Tim Miller – författare

A heartwarming, gorgeously illustrated picture book of an adorable cat finding its forever home, from acclaimed author-artist Tim Miller.Tiny, brave, playful kitty goes on an adventure through the crowded, noisy city in a story about finding love and kindness in unexpected places. The kitten’s bravery, loneliness, playfulness, joy, camaraderie, and curiosity create a rich, emotional journey. The story reflects Tim Miller's passionate advocacy for animal rescue.No tiny kitty fan will be able to resist this triumphant story of overcoming the odds in the big city.

Performance artist Tim Miller has performed infront of audiences all over the world. This volume gathers six of his best-known performances that chart the sexual, spiritual and political topography of his identity as a gay man: ""Some Golden States"", ""Stretch Marks"", ""My Queer Body"", ""Naked Breath"", ""Fruit Cocktail"" and ""Glory Box"". Each performance script is illustrated with photographs and accompanied by Miller's notes and comments. The book explores the tangible body blows - taken and given - of Miller's life and times as explored in his performance: the queer-basher's blow, the sweet blowing breath of a lover, the below-the-belt blow of AIDS/HIV, the psychic blows from a society that disrespects the humanity of lesbian and gay relationships. Miller's performance are full of the put-up-your-dukes and stand-your-ground of such day-to-day blows that make up being gay in America.

If I continue to tour for another twenty years, as I have for the last twenty-one, I will end up sleeping in at least 1000 hotel beds in my lifetime. For maximum poetic oomph, let's say 1001 beds...They symbolize a life and art dedicated to reaching out toward folks from Bozeman to Tampa. A life and art that has traveled widely and, I believe, reached a couple hundred thousand people with my stories of queer life and love. For a quarter century, Tim Miller has worked at the intersection of performance, politics, and identity, using his personal experiences to create entertaining but pointed explorations of life as a gay American man - from the perils and joys of sex and relationships to the struggles of political disenfranchisement and artistic censorship. This intimate autobiographical collage of Miller's professional and personal life reveals one of the celebrated creators of a crucial contemporary art form and a tireless advocate for the American dream of political equality for all citizens. Here we have the most complete Miller yet - a raucous collection of his performance scripts, essays, interviews, journal entries, and photographs, as well as his most recent stage piece ""Us"". This volume brings together the personal, communal, and national political strands that interweave through his work from its beginnings and ultimately define Miller's place as a contemporary artist, activist, and gay man.

From London to DC to Australia to Los Angeles, Tim Miller has sold out shows in which he addresses issues of gender, immigration, homophobia, and censorship. As one of the ""NEA Four,"" who successfully sued the federal government for violating their First Amendment rights when their funding was rescinded in the early 1990s, Miller has always played an important role in defending queer artistic expression on stage. His autobiographical explorations into identity, politics, and art through the lens of his own experiences lead to visceral, humorous, and poignant performances. His activism and experiences inform his newest collection of performance scripts and writings, which represent the culmination of the many struggles for rights and equality that Miller has documented, and performed, over the course of his career. A Body in the O is an important addition to Miller's existing body of work, picking up from his show Lay of the Land and moving into his more recent piece, Rooted.

The sequel to the hilarious THERE IS A MONSTER UNDER MY BED WHO FARTS. How much trouble can one little monster cause at Christmas time?From the cheeky duo who brought you THERE IS A MONSTER UNDER MY BED WHO FARTS and THE PIRATE WHO HAD TO PEE comes a book that is perfect for naughty boys this Christmas.The Fart Monster is back and he's tootier than ever! It's Christmas, and Fart Monster is up to his old stinky tricks ... Will the boy get the blame this time? Or will he be able to convince Santa to keep him off the naughty list?Ages: 3+

The Fart Monster is back! And he's gone global! Get your passports ready; we're about to go around the world in 80 farts ...Fart, fart and away!Most families go on holiday to get away from it all. But what if a lingering smell followed you from one country to the next?Ever wondered what could remove that smile from the Mona Lisa's face? What could force the Buckingham Palace guards to run for their lives? What mighty gust of wind could finally make the Leaning Tower of Pisa fall? All will be revealed in There is a Monster on My Holiday Who Farts!

American Home Cooking provides an answer to the question of why, in the face of all the modern technology we have for saving time, Americans still spend time in their kitchens cooking.Americans eat four to five meals per week in a restaurant and buy millions of dollars’ worth of convenience foods. Cooking, especially from scratch, is clearly on its way out. However, if this is true, why do we spend so much money on kitchen appliances both large and small? Why are so many cooking shows and cookbooks published each year if so few people actually cook?In American Home Cooking, Timothy Miller argues that there are historical reasons behind the reality of American cooking. There are some factors that, over the past two hundred years, have kept us close to our kitchens, while there are other factors that have worked to push us away from our kitchens. At one end of the cooking and eating continuum is preparing meals from scratch: all ingredients are raw and unprocessed and, in extreme cases, grown at the home. On the other end of the spectrum is dining out at a restaurant, where no cooking is done but the family is still fed. All dining experiences exist along this continuum, and Miller considers how American dining has moved along the continuum. He looks at a number of different groups and trends that have affected the state of the American kitchen, stretching back to the early 1800s. These include food and appliance companies, the restaurant industry, the home economics movement of the early 20th century, and reform movements such as the counterculture of the 1960s and the religious reform movements of the 1800s. And yet the kitchen is still, most often, the center of the home and the place where most people expect to cook and eat – even if they don’t.

This book constitutes the refereed proceedings of the 21st International Conference on Principles and Practice of Multi-Agent Systems, PRIMA 2018, held in Tokyo, Japan, in October/November 2018. The 27 full papers presented and 31 short papers were carefully reviewed and selected from 103 submissions.  PRIMA presents subjects in many application domains, particularly in e-commerce, and also in planning, logistics, manufacturing, robotics, decision support, transportation, entertainment, emergency relief and disaster management, and data mining and analytics.