Timothy S. Murphy – författare

William S. Burroughs is one of the twentieth century's most visible, controversial, and baffling literary figures. In the first comprehensive study of the writer, Timothy S. Murphy places Burroughs in the company of the most significant intellectual minds of our time. In doing so, he gives us an immensely readable and convincing account of a man whose achievements continue to have a major influence on American art and culture. Murphy draws on the work of such philosophers as Gilles Deleuze, Felix Guattari, Theodor Adorno, and Jean-Paul Sartre, and also investigates the historical contexts from which Burroughs' writings arose. From the paranoid isolationism of the Cold War through the countercultural activism of the sixties to the resurgence of corporate and state control in the eighties, Burroughs' novels, films, and music hold a mirror to the American psyche. Murphy coins the term 'amodernism' as a way to describe Burroughs' contested relationship to the canon while acknowledging the writer's explicit desire for a destruction of such systems of classification.Despite the popular mythology that surrounds Burroughs, his work has been largely excluded from the academy of American letters. Finally here is a book that presents a solid portrait of a major artistic innovator, a writer who combines aesthetics and politics and who can perform as anthropologist, social goad, or media icon, all with consummate skill.

In Subversive Spinoza, Antonio Negri spells out the philosophical credo that inspired his radical renewal of Marxism and his compelling analysis of the modern state and the global economy by means of an inspiring reading of the challenging metaphysics of the seventeenth-century Dutch-Jewish philosopher Spinoza. For Negri, Spinoza’s philosophy has never been more relevant than it is today to debates over individuality and community, democracy and resistance, and modernity and postmodernity.This collection of essays extends, clarifies and revises the argument of Negri’s influential 1981 book ‘The Savage Anomaly: The Power of Spinoza’s Metaphysics and Politics’ and links it directly to his recent work on constituent power, time and empire.

This collection of essays is the first of its kind in English on the work of Antonio Negri, the Italian philosopher and political theorist. The spectacular success of Empire, Negri's collaboration with Michael Hardt, has brought Negri's writing to a new, wider audience. A substantial body of his writing is now available to an English-speaking readership.Outstanding contributors – including Michael Hardt, Sergio Bologna, Kathi Weeks and Nick Dyer-Witheford - display the variety and complexity of Negri's thought and explore its unique relevance to modern politics. Negri is one of the most sophisticated analysts of modern political philosophy. Philosophers and critics alike find his work both difficult and exhilarating, engaging as it does with Marx, Spinoza, Deleuze, Guattari, Tronti and others. This book is ideal for readers who want to get to grips with Negri's key themes, in particular his theories on labour, capital, power, the state and revolution. It makes a great introduction to his work for students of political philosophy, as well as providing a comprehensive critical approach for Negri enthusiasts.

The spectacular success of Empire has brought Negri's writing to a new, wider audience. This book reveals the variety and complexity of Negri's thought and its unique relevance to modern politics. Outstanding contributors include Pierre Macherey, Daniel Bensaïd, Alex Callinicos and Judith Revel.Negri is one of the most sophisticated analysts of modern political philosophy. His work is both difficult and exhilarating, engaging as it does with Marx, Spinoza, Deleuze, Guattari, Tronti and others. This book is ideal for readers who want to get to grips with Negri's key themes. It makes a great introduction to his work for students of political philosophy, as well as providing a comprehensive critical approach for Negri enthusiasts.This book is the sequel to The Philosophy of Antonio Negri, Volume One: Resistance in Practice (Pluto, 2005) but can be read entirely independently.

The first comprehensive study of the works of William Hope Hodgson, one of the true innovators of Weird fiction, this book examines the Weird novels and stories upon which his posthumous reputation rests, his non-fantastic writing, identifiable literary influences, and the historical contexts in which he wrote. Focusing extensively upon major works such as The House on the Borderland (1908) and The Night Land (1912), Timothy S. Murphy surveys topics including Hodgson’s experiments with code switching and linguistic experimentation; his depictions of racial and ethnic differences and gender and sexuality; the function of space and place in his writing; the adaptation of his shipboard experiences; and his use of abyssal time. With special attention paid to his paradoxical nihilist humanism, this book explores what made Hodgson a respected precursor to later innovators such as H. P. Lovecraft and C.L. Moore, and what makes him an important ancestor to 21st-century writers such as China Miéville, Greg Bear, and Charlie Jane Anders.Demonstrating how his work is both of his time and ‘untimely’, Murphy recovers Hodgson as the most significant figure to precede the fantastically popular but deeply controversial Lovecraft, as well as a figure whose work challenges what has thus far been accepted about the genre and the interpretive perspectives from which we view it.

