An Ocean of Wonder: The Fantastic in the Pacific brings together fifty writers and artists from across Moananuiākea working in myriad genres across media, ranging from oral narratives and traditional wonder tales to creative writing as well as visual artwork and scholarly essays. Collectively, this anthology features the fantastic as present-day Indigenous Pacific world-building that looks to the past in creating alternative futures, and in so doing reimagines relationships between peoples, environments, deities, nonhuman relatives, history, dreams, and storytelling. Wonder is activated by curiosity, humility in the face of mystery, and engagement with possibilities. We see wonder and the fantastic as general modes of expression that arenot confined to realism. As such, the fantastic encompasses fantasy, science fiction, magic realism, fabulation, horror, fairy tale, utopia, dystopia, and speculative fiction. We include Black, feminist, and queer futurisms, Indigenous wonderworks, Hawaiian moʻolelo kamahaʻo and moʻolelo āiwaiwa, Sāmoan fāgogo, and other non-mimetic genres from specific cultures, because we recognize that their refusal to adopt restrictive Euro-American definitions of reality is whatinspires and enables the fantastic to flourish.As artistic, intellectual, and culturally based expressions that encode and embody Indigenous knowledge, the multimodal moʻolelo in this collection upend monolithic, often exoticizing, and demeaning stereotypes of the Pacific and situate themselves in conversation with critical understandings of the global fantastic, Indigenous futurities, social justice, and decolonial and activist storytelling.In this collection, Oceanic ideas and images surround and connect to Hawaiʻi, which is for the three coeditors, a piko (center); at the same time, navigating both juxtaposition and association, the collection seeks to articulate pilina (relationships) across genres, locations, time, and media and to celebrate the multiplicity and relationality of the fantastic in Oceania.

‘A historical love letter to London, a coming-of-age story, a love story’ – Stella DuffySHORTLISTED: New Zealand Heritage Book AwardsLONGLISTED: Ockham New Zealand Book AwardsLONGLISTED: International Dublin Literary Award James Poneke is a young Māori orphan, raised by missionaries, with a burning desire to travel and explore the world. When an English artist on a tour of New Zealand invites James to return home with him, the boy eagerly accepts and agrees to become a living exhibit at the artist’s London show.By day, James dresses in full tribal outfit, being stared at, prodded and examined by paying visitors. By night, he is free to explore the city, but anything can happen to a young New Zealander on the savage streets of Victorian London and James is unprepared for the wonders, dangers and unearthed secrets that await.The Imaginary Lives of James Pōneke is an unforgettable work of historical fiction in the spirit of Sarah Waters and Sarah Perry.

'Water will come and you think it will be soft. You think it will be smooth and find its way around your things: your houses and cars and furniture, your gardens and windows and hope. But water can be the foot of an elephant, the horns of a moose, a herd of buffalo running from a lion, water can be the kauri falling in the forest, a two-tonne truck, a whole stadium filled with 50,000 people, screaming . . . Water is life, and water can be death.'Three women give birth in different countries and different decades. In the near future, they becomeneighbours in a coastal town in Aotearoa, New Zealand. Single parent Keri has her hands full with four-year-old Walty and teen Wairere, a strange and gifted child who is drawn to the waters of the indigenous wetlands. New to the street is Sera and her family, who are refugees from ecological devastation in Europe and living next door is Janet, an older white woman with an opinion about everything.When Janet's adult son Conor unexpectedly arrives home sporting a fresh buzzcut and a disturbing tattoo, no one suspects just how extreme the young man has become - no one except Wairere who can feel both the danger, and the swamp beneath their street, watching and waiting.FINALIST OF THE OCKHAM NEW ZEALAND BOOK AWARDS 2025 NOMINATED FOR THE 2026 DUBLIN LITERARY AWARD

