Tim Robinson – författare

In 1907 J. M. Synge achieved both notoriety and lasting fame with The Playboy of the Western World. The Aran Islands, published in the same year, records his visits to the islands in 1898-1901, when he was gathering the folklore and anecdotes out of which he forged The Playboy and his other major dramas. Yet this book is much more than a stage in the evolution of Synge the dramatist. As Tim Robinson explains in his introduction, "If Ireland is intriguing as being an island off the west of Europe, then Aran, as an island off the west of Ireland, is still more so; it is Ireland raised to the power of two." Towards the end of the last century Irish nationalists came to identify the area as the country's uncorrupted heart, the repository of its ancient language, culture and spiritual values. It was for these reasons that Yeats suggested Synge visit the islands to record their way of life. The result is a passionate exploration of a triangle of contradictory relationships – between an island community still embedded in its ancestral ways but solicited by modernism, a physical environment of ascetic loveliness and savagely unpredictable moods, and Synge himself, formed by modern European thought but in love with the primitive.

The second volume in Tim Robinson's phenomenal Connemara Trilogy - which Robert Macfarlane has called 'One of the most remarkable non-fiction projects undertaken in English'.The first volume of Tim Robinson's Connemara trilogy, Listening to the Wind, covered Robinson's home territory of Roundstone and environs. The Last Pool of Darkness moves into wilder territory: the fjords, cliffs, hills and islands of north-west Connemara, a place that Wittgenstein, who lived on his own in a cottage there for a time, called 'the last pool of darkness in Europe'. Again combining his polymathic knowledge of Connemara's natural history, human history, folklore and topography with his own unsurpassable artistry as a writer, Tim Robinson has produced another classic.A native of Yorkshire, Tim Robinson moved to the Aran Islands in 1972. His books include the celebrated two-volume Stones of Aran. Since 1984 he has lived in Roundstone, Connemara.'The Proust & Ruskin of modern place-writing, deep-mapper of Irish landscapes, visionary thinker, and human of exceptional intellectual generosity & kindness. He was an immense inspiration to & encourager of me & my work' Robert Macfarlane'A masterpiece of travel and topographical writing and a miraculous, vivid and engrossing meditation on landscape and history and the sacred mood of places' Colm Tóibín, Irish Times'One of the greatest writers of lands ... No one has disentangled the tales the stones of Ireland have to tell so deftly and retold them so beautifully' Fintan O'Toole

The triumphant conclusion to Tim Robinson's extraordinary Connemara trilogy, which Robert Macfarlane has called 'one of the most remarkable non-fiction projects undertaken in English'.Robinson writes about the people, places and history of south Connemara - one of Ireland's last Gaelic-speaking enclaves - with the encyclopaedic knowledge of a cartographer and the grace of a born writer. From the man who has been praised in the highest terms by Joseph O'Connor ('One of contemporary Ireland's finest literary stylists''), John Burnside ('one of the finest of contemporary prose stylists'), Fintan O'Toole ('Simply one of the best non-fiction prose writers currently at work') and Giles Foden ('an indubitable classic'), among many others, this is one of the publishing events of 2011 and the conclusion of one of the great literary projects of our time.'One of the greatest writers of lands ... No one has disentangled the tales the stones of Ireland have to tell so deftly and retold them so beautifully' Fintan O'Toole'He is that rarest of phenomena, a scientist and an artist, and his method is to combine scientific rigour with artistic reverie in a seamless blend that both informs and delights.' John Banville, Guardian'The Proust & Ruskin of modern place-writing, deep-mapper of Irish landscapes, visionary thinker, and human of exceptional intellectual generosity & kindness. He was an immense inspiration to & encourager of me & my work' Robert Macfarlane'A masterpiece of travel and topographical writing, and an incomparable and enthralling meditation on times past ... This perfectly pitched work opens readers up to the world around them' Sunday Times'Will endure into the far future ... He knows this world as no one else does, and writes about it with awe and love, but also with measured grace, an artist's eye and a scientist's sensibility' Colm Toibin, Sunday Business Post Books of the Year'Anyone willing to get lost in this book will be left with indelible mental images of places they may never have visited but will now never forget' Dermot Bolger, Irish Mail on Sunday

