Thomas Seelig – författare

Concerned with the fundamental concepts and methods of fracture mechanics and micromechanics, this textbook primarily focuses on the mechanical description of fracture process.

- self-contained and well illustrated - complete and comprehensive derivation of mechanical/mathematical results with enphasis on issues of practical importance - combines classical subjects of fracture mechanics with modern topics such as microheterogeneous materials, piezoelectric materials, thin films, damage - mechanically and mathematically clear and complete derivations of results

Concerned with the fundamental concepts and methods of fracture mechanics and micromechanics, Fracture Mechanics primarily focuses on the mechanical description of the fracture process; however, material specific aspects are also discussed. The presentation of continuum mechanical and phenomenological foundations is followed by an introduction into classical failure hypotheses. A major part of the book is devoted to linear elastic and elastic-plastic fracture mechanics. Further subjects are creep fracture, dynamic fracture mechanics, damage mechanics, probabilistic fracture mechanics, failure of thin films and fracture of piezoelectric materials. The book also contains an extensive introduction into micromechanics. Self-contained and well-illustrated, this text serves as a graduate-level text and reference.

Das Lehrbuch führt in die grundlegenden Prinzipien und Arbeitsmethoden der Bruchmechanik und Mikromechanik ein. Auf die Behandlung von kontinuumsmechanischen und phänomenologischen Grundlagen folgt ein Einblick in die klassischen Bruch- und Versagenshypothesen sowie in makro- und mikroskopische Phänomene des Bruchs.

Architecture has always been a magnificent and much debated platform to express the spirit of the times, world views, everyday life, and aesthetics. It is a daring materialisation of private and public visions, of applied art and the avant-garde alike. Concrete: Photography and Architecture presents images of iconic urban architectures and townscapes that reflect the close and complex union between photography and architecture, between architect and photographer. Starting from the 19th century, when photography was invented, the book picks up positions, juxtapositions, and thematic fields that bring together the concrete, fundamental, and the historic. Besides everyday architecture and glamorous buildings, it looks also at structural horizontal and vertical axes; houses and homes; utopias, plans and reality; the captivating transience of architecture against the test of time; and destruction both natural and intentional.Text in English & German.