'Water will come and you think it will be soft. You think it will be smooth and find its way around your things: your houses and cars and furniture, your gardens and windows and hope. But water can be the foot of an elephant, the horns of a moose, a herd of buffalo running from a lion, water can be the kauri falling in the forest, a two-tonne truck, a whole stadium filled with 50,000 people, screaming . . . Water is life, and water can be death.'Three women give birth in different countries and different decades. In the near future, they becomeneighbours in a coastal town in Aotearoa, New Zealand. Single parent Keri has her hands full with four-year-old Walty and teen Wairere, a strange and gifted child who is drawn to the waters of the indigenous wetlands. New to the street is Sera and her family, who are refugees from ecological devastation in Europe and living next door is Janet, an older white woman with an opinion about everything.When Janet's adult son Conor unexpectedly arrives home sporting a fresh buzzcut and a disturbing tattoo, no one suspects just how extreme the young man has become - no one except Wairere who can feel both the danger, and the swamp beneath their street, watching and waiting.FINALIST OF THE OCKHAM NEW ZEALAND BOOK AWARDS 2025 NOMINATED FOR THE 2026 DUBLIN LITERARY AWARD

'Water will come and you think it will be soft. You think it will be smooth and find its way around your things: your houses and cars and furniture, your gardens and windows and hope. But water can be the foot of an elephant, the horns of a moose, a herd of buffalo running from a lion, water can be the kauri falling in the forest, a two-tonne truck, a whole stadium filled with 50,000 people, screaming . . . Water is life, and water can be death.'Three women give birth in different countries and different decades. In the near future, they becomeneighbours in a coastal town in Aotearoa, New Zealand. Single parent Keri has her hands full with four-year-old Walty and teen Wairere, a strange and gifted child who is drawn to the waters of the indigenous wetlands. New to the street is Sera and her family, who are refugees from ecological devastation in Europe and living next door is Janet, an older white woman with an opinion about everything.When Janet's adult son Conor unexpectedly arrives home sporting a fresh buzzcut and a disturbing tattoo, no one suspects just how extreme the young man has become - no one except Wairere who can feel both the danger, and the swamp beneath their street, watching and waiting.FINALIST OF THE OCKHAM NEW ZEALAND BOOK AWARDS 2025 NOMINATED FOR THE 2026 DUBLIN LITERARY AWARD

An Ocean of Wonder: The Fantastic in the Pacific brings together fifty writers and artists from across Moananuiākea working in myriad genres across media, ranging from oral narratives and traditional wonder tales to creative writing as well as visual artwork and scholarly essays. Collectively, this anthology features the fantastic as present-day Indigenous Pacific world-building that looks to the past in creating alternative futures, and in so doing reimagines relationships between peoples, environments, deities, nonhuman relatives, history, dreams, and storytelling. Wonder is activated by curiosity, humility in the face of mystery, and engagement with possibilities. We see wonder and the fantastic as general modes of expression that arenot confined to realism. As such, the fantastic encompasses fantasy, science fiction, magic realism, fabulation, horror, fairy tale, utopia, dystopia, and speculative fiction. We include Black, feminist, and queer futurisms, Indigenous wonderworks, Hawaiian moʻolelo kamahaʻo and moʻolelo āiwaiwa, Sāmoan fāgogo, and other non-mimetic genres from specific cultures, because we recognize that their refusal to adopt restrictive Euro-American definitions of reality is whatinspires and enables the fantastic to flourish.As artistic, intellectual, and culturally based expressions that encode and embody Indigenous knowledge, the multimodal moʻolelo in this collection upend monolithic, often exoticizing, and demeaning stereotypes of the Pacific and situate themselves in conversation with critical understandings of the global fantastic, Indigenous futurities, social justice, and decolonial and activist storytelling.In this collection, Oceanic ideas and images surround and connect to Hawaiʻi, which is for the three coeditors, a piko (center); at the same time, navigating both juxtaposition and association, the collection seeks to articulate pilina (relationships) across genres, locations, time, and media and to celebrate the multiplicity and relationality of the fantastic in Oceania.

