Tim Woods – författare

This book situates Louis Zukofsky's poetics (and the lineage of Objectivist poetics more broadly) within a set of ethical concerns in American poetic modernism. The book makes a strong case for perceiving Zukofsky as a missing key figure within this ethical matrix of modernism. Viewing Zukofsy's poetry through the lens of the theoretical work of Theodor Adorno and Emmanuel Levinas, Woods argues for an ethical genealogy of American poetics leading from Zukofsky through the contemporary school of LANGUAGE poetry. Woods brings together modernism and postmodernism, ethics and aesthetics, in interesting and innovative ways which shed new light on our understanding of this neglected strain of modernist poetics.

The question of ethics has dominated recent developments within the humanities. This volume brings together the most recent theories of ethics and reading and applies them to a wide variety of literary texts. Ethical and literary issues explored by the contributors include biography, sensibility, national identity, feminism, postcolonialism, religion, subjectivity and stylistics. Literary authors and philosophers/theorists discussed range from Shakespeare and Mary Shelley to Michele Roberts and Salman Rushdie, and from Kant and Coleridge to Derrida and Levinas.

Taking in novelists from all over the globe, from the beginning of the century to the present day, this is the most comprehensive survey of the leading lights of twentieth century fiction. Superb breadth of coverage and over 800 entries by an international team of contributors ensures that this fascinating and wide-ranging work of reference will be invaluable to anyone with an interest in modern fiction. Authors included range from Joseph Conrad to Albert Camus and Franz Kafka to Chinua Achebe. Who's Who of Twentieth Century Novelists gives a superb insight into the richness and diversity of the twentieth century novel.

‘A people who do not preserve their memory are a people who have forfeited their history.’ So argues Wole Soyinka, in his book The Burden of Memory, the Muse of Forgiveness, and this provides the overarching thematic concept for African pasts as a whole. Colonialism for Africans is not an event encapsulated in the past, but is a history whose repercussions and traumatic consequences are still actively evolving in today’s political, historical, cultural and artistic scenes.African pasts examines African literatures in English since the end of colonialism, investigating how they represent African history through the twin matrices of memory and trauma. Inextricably tied up with the historical conditions of Africa’s colonisation, charting the emergence of its independence, and scrutinising Africa’s contemporary neo-colonial and postcolonial states as a legacy of the colonial past, African literatures are continually preoccupied with exploring modes of representation to ‘work through’ their different traumatic colonial pasts.African pasts covers a wide range of African literatures (drawn from West, East and Southern Africa) and a cross-section of genres – fiction, poetry, prison-narratives, postcolonial theory – and embraces such well-known writers as Soyinka, Coetzee, Ngugi and Achebe, and more recent writers such as Nuruddin Farah, Tsitsi Dangarembga, Achmat Dangor, Etienne van Heerden, Zakes Mda, Gillian Slovo and Calixthe Beyala.

'Postmodernism' became the buzzword of contemporary society in the 1990s. Yet, even now, it still remains confusing and baffling in its variety of definitions, contexts and associations. Beginning postmodernism aims to offer clear, accessible and step-by-step introductions to postmodernism across a wide range of subjects. It encourages readers to explore how the debates about postmodernism have emerged from basic philosophical and cultural ideas, and to develop comparative connections and ideas from one area to another. With its emphasis firmly on 'postmodernism in practice', the book contains questions designed to help readers understand and reflect upon a variety of positions within the following areas of contemporary culture: philosophy and cultural theory; architecture and concepts of space; visual art, sculpture and material culture; pupular culture and music; film, video and television; and the social sciences

Taking in novelists from all over the globe, from the beginning of the century to the present day, this is the most comprehensive survey of the leading lights of twentieth century fiction. Superb breadth of coverage and over 800 entries by an international team of contributors ensures that this fascinating and wide-ranging work of reference will be invaluable to anyone with an interest in modern fiction. Authors included range from Joseph Conrad to Albert Camus and Franz Kafka to Chinua Achebe. Who's Who of Twentieth Century Novelists gives a superb insight into the richness and diversity of the twentieth century novel.

Taking in novelists from all over the globe, from the beginning of the century to the present day, this is the most comprehensive survey of the leading lights of twentieth century fiction. Superb breadth of coverage and over 800 entries by an international team of contributors ensures that this fascinating and wide-ranging work of reference will be invaluable to anyone with an interest in modern fiction. Authors included range from Joseph Conrad to Albert Camus and Franz Kafka to Chinua Achebe. Who's Who of Twentieth Century Novelists gives a superb insight into the richness and diversity of the twentieth century novel.

