Tim Palmer – författare
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Drawing from author Tim Palmer''s 30 years of experience working as a cinematographer for award-winning drama series including Killing Eve, Bad Sisters, and Line of Duty, this book is the go-to guide on how to light just about any scene a cinematographer may face when shooting a TV show.
Focusing on lighting scenarios suitable for the small screen, the book is thematically organised into night and day, exteriors and interiors, and special situations including magic hour, candlelight and firelight, moonlight, torchlight, vehicle interiors, and green/blue screen, as well as providing examples from within the studio for each of these settings. Using the latest technology and developments in the practice, Palmer illustrates how cinematographers can effectively use lighting within a variety of situations. Palmer works through each example by illustrating and describing the setup with the corresponding finished film frames to show the final effect of the lighting achieved so cinematographers can easily apply and translate it to their own work.Including practical advice for working in the industry and tips for low-budget and student settings, this is an accessible and creative guide to producing visually compelling footage that translates the script to the screen. Ideal for the professional cinematographer and advanced students of cinematography looking to develop their skills.
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Drawing from author Tim Palmer''s 30 years of experience working as a cinematographer for award-winning drama series including Killing Eve, Bad Sisters, and Line of Duty, this book is the go-to guide on how to light just about any scene a cinematographer may face when shooting a TV show.
Focusing on lighting scenarios suitable for the small screen, the book is thematically organised into night and day, exteriors and interiors, and special situations including magic hour, candlelight and firelight, moonlight, torchlight, vehicle interiors, and green/blue screen, as well as providing examples from within the studio for each of these settings. Using the latest technology and developments in the practice, Palmer illustrates how cinematographers can effectively use lighting within a variety of situations. Palmer works through each example by illustrating and describing the setup with the corresponding finished film frames to show the final effect of the lighting achieved so cinematographers can easily apply and translate it to their own work.Including practical advice for working in the industry and tips for low-budget and student settings, this is an accessible and creative guide to producing visually compelling footage that translates the script to the screen. Ideal for the professional cinematographer and advanced students of cinematography looking to develop their skills.
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The Rocky Mountains are renowned for rugged grandeur, but the rivers flowing off the peaks are just as extraordinary in their beauty, nature, and allure. Tim Palmer reveals these natural wonders with their irresistible opportunities for paddling in swift currents and hiking along scenic shores with Field Guide to Rivers of the Rocky Mountains. He guides readers across Colorado, Idaho, Montana, and Wyoming in this essential and inspiring reference for residents of the Rockies and visitors alike.
Look inside to find:
Detailed descriptions of 70 riversPaddling difficulty and trail locationsDirections to landings and trailheadsNatural science and conservation history200 brilliant photos by the authorMaps locating all rivers777 kr
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Artistic, intellectual and appreciably avant-garde, the French film industry has, perhaps more than any other national cinema, been perennially at the centre of international filmmaking. With its vigorous business and wide-ranging film culture, France has also been home historically to some of the most influential filmmakers and movements – and, indeed, the very first motion picture was screened in Paris in 1895.
This volume addresses the great directors and key artistic movements, but also ventures beyond these well-established films and figures, broadening the canon through an examination of many neglected but intriguing French films. Framing essays explore the salient stylistic elements, cultural contexts and the various conceptions of cinema in France, from avant-gardes to filmmaking by women, from documentary and realism to the Tradition of Quality, as well as genres like comedy, crime and horror. Illustrated by screen shots, film reviews by leading international experts offer original approaches to both overlooked titles and acknowledged classics. Readers wishing to explore particular topics in greater depth will be grateful for the book’s reading recommendations and comprehensive filmography.
A visually engaging journey through one of the most dynamic, variegated, and idiosyncratic film industries, Directory of World Cinema: France will be a must-have for Francophiles and cinema savants.
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