Tiffany Watt Smith – författare

Is your heart fluttering in anticipation? Is your stomach tight with nerves? Are you falling in love? Feeling a bit miffed? Are you curious (perhaps about this book)? Do you have the heebie-jeebies? Are you antsy with iktsuarpok? Or giddy with dépaysement? The Book of Human Emotions is a gleeful, thoughtful collection of 156 feelings, both rare and familiar. Each has its own story, and reveals the strange forces which shape our rich and varied internal worlds. In reading it, you'll discover feelings you never knew you had (like basorexia, the sudden urge to kiss someone), uncover the secret histories of boredom and confidence, and gain unexpected insights into why we feel the way we do.Published in partnership with the Wellcome Collection.Wellcome Collection is a free museum and library that aims to challenge how we think and feel about health. Inspired by the medical objects and curiosities collected by Henry Wellcome, it connects science, medicine, life and art. Wellcome Collection exhibitions, events and books explore a diverse range of subjects, including consciousness, forensic medicine, emotions, sexology, identity and death. Wellcome Collection is part of Wellcome, a global charitable foundation that exists to improve health for everyone by helping great ideas to thrive, funding over 14,000 researchers and projects in more than 70 countries.wellcomecollection.org

While the end of the nineteenth century is often associated with the rise of objectivity and its ideal of a restrained observer, scientific experiments continued to create emotional, even theatrical, relationships between scientist and his subject. On Flinching focuses on moments in which scientific observers flinched from sudden noises, winced at the sight of an animal''s pain or cringed when he was caught looking, as ways to consider a distinctive motif ofpassionate and gestured looking in the laboratory and beyond. It was not their laboratory machines who these scientific observers most closely resembled, but the self-consciously emotional theatrical audiences of the period. Tiffany Watt-Smith offers close readings of four experiments performed by thenaturalist Charles Darwin, the physiologist David Ferrier, the neurologist Henry Head, and the psychologist Arthur Hurst. Bringing together flinching scientific observers with actors and spectators in the late nineteenth and early twentieth century theatre, it places the history of scientific looking in its wider cultural context, arguing that even at the dawn of objectivity the techniques and problems of the stage continued to haunt scientific life. In turn, it suggests that by exploring theways recoiling, shrinking and wincing becoming paradigmatic spectatorial gestures in this period, we can understand the ways Victorians thought about looking as itself an emotional and gestured performance.

While the end of the nineteenth century is often associated with the rise of objectivity and its ideal of a restrained observer, scientific experiments continued to create emotional, even theatrical, relationships between scientist and his subject. On Flinching focuses on moments in which scientific observers flinched from sudden noises, winced at the sight of an animal's pain or cringed when he was caught looking, as ways to consider a distinctive motif of passionate and gestured looking in the laboratory and beyond. It was not their laboratory machines who these scientific observers most closely resembled, but the self-consciously emotional theatrical audiences of the period. Tiffany Watt-Smith offers close readings of four experiments performed by the naturalist Charles Darwin, the physiologist David Ferrier, the neurologist Henry Head, and the psychologist Arthur Hurst. Bringing together flinching scientific observers with actors and spectators in the late nineteenth and early twentieth century theatre, it places the history of scientific looking in its wider cultural context, arguing that even at the dawn of objectivity the techniques and problems of the stage continued to haunt scientific life. In turn, it suggests that by exploring the ways recoiling, shrinking and wincing becoming paradigmatic spectatorial gestures in this period, we can understand the ways Victorians thought about looking as itself an emotional and gestured performance.

'A blueprint for how to sustain friendships.' GUARDIAN'Thought-provoking, open-hearted.' FINANCIAL TIMES'A brilliant ode to the necessity and complexity of female friendship.' SPECTATOR'A generous, timely book.' OBSERVER'Will leave you moved, hopeful and inspired in equal measure.' DAISY HAY'I urge you to read it.' SUZANNAH LIPSCOMBA rebellious new history of female friendship and timely reclamation of the 'bad friend'.Move over idealised BFFs, glossy gal pals and indestructible work wives. Meet the bad friends. The dangerously romantic school girls of the 1900s. The office gossips of the 1930s. The mum cliques of the 1950s. The angry activists of the 1970s. The coven - women who choose to live together in old age - of the present day. These 'bad' friends broke the rules about femininity they didn't write. Their relationships were controlled, patrolled and judged too intimate, too consuming and in some cases, too powerful.In this history of women's friendship, celebrated cultural historian Tiffany Watt Smith reckons with the ways we understand this complex and vital connection. She takes us from Japan to the Ivory Coast, The Mindy Project to Zadie Smith's Swing Time, from prisons to film sets to hospital wards and elder communities, untangling the assumptions about good and bad friends we live by. Weaving together history, interviews and memoir, Bad Friend offers what's long overdue: a more expansive, more rebellious vision of friendship fit for twenty-first-century life.