This book situates Louis Zukofsky''s poetics (and the lineage of Objectivist poetics more broadly) within a set of ethical concerns in American poetic modernism. The book makes a strong case for perceiving Zukofsky as a missing key figure within this ethical matrix of modernism. Viewing Zukofsy''s poetry through the lens of the theoretical work of Theodor Adorno and Emmanuel Levinas, Woods argues for an ethical genealogy of American poetics leading from Zukofsky through the contemporary school of LANGUAGE poetry. Woods brings together modernism and postmodernism, ethics and aesthetics, in interesting and innovative ways which shed new light on our understanding of this neglected strain of modernist poetics.

The current resurgence of ethics in the beleaguered humanities reflects an increasing anxiety about the value and utility of critical/philosophical debate in the wake of poststructuralism. This book addresses this ''return to ethics'' in relation to a wide variety of theories and texts. It covers substantial areas of ethical debate, particularly in relation to queer politics, biography, history, postmodernism, atrocity literature, utilitarianism, pedagogy and the philosophy of science. Theorists discussed in the volume include Rorty, Heidegger, Levinas, Mill, Lyotard, Leavis, Kuhn, Davidson, Nussbaum and Freud.

The current resurgence of ethics in the beleaguered humanities reflects an increasing anxiety about the value and utility of critical/philosophical debate in the wake of poststructuralism. This book addresses this 'return to ethics' in relation to a wide variety of theories and texts. It covers substantial areas of ethical debate, particularly in relation to queer politics, biography, history, postmodernism, atrocity literature, utilitarianism, pedagogy and the philosophy of science. Theorists discussed in the volume include Rorty, Heidegger, Levinas, Mill, Lyotard, Leavis, Kuhn, Davidson, Nussbaum and Freud.

The question of ethics has dominated recent developments within the humanities. This volume brings together the most recent theories of ethics and reading and applies them to a wide variety of literary texts. Ethical and literary issues explored by the contributors include biography, sensibility, national identity, feminism, postcolonialism, religion, subjectivity and stylistics. Literary authors and philosophers/theorists discussed range from Shakespeare and Mary Shelley to Michele Roberts and Salman Rushdie, and from Kant and Coleridge to Derrida and Levinas.

The question of ethics has dominated recent developments within the humanities. This volume brings together the most recent theories of ethics and reading and applies them to a wide variety of literary texts. Ethical and literary issues explored by the contributors include biography, sensibility, national identity, feminism, postcolonialism, religion, subjectivity and stylistics. Literary authors and philosophers/theorists discussed range from Shakespeare and Mary Shelley to Michele Roberts and Salman Rushdie, and from Kant and Coleridge to Derrida and Levinas.

This book situates Louis Zukofsky's poetics (and the lineage of Objectivist poetics more broadly) within a set of ethical concerns in American poetic modernism. The book makes a strong case for perceiving Zukofsky as a missing key figure within this ethical matrix of modernism. Viewing Zukofsy's poetry through the lens of the theoretical work of Theodor Adorno and Emmanuel Levinas, Woods argues for an ethical genealogy of American poetics leading from Zukofsky through the contemporary school of LANGUAGE poetry. Woods brings together modernism and postmodernism, ethics and aesthetics, in interesting and innovative ways which shed new light on our understanding of this neglected strain of modernist poetics.

Never Trust A Hero is a 40, 000 word novel that pits a cynical, burned out CIA agent, NICK FARRADAY, against an even more cynical Ex-CIA agent, THADDEUS POLANSKI, AKA, TADPOLE.Tadpole''s dropped off the radar years before and is living as a jack-of-all trades and ne''re do well in L.A. Every time he makes love he breaks into the CIA Oath. From a war wound, he suffers from priapism. Just back from years of overseas service as a CIA assassin, Nick''s job is to hunt Polanski down and kill him. Nick is not enthused and looking for a new life.Once they meet, Tadpole turns everything around and becomes Nick''s spiritual mentor, albeit, for Nick, reluctantly. Both men feel guilty about their prior CIA duties and are tying to learn to live without killing people.Nick has been played the fool by his L.A. station chief, BECKY GLENN, and fallen in, then out, of love with a CIA plant, the lovely TESSA POOLE. Along the way we meet Tadpole''s friends, TIMITRIN PLATINUM, a nymphomaniac and successful bodice ripping author; TOE PAZ, Tad''s friend and classic crap used-car salesman; MANUEL, gardener for whom Tad sometimes works; and PRIME CHUCK, a black friend with blonde dreadlocks and Venice Beach body-builder--and sometime television and movie extra. Prime looks tough but can''t stand the sight of blood, is useless in a fight and speaks in a falsetto.By story''s end, the reader will have laughed and hopefully broadened their view of what constitutes America''s Foreign Policy Interests.