The second volume in Tim Robinson's phenomenal Connemara Trilogy - which Robert Macfarlane has called 'One of the most remarkable non-fiction projects undertaken in English'.The first volume of Tim Robinson's Connemara trilogy, Listening to the Wind, covered Robinson's home territory of Roundstone and environs. The Last Pool of Darkness moves into wilder territory: the fjords, cliffs, hills and islands of north-west Connemara, a place that Wittgenstein, who lived on his own in a cottage there for a time, called 'the last pool of darkness in Europe'. Again combining his polymathic knowledge of Connemara's natural history, human history, folklore and topography with his own unsurpassable artistry as a writer, Tim Robinson has produced another classic.A native of Yorkshire, Tim Robinson moved to the Aran Islands in 1972. His books include the celebrated two-volume Stones of Aran. Since 1984 he has lived in Roundstone, Connemara.'The Proust & Ruskin of modern place-writing, deep-mapper of Irish landscapes, visionary thinker, and human of exceptional intellectual generosity & kindness. He was an immense inspiration to & encourager of me & my work' Robert Macfarlane'A masterpiece of travel and topographical writing and a miraculous, vivid and engrossing meditation on landscape and history and the sacred mood of places' Colm Tóibín, Irish Times'One of the greatest writers of lands ... No one has disentangled the tales the stones of Ireland have to tell so deftly and retold them so beautifully' Fintan O'Toole

The first volume in Tim Robinson's phenomenal Connemara Trilogy - which Robert Macfarlane has called 'One of the most remarkable non-fiction projects undertaken in English'.In its landscape, history and folklore, Connemara is a singular region: ill-defined geographically, and yet unmistakably a place apart from the rest of Ireland. Tim Robinson, who established himself as Ireland's most brilliant living non-fiction writer with the two-volume Stones of Aran, moved from Aran to Connemara nearly twenty years ago. This book is the result of his extraordinary engagement with the mountains, bogs and shorelines of the region, and with its folklore and its often terrible history: a work as beautiful and surprising as the place it attempts to describe.Chosen as a book of the year by Iain Sinclair, Robert Macfarlane and Colm Tóibín'One of the greatest writers of lands ... No one has disentangled the tales the stones of Ireland have to tell so deftly and retold them so beautifully' Fintan O'Toole 'Dazzling ... an indubitable classic' Giles Foden, Condé Nast Traveller'He is that rarest of phenomena, a scientist and an artist, and his method is to combine scientific rigour with artistic reverie in a seamless blend that both informs and delights' John Banville'One of contemporary Ireland's finest literary stylists' Joseph O'Connor, Guardian

The triumphant conclusion to Tim Robinson's extraordinary Connemara trilogy, which Robert Macfarlane has called 'one of the most remarkable non-fiction projects undertaken in English'.Robinson writes about the people, places and history of south Connemara - one of Ireland's last Gaelic-speaking enclaves - with the encyclopaedic knowledge of a cartographer and the grace of a born writer. From the man who has been praised in the highest terms by Joseph O'Connor ('One of contemporary Ireland's finest literary stylists''), John Burnside ('one of the finest of contemporary prose stylists'), Fintan O'Toole ('Simply one of the best non-fiction prose writers currently at work') and Giles Foden ('an indubitable classic'), among many others, this is one of the publishing events of 2011 and the conclusion of one of the great literary projects of our time.'One of the greatest writers of lands ... No one has disentangled the tales the stones of Ireland have to tell so deftly and retold them so beautifully' Fintan O'Toole'He is that rarest of phenomena, a scientist and an artist, and his method is to combine scientific rigour with artistic reverie in a seamless blend that both informs and delights.' John Banville, Guardian'The Proust & Ruskin of modern place-writing, deep-mapper of Irish landscapes, visionary thinker, and human of exceptional intellectual generosity & kindness. He was an immense inspiration to & encourager of me & my work' Robert Macfarlane'A masterpiece of travel and topographical writing, and an incomparable and enthralling meditation on times past ... This perfectly pitched work opens readers up to the world around them' Sunday Times'Will endure into the far future ... He knows this world as no one else does, and writes about it with awe and love, but also with measured grace, an artist's eye and a scientist's sensibility' Colm Toibin, Sunday Business Post Books of the Year'Anyone willing to get lost in this book will be left with indelible mental images of places they may never have visited but will now never forget' Dermot Bolger, Irish Mail on Sunday