The first comprehensive study of the works of William Hope Hodgson, one of the true innovators of Weird fiction, this book examines the Weird novels and stories upon which his posthumous reputation rests, his non-fantastic writing, identifiable literary influences, and the historical contexts in which he wrote. Focusing extensively upon major works such as The House on the Borderland (1908) and The Night Land (1912), Timothy S. Murphy surveys topics including Hodgson''s experiments with code switching and linguistic experimentation; his depictions of racial and ethnic differences and gender and sexuality; the function of space and place in his writing; the adaptation of his shipboard experiences; and his use of abyssal time. With special attention paid to his paradoxical nihilist humanism, this book explores what made Hodgson a respected precursor to later innovators such as H. P. Lovecraft and C.L. Moore, and what makes him an important ancestor to 21st-century writers such as China Miéville, Greg Bear, and Charlie Jane Anders. Demonstrating how his work is both of his time and ''untimely'', Murphy recovers Hodgson as the most significant figure to precede the fantastically popular but deeply controversial Lovecraft, as well as a figure whose work challenges what has thus far been accepted about the genre and the interpretive perspectives from which we view it.

The first comprehensive study of the works of William Hope Hodgson, one of the true innovators of Weird fiction, this book examines the Weird novels and stories upon which his posthumous reputation rests, his non-fantastic writing, identifiable literary influences, and the historical contexts in which he wrote. Focusing extensively upon major works such as The House on the Borderland (1908) and The Night Land (1912), Timothy S. Murphy surveys topics including Hodgson''s experiments with code switching and linguistic experimentation; his depictions of racial and ethnic differences and gender and sexuality; the function of space and place in his writing; the adaptation of his shipboard experiences; and his use of abyssal time. With special attention paid to his paradoxical nihilist humanism, this book explores what made Hodgson a respected precursor to later innovators such as H. P. Lovecraft and C.L. Moore, and what makes him an important ancestor to 21st-century writers such as China Miéville, Greg Bear, and Charlie Jane Anders. Demonstrating how his work is both of his time and ''untimely'', Murphy recovers Hodgson as the most significant figure to precede the fantastically popular but deeply controversial Lovecraft, as well as a figure whose work challenges what has thus far been accepted about the genre and the interpretive perspectives from which we view it.

The first comprehensive study of the works of William Hope Hodgson, one of the true innovators of Weird fiction, this book examines the Weird novels and stories upon which his posthumous reputation rests, his non-fantastic writing, identifiable literary influences, and the historical contexts in which he wrote. Focusing extensively upon major works such as The House on the Borderland (1908) and The Night Land (1912), Timothy S. Murphy surveys topics including Hodgson’s experiments with code switching and linguistic experimentation; his depictions of racial and ethnic differences and gender and sexuality; the function of space and place in his writing; the adaptation of his shipboard experiences; and his use of abyssal time. With special attention paid to his paradoxical nihilist humanism, this book explores what made Hodgson a respected precursor to later innovators such as H. P. Lovecraft and C.L. Moore, and what makes him an important ancestor to 21st-century writers such as China Miéville, Greg Bear, and Charlie Jane Anders.Demonstrating how his work is both of his time and ‘untimely’, Murphy recovers Hodgson as the most significant figure to precede the fantastically popular but deeply controversial Lovecraft, as well as a figure whose work challenges what has thus far been accepted about the genre and the interpretive perspectives from which we view it.

Argues that affirming the irreducible differences between men and women can lead to more transformative politics than the struggle for abstract equality between the sexes.In The Symbolic Order of the Mother Luisa Muraro identifies the bond between mother and child as ontologically fundamental to the development of culture and politics, and therefore as key to achieving truly emancipatory political change. Both corporeal development and language acquisition, which are the sources of all thinking, begin in this relationship. However, Western civilization has been defined by men, and Muraro recalls the admiration and envy she felt for the great philosophers as she strove to become one herself, as well as the desire for independence that opposed her to her mother. This conflict between philosophy and culture on the one hand and the relationship with the mother on the other constitutes the root of patriarchy's symbolic disorder, which blocks women's (and men's) access to genuine freedom. Muraro appeals to the feminist practice of gratitude to the mother and the recognition of her authority as a model of unconditional nurture and support that must be restored. This, she argues, is the symbolic order of the mother that must overcome the disorder of patriarchy. The mediating power of the mother tongue constitutes a symbolic order that comes before all others, for both women and men.

Long before Antonio Negri became famous around the world for his groundbreaking volume Empire, he was infamous across Europe for the incendiary writings contained in this book. Books for Burning consists of five pamphlets that Negri wrote between 1971 and 1977, which attempt to identify and draw lessons from new conditions of class struggle that emerged in the course of the 1970s.Conceived as organizational hypotheses intended for debate among the members of the political movements Workers' Power (Potere operaio) and Organized Autonomy (Autonomia organizzata), these texts were later misread and misrepresented by the Italian state in its attempt to frame Negri as responsible for the assassination of former Italian president Aldo Moro, as the leader of the Red Brigades, and as the mastermind of an armed insurrection against the state. In the more than twenty-five years since their first publication, these texts have lost none of their originality, relevance or power to shock.In a new preface, Negri demonstrates how his controversial work on empire, biopolitics and immaterial labor developed out of concepts and strategies first outlined in this book, and an editorial introduction analyzes the role these texts played in Negri's trial and in the criminalization of the Italian radical workers' movement.