‘A historical love letter to London, a coming-of-age story, a love story’ – Stella DuffySHORTLISTED: New Zealand Heritage Book AwardsLONGLISTED: Ockham New Zealand Book AwardsLONGLISTED: International Dublin Literary Award James Poneke is a young Māori orphan, raised by missionaries, with a burning desire to travel and explore the world. When an English artist on a tour of New Zealand invites James to return home with him, the boy eagerly accepts and agrees to become a living exhibit at the artist’s London show.By day, James dresses in full tribal outfit, being stared at, prodded and examined by paying visitors. By night, he is free to explore the city, but anything can happen to a young New Zealander on the savage streets of Victorian London and James is unprepared for the wonders, dangers and unearthed secrets that await.The Imaginary Lives of James Pōneke is an unforgettable work of historical fiction in the spirit of Sarah Waters and Sarah Perry.

'Water will come and you think it will be soft. You think it will be smooth and find its way around your things: your houses and cars and furniture, your gardens and windows and hope. But water can be the foot of an elephant, the horns of a moose, a herd of buffalo running from a lion, water can be the kauri falling in the forest, a two-tonne truck, a whole stadium filled with 50,000 people, screaming . . . Water is life, and water can be death.'Three women give birth in different countries and different decades. In the near future, they becomeneighbours in a coastal town in Aotearoa, New Zealand. Single parent Keri has her hands full with four-year-old Walty and teen Wairere, a strange and gifted child who is drawn to the waters of the indigenous wetlands. New to the street is Sera and her family, who are refugees from ecological devastation in Europe and living next door is Janet, an older white woman with an opinion about everything.When Janet's adult son Conor unexpectedly arrives home sporting a fresh buzzcut and a disturbing tattoo, no one suspects just how extreme the young man has become - no one except Wairere who can feel both the danger, and the swamp beneath their street, watching and waiting.FINALIST OF THE OCKHAM NEW ZEALAND BOOK AWARDS 2025 NOMINATED FOR THE 2026 DUBLIN LITERARY AWARD

'Water will come and you think it will be soft. You think it will be smooth and find its way around your things: your houses and cars and furniture, your gardens and windows and hope. But water can be the foot of an elephant, the horns of a moose, a herd of buffalo running from a lion, water can be the kauri falling in the forest, a two-tonne truck, a whole stadium filled with 50,000 people, screaming . . . Water is life, and water can be death.'Three women give birth in different countries and different decades. In the near future, they becomeneighbours in a coastal town in Aotearoa, New Zealand. Single parent Keri has her hands full with four-year-old Walty and teen Wairere, a strange and gifted child who is drawn to the waters of the indigenous wetlands. New to the street is Sera and her family, who are refugees from ecological devastation in Europe and living next door is Janet, an older white woman with an opinion about everything.When Janet's adult son Conor unexpectedly arrives home sporting a fresh buzzcut and a disturbing tattoo, no one suspects just how extreme the young man has become - no one except Wairere who can feel both the danger, and the swamp beneath their street, watching and waiting.FINALIST OF THE OCKHAM NEW ZEALAND BOOK AWARDS 2025 NOMINATED FOR THE 2026 DUBLIN LITERARY AWARD

'Water will come and you think it will be soft. You think it will be smooth and find its way around your things: your houses and cars and furniture, your gardens and windows and hope. But water can be the foot of an elephant, the horns of a moose, a herd of buffalo running from a lion, water can be the kauri falling in the forest, a two-tonne truck, a whole stadium filled with 50,000 people, screaming . . . Water is life, and water can be death.'Three women give birth in different countries and different decades. In the near future, they becomeneighbours in a coastal town in Aotearoa, New Zealand. Single parent Keri has her hands full with four-year-old Walty and teen Wairere, a strange and gifted child who is drawn to the waters of the indigenous wetlands. New to the street is Sera and her family, who are refugees from ecological devastation in Europe and living next door is Janet, an older white woman with an opinion about everything.When Janet's adult son Conor unexpectedly arrives home sporting a fresh buzzcut and a disturbing tattoo, no one suspects just how extreme the young man has become - no one except Wairere who can feel both the danger, and the swamp beneath their street, watching and waiting.FINALIST OF THE OCKHAM NEW ZEALAND BOOK AWARDS 2025 NOMINATED FOR THE 2026 DUBLIN LITERARY AWARD