Long recognized as perhaps the greatest non-fiction writer at work in Ireland, for his vast, polymathic accounts of nature and culture in the Aran Islands and Connemara, Tim Robinson is also an essayist of genius whose fascinations range across the globe. In Experiments on Reality, he shines the light of his intelligence on his own life, and on some of the most fascinating questions in science and culture. Robinson brings us to his boyhood in Yorkshire, National Service in Malaya in the 1950s, and his years as a visual artist in Istanbul, Vienna and London. He revisits some of the scenes of his researches for the maps he made of Aran and Connemara, places that continue to throw up remarkable stories and puzzles. And he performs astonishing literary thought-experiments, playing with the boundaries of the essay form, scientific inquiry, and storytelling. Experiments on Reality is a masterpiece from one of the great minds of our time.'One of the greatest of all landscape writers ... When the material world is brought forth for us so beautifully, with such rapt attention and illuminating insight, we are reminded of how lucky we are to be part of it' Fintan O'Toole, Irish TimesPRAISE FOR THE CONNEMARA TRILOGY:'One of the most remarkable non-fiction projects undertaken in English' Robert MacFarlane, Spectator'Robinson is a marvel ... the supreme practitioner of geo-graphy, the writing of places' Fintan O'Toole, Observer Books of the Year'One of contemporary Ireland's finest literary stylists ... This is a book that does justice, in every sense of that phrase, to the frequently betrayed people whose stories it incarnates, and to their strange and beautiful corner of the world' Joseph O'Connor, Guardian'A masterpiece of travel and topographical writing and a miraculous, vivid and engrossing meditation on landscape and history and the sacred mood of places' Colm Tóibín, Irish Times Books of the Year'One of the finest of contemporary prose stylists' John Burnside, Irish Times'He is that rarest of phenomena, a scientist and an artist, and his method is to combine scientific rigour with artistic reverie in a seamless blend that both informs and delights.' John Banville, Guardian'Breathtaking ... the West of Ireland has found its ultimate laureate' Patricia Craig, TLS'Dazzling ... an indubitable classic' Giles Foden, Condé Nast Traveller

Long recognized as perhaps the greatest non-fiction writer at work in Ireland, for his vast, polymathic accounts of nature and culture in the Aran Islands and Connemara, Tim Robinson is also an essayist of genius whose fascinations range across the globe. In Experiments on Reality, he shines the light of his intelligence on his own life, and on some of the most fascinating questions in science and culture. Robinson brings us to his boyhood in Yorkshire, National Service in Malaya in the 1950s, and his years as a visual artist in Istanbul, Vienna and London. He revisits some of the scenes of his researches for the maps he made of Aran and Connemara, places that continue to throw up remarkable stories and puzzles. And he performs astonishing literary thought-experiments, playing with the boundaries of the essay form, scientific inquiry, and storytelling. Experiments on Reality is a masterpiece from one of the great minds of our time.'One of the greatest of all landscape writers ... When the material world is brought forth for us so beautifully, with such rapt attention and illuminating insight, we are reminded of how lucky we are to be part of it' Fintan O'Toole, Irish TimesPRAISE FOR THE CONNEMARA TRILOGY:'One of the most remarkable non-fiction projects undertaken in English' Robert MacFarlane, Spectator'Robinson is a marvel ... the supreme practitioner of geo-graphy, the writing of places' Fintan O'Toole, Observer Books of the Year'One of contemporary Ireland's finest literary stylists ... This is a book that does justice, in every sense of that phrase, to the frequently betrayed people whose stories it incarnates, and to their strange and beautiful corner of the world' Joseph O'Connor, Guardian'A masterpiece of travel and topographical writing and a miraculous, vivid and engrossing meditation on landscape and history and the sacred mood of places' Colm Tóibín, Irish Times Books of the Year'One of the finest of contemporary prose stylists' John Burnside, Irish Times'He is that rarest of phenomena, a scientist and an artist, and his method is to combine scientific rigour with artistic reverie in a seamless blend that both informs and delights.' John Banville, Guardian'Breathtaking ... the West of Ireland has found its ultimate laureate' Patricia Craig, TLS'Dazzling ... an indubitable classic' Giles Foden, Condé Nast Traveller