'A blueprint for how to sustain friendships.' GUARDIAN'Thought-provoking, open-hearted.' FINANCIAL TIMES'A brilliant ode to the necessity and complexity of female friendship.' SPECTATOR'A generous, timely book.' OBSERVER'Will leave you moved, hopeful and inspired in equal measure.' DAISY HAY'I urge you to read it.' SUZANNAH LIPSCOMBA rebellious new history of female friendship and timely reclamation of the 'bad friend'.Move over idealised BFFs, glossy gal pals and indestructible work wives. Meet the bad friends. The dangerously romantic school girls of the 1900s. The office gossips of the 1930s. The mum cliques of the 1950s. The angry activists of the 1970s. The coven - women who choose to live together in old age - of the present day. These 'bad' friends broke the rules about femininity they didn't write. Their relationships were controlled, patrolled and judged too intimate, too consuming and in some cases, too powerful.In this history of women's friendship, celebrated cultural historian Tiffany Watt Smith reckons with the ways we understand this complex and vital connection. She takes us from Japan to the Ivory Coast, The Mindy Project to Zadie Smith's Swing Time, from prisons to film sets to hospital wards and elder communities, untangling the assumptions about good and bad friends we live by. Weaving together history, interviews and memoir, Bad Friend offers what's long overdue: a more expansive, more rebellious vision of friendship fit for twenty-first-century life.

'A brilliant ode to the necessity and complexity of female friendship.' HELEN CARR, THE SPECTATOR'A tour through history proves female camaraderie is more than hashtags and girl power.' THE TIMES'Bad Friend fizzes with women navigating, testing and redefining this most powerful and complex bond.' KATHERINE ANGEL'A wonderful, tender, joyous book. I urge you to read it.' SUZANNAH LIPSCOMBFor as long as women have had friends, they've got us drunk, spilled our secrets, bailed on plans and meddled where we wished they wouldn't. They've also held back our hair, sat with us while we cried and made us feel altogether invincible. Maybe none of us is perfect. Stirred by her own disappointments in friendship, cultural historian Tiffany Watt Smith sets out in pursuit of the rule-breaking women who offer a messier, more expansive vision of the connection we just might need the most.

'A delightful book, full of jokes and confessions' GuardianA hilarious quest to understand life's ultimate guilty pleasureIn Schadenfreude, historian of emotions Tiffany Watt Smith offers expert insight and advice. Ranging across thinkers from Nietzsche to Homer Simpson, investigating the latest scientific research, and collecting some outrageous confessions on the way - she reveals how everyone, babies, nuns, your most trusted friends, are enjoying your misfortunes. But rather than an emotional glitch, she argues, Schadenfreude can reveal profound truths about our relationships with others and our sense of who we are. Frank, warm and laugh-out-loud funny, Schadenfreude makes the case for thinking afresh about this much-maligned emotion - and perhaps, even, embracing it.

''A delightful book, full of jokes and confessions'' GuardianA hilarious quest to understand life''s ultimate guilty pleasureIn Schadenfreude, historian of emotions Tiffany Watt Smith offers expert insight and advice. Ranging across thinkers from Nietzsche to Homer Simpson, investigating the latest scientific research, and collecting some outrageous confessions on the way - she reveals how everyone, babies, nuns, your most trusted friends, are enjoying your misfortunes. But rather than an emotional glitch, she argues, Schadenfreude can reveal profound truths about our relationships with others and our sense of who we are. Frank, warm and laugh-out-loud funny, Schadenfreude makes the case for thinking afresh about this much-maligned emotion - and perhaps, even, embracing it.

Ever felt an emotion that you haven't been able to find the right words for?Dip into The Box of Emotions to find the perfect expression of how you feel. Each of the 80 cards contains a mini-essay on a different emotion on one side and a mesmerizing colour pattern on the other. Learn more about yourself and what makes your fellow beings tick, from anger and worry to empathy and courage. And with a host of less familiar emotions - dépaysement, fago, and litost among them - you may discover a whole new way of being.There are 11 categories and within this there are 5 - 8 emotions described, these categories are: Zen, Bliss, Enjoyment, Possibility, Ego, Heat, Heartache, Angst, Loathing, Bitterness and Emptiness.

Is your heart fluttering in anticipation? Is your stomach tight with nerves? Are you falling in love? Feeling a bit miffed? Are you curious (perhaps about this book)? Do you have the heebie-jeebies? Are you antsy with iktsuarpok? Or giddy with dépaysement? The Book of Human Emotions is a gleeful, thoughtful collection of 156 feelings, both rare and familiar. Each has its own story, and reveals the strange forces which shape our rich and varied internal worlds. In reading it, you''ll discover feelings you never knew you had (like basorexia, the sudden urge to kiss someone), uncover the secret histories of boredom and confidence, and gain unexpected insights into why we feel the way we do.Published in partnership with the Wellcome Collection.Wellcome Collection is a free museum and library that aims to challenge how we think and feel about health. Inspired by the medical objects and curiosities collected by Henry Wellcome, it connects science, medicine, life and art. Wellcome Collection exhibitions, events and books explore a diverse range of subjects, including consciousness, forensic medicine, emotions, sexology, identity and death. Wellcome Collection is part of Wellcome, a global charitable foundation that exists to improve health for everyone by helping great ideas to thrive, funding over 14,000 researchers and projects in more than 70 countries.wellcomecollection.org