Tim Blanning – författare

'Highly readable and deeply researched' - Andrew Roberts 'Masterful ... brilliantly brings to life one of the most complex characters of modern European history' - Sunday Telegraph'It is sure to be the standard English-language account for many years. It instructs; it entertains; and it surprises' - Philip Mansel, The SpectatorFrederick the Great, King of Prussia, dominated the eighteenth century in the same way that Napoleon dominated the start of the nineteenth. He was a force of nature, a ruthless, brilliant, charismatic military commander, a monarch of exceptional energy and talent, a gifted composer, performer, poet and philosopher, and a discerning patron of artists, architects and writers, most famously Voltaire. From the very start of his reign he was an intensely divisive figure - fascinating even to those who hated him.Tim Blanning's brilliant new biography captures Frederick's vitality, complexity and flawed genius better than any previous writer. He also recreates a remarkable era, the last flowering of the old regime that would be swept away almost immediately after Frederick's death by the French Revolution. Equally at home on the battlefield or in the music room at Frederick's extraordinary miniature palace of Sanssouci, Blanning draws on a lifetime's immersion in the eighteenth century to present him in the round, with new attention paid to his cultural self-fashioning, including his sexuality. Frederick's spectre has hung over Germany ever since, both as inspiration and warning - Blanning at last allows us to understand him in his own time.

'Let the nations rejoice: this history of Europe is a truly glorious book' John Adamson, Sunday TimesThe Pursuit of Glory brings to life one of the most extraordinary periods in European history – from the battered, introvert continent after the Thirty Years War to the dynamic one that experienced the French Revolution and the wars of Napoleon. Tim Blanning depicts the lives of ordinary people and the dominant personalities of the age (Louis XIV, Frederick the Great, Napoleon), and explores an era of almost unprecedented change, growth and cultural, political and technological ferment that shaped the societies and economies of entire countries.

Two of the most popular, innovative and controversial fields of historical study are cultural history and the history of nationalism. This volume brings these two areas together by addressing a central concern of recent research on the cultural history of Europe: the transition from the cosmopolitan culture of the Enlightenment to the self-consciously national cultures of the nineteenth century. Eleven lively and accessible chapters cover the public sphere, music, the visual arts, political culture, literature, the role of the state, and national languages. Among the many topics discussed are the decline in the degree and importance of patronage by the churches and the nobility; the corresponding expansion in the role played by the anonymous public and the market; the decline of international languages in favour of national vernaculars; the importance of the 'other' in determining a sense of national identity; and the growing appreciation by the state of the significance of the 'fine arts' as being conducive to social harmony, economic prosperity, and political stability.

A distinguished historian chronicles the rise of music and musicians in the West from lowly balladeers to masters employed by fickle patrons, to the great composers of genius, to today’s rock stars. How, he asks, did music progress from subordinate status to its present position of supremacy among the creative arts? Mozart was literally booted out of the service of the Archbishop of Salzburg “with a kick to my arse,” as he expressed it. Yet, less than a hundred years later, Europe’s most powerful ruler—Emperor William I of Germany—paid homage to Wagner by traveling to Bayreuth to attend the debut of The Ring. Today Bono, who was touted as the next president of the World Bank in 2006, travels the world, advising politicians—and they seem to listen. The path to fame and independence began when new instruments allowed musicians to showcase their creativity, and music publishing allowed masterworks to be performed widely in concert halls erected to accommodate growing public interest. No longer merely an instrument to celebrate the greater glory of a reigning sovereign or Supreme Being, music was, by the nineteenth century, to be worshipped in its own right. In the twentieth century, new technological, social, and spatial forces combined to make music ever more popular and ubiquitous. In a concluding chapter, Tim Blanning considers music in conjunction with nationalism, race, and sex. Although not always in step, music, society, and politics, he shows, march in the same direction.

A compelling and persuasive account of how the Romantic Movement permanently changed the way we see things and express ourselves.Three great revolutions rocked the world around 1800. The first two - the French Revolution and the Industrial Revolution - have inspired the greatest volume of literature. But the third - the romantic revolution - was perhaps the most fundamental and far-reaching. From Byron, Wordsworth, Coleridge and Burns, to Beethoven, Wagner, Berlioz, Rossini and Liszt, to Goya, Turner, Delacroix and Blake, the romantics brought about nothing less than a revolution when they tore up the artistic rule book of the old regime. This was the period in which art acquired its modern meaning; for the first time the creator, rather than the created, took centre-stage. Artists became the high priests of a new religion, and as the concert hall and gallery came to take the place of the church, the public found a new subject worthy of veneration in paintings, poetry and music. Tim Blanning's sparkling, wide-ranging survey traces the roots and evolution of a cultural revolution whose reverberations continue to be felt today.

From the acclaimed author of The Pursuit of Glory and Frederick the Great, a riotous biography of the charismatic ruler of 18th-century Poland and Saxony - and his catastrophic reign.Winner of the Elizabeth Longford Prize for Historical Biography 2025 Shortlisted for the 2025 Apollo Book of the Year Award'It's been a superb year for history but Augustus the Strong ranks up there with the very very best! I cant recommend it strongly enough' - Simon Sebag-Montefiore'The wonderful story of one of the worst monarchs in European history, told with enormous wit and scholarship by a supremely talented historian. If you have the slightest interest in Germans, Poles, porcelain, jewels, the Enlightenment, military disasters or the pleasures of fox-tossing, then this is the book for you' - Dominic SandbrookAugustus is one of the great what-ifs of the 18th century. He could have turned the accident of ruling two major realms into the basis for a powerful European state – a bulwark against the Russians and a block on Prussian expansion. Alas, there was no opportunity Augustus did not waste and no decision he did not get wrong. By the time of his death Poland was fatally damaged and would subsequently disappear as an independent state until the 20th century.Tim Blanning’s wonderfully entertaining and original new book is a study in failed statecraft, showing how a ruler can shape history as much by incompetence as brilliance. Augustus’s posthumous sobriquet ‘The Strong’ referred not to any political accomplishment, but to his legendary physical strength and sexual athleticism.Yet he was also one of the great creative artists of the age, combining driving energy, exquisite taste and apparently boundless resources to master-mind the creation of peerless Dresden, the baroque jewel of jewels. Augustus the Strong brilliantly evokes this time of opulence and excess, decadence and folly.