went mainstream without losing its edge. Between 1989 and 2004, all the old studios either merged with other media giants or were swallowed up by even bigger diversified behemoths, leading to an infusion of money and fast-tracking the digital revolution. Yet even as CGI and piles of cash fueled a new breed of blockbustersBatman and Titanic, Toy Story and The Lord of the Ringsan indie ethos permeated the industry. And at the crossroads of commodification and aesthetic vision, auteurs ranging from Steven Soderbergh and Quentin Tarantino to Sofia Coppola and Ang Lee became household names.Power Surge traces these trajectories, which increasingly clashed and commingled during the 1990s and early 2000s, resulting in nothing short of a new golden ageand perhaps the last gasp of the century-old studio system.

At a time when the Hollywood studios are stronger than they have ever been during their 80-year history, film historian Thomas Schatz provides an indispensable account of Hollywood's traditional blend of business and art. The book lays to rest the persistent myth that studio executives and producers stifle artistic talent and reveals instead the genius of a system of collaboration and conflict. Working from industry documents, Schatz traces the development of house styles, the rise and fall of careers, and the making (and unmaking) of movies: from Frankenstein to Casablanca to Hitchcock's Notorious - and how it all collapsed in the face of television. The Genius of the System gives the definitive view of the workings of the Old Hollywood and the foundation of the New.

In The Genius of the System, Thomas Schatz recalls Hollywood's Golden Age from the 1920s until the dawn of television in the late 1940s, when quality films were produced swiftly and cost efficiently thanks to the intricate design of the system. Schatz takes us through the rise and fall of individual careers and the making—and unmaking—of movies such as Frankenstein, Casablanca, and Hitchcock's Notorious. Through detailed analysis of major Hollywood moviemakers including Universal, Warner Bros., and MGM, he reminds us of a time when studios had distinct personalities and the relationship between contracts and creativity was not mutually exclusive.

Die Potenziale technischer Hilfsmittel für die Förderung von Selbstständigkeit, Autonomie und gesellschaftlicher Teilhabe älterer Menschen auch bei zunehmendem Unterstützungsbedarf wurden bisher wenig genutzt. Damit gehen Chancen einer "Verjüngung des Alters durch Technik" verloren - für Alternde, deren Angehörige und für Kommunen.Ausgehend von Modellprojekten in 22 Städten und Landkreisen wird die Bedeutung von Technikberatung für ältere Menschen und Angehörige erläutert. Schritt für Schritt wird der Aufbau eines bedarfsorientierten Beratungsangebots dargestellt, begleitet von Praxis-Tipps und Handlungsempfehlungen sowie einer Übersicht erprobter Geräte.