Tim Dee – författare

The Running Sky records a lifetime of looking at birds. Begining in summer with clouds of breeding seabirds in Shetland and ending with crepuscular nightjars like giant moths in the heart of England, Tim Dee maps his own observations and encounters over four decades of tracking birds across the globe. He tells of near-global birds like sparrows, starlings and ravens, and exotic species, like electrically coloured hummingbirds in California and bee-eaters and broadbills in Africa. In doing so he brilliantly restores us to the primacy of looking, the thrill of watching, and takes us outside, again and again, to stand - with or without binoculars - under the storm of life over our heads, and to marvel once more at what is flying about us.

A STUNNING COLLECTION OF POEMS CURATED BY THE NEW POET LAUREATE AND THE BESTSELLING AUTHOR OF FOUR FIELDS___________________________'Some of the most ethereal verse ever written' Sunday Telegraph 'A glorious collection of works old and new' Independent on Sunday 'Truly inexhaustible . . . to be read again and again' Daily Mail 'A rich and sustaining larder, a marvellously realized sourcebook of flights of feathered fancy' Guardian 'A life-affirming celebration of the commonplace yet enduringly mysterious creatures we share this world with and the poetry they have inspired' Daily Telegraph

In his first book since the acclaimed The Running Sky Tim Dee tells the story of four green fields. Four fields spread around the world: their grasses, their hedges, their birds, their skies, and their natural and human histories. Four real fields – walkable, mappable, man-made, mowable and knowable, but also secretive, mysterious, wild, contested and changing. Four fields – the oldest and simplest and truest measure of what a man needs in life – looked at, thought about, worked in, lived with, written.Dee’s four fields, which he has known for more than twenty years, are the fen field at the bottom of his Cambridgeshire garden, a field in southern Zambia, a prairie field in Little Bighorn, Montana, USA, and a grass meadow in the exclusion zone at Chernobyl, Ukraine. Meditating on these four fields, Dee makes us look anew at where we live and how. He argues that we must attend to what we have made of the wild, to look at and think about the way we have messed things up but also to notice how we have kept going alongside nature, to listen to the conversation we have had with grass and fields.Four Fields is a profound, lyrical book by one of Britain’s very best writers about nature.Shortlisted for the 2014 Ondaatje Prize

The essential and defining new collection of the best British nature writing‘Tim Dee has brought together a wonderous array of talent for this life-affirming, often magical anthology’ ObserverWe are living in the anthropocene – an epoch where everything is being determined by the activities of just one soft-skinned, warm-blooded, short-lived, pedestrian species. How do we make our way through the ruins that we have made? This anthology tries to answer this as it explores new and enduring cultural landscapes, in a celebration of local distinctiveness that includes new work from some of our finest writers. We have memories of childhood homes from Adam Thorpe, Marina Warner and Sean O’Brien; we journey with John Burnside to the Arizona desert, with Hugh Brody to the Canadian Arctic; going from Tessa Hadley’s hymn to her London garden to caving in the Mendips with Sean Borodale to shell-collecting on a Suffolk beach with Julia Blackburn.Helen Macdonald, in her remarkable piece on growing up in a 50-acre walled estate, reflects on our failed stewardship of the planet: ‘I take stock.’ she says, ‘During this sixth extinction, we who may not have time to do anything else must write now what we can, to take stock.’ This is an important, necessary book.

'A joyful, poetic hymn to spring... Dee is one of our greatest living nature writers' ObserverOne December, in midsummer South Africa, Tim Dee was watching swallows. They were at home there, but the same birds would soon begin journeying north to Europe, where their arrival marks the beginning of spring.Greenery recounts how Tim Dee tries to follow the season and its migratory birds, making remarkable journeys in the Sahara, the Straits of Gibraltar, Sicily, Britain, and finally by the shores of the Arctic Ocean in northern Scandinavia. On each adventure, he is in step with the very best days of the year - the time of song and nests and eggs, of buds and blossoms and leafing.'A masterpiece... I can't imagine I'll ever stop thinking about it' Max Porter'Fascinating, horizon-expanding, life-enhancing' Lucy Jones, author of Losing Eden

'A joyful, poetic hymn to spring... Dee is one of our greatest living nature writers' ObserverOne December, in midsummer South Africa, Tim Dee was watching swallows. They were at home there, but the same birds would soon begin journeying north to Europe, where their arrival marks the beginning of spring.Greenery recounts how Tim Dee tries to follow the season and its migratory birds, making remarkable journeys in the Sahara, the Straits of Gibraltar, Sicily, Britain, and finally by the shores of the Arctic Ocean in northern Scandinavia. On each adventure, he is in step with the very best days of the year - the time of song and nests and eggs, of buds and blossoms and leafing.'A masterpiece... I can't imagine I'll ever stop thinking about it' Max Porter'Fascinating, horizon-expanding, life-enhancing' Lucy Jones, author of Losing Eden

Archipelago is one of the most important and influential literary magazines of the lasttwenty years. Running to twelve editions, it was edited by Andrew McNeillie, with theassistance later of James McDonald Lockhart, and began as an attempt to reimagine therelationships between the islands of Ireland and Britain. Archipelago has brought togetherestablished and emerging artists in creative conversations that have transformed the studyof islands, coasts and waterways. It journeys from the Shetlands to Cornwall, from theAran Islands to the coast of Yorkshire, tracing the cultures of diverse zones through someof the best in contemporary writing about place and people.This collection gathers poetry, prose and visual art in clusters grouped around the Irishand British archipelago, with contributions from an array of significant artists. It includesnewly commissioned work as well as an interview between Andrew McNeillie andRobert Macfarlane on the development of Archipelago across the years.