Tobias Hoffmann - Böcker

In thirteen original essays, eminent scholars of the history of philosophy and of contemporary philosophy examine weakness of will, or incontinence - the phenomenon of acting contrary to one's better judgment. The volume covers all major periods of western philosophy, from antiquity through the Middle Ages and the modern period down to the present.Alfred Mele and Alasdair MacIntyre examine weakness of will from a contemporary perspective. Mele addresses the issue from the vantage point of Libertarianism. MacIntyre argues against the widespread view that actions that are out of character require special explanation, and reinterprets weakness of will as a failure to use moral lapses for moral progress. The other authors critically engage accounts of weakness of will by past philosophers: Kenneth Dorter writes on Plato, Terence H. Irwin on Aristotle, Lloyd Gerson on Plotinus, James Wetzel on Augustine, Denis J. M. Bradley on Aquinas, Tobias Hoffmann on Henry of Ghent, Giuseppe Mazzotta on Dante, Ann Hartle on Montaigne, John C. McCarthy on Descartes, Thomas E. Hill Jr. on Kant, and Tracey B. Strong on Nietzsche.The philosophical examination of weakness of will highlights central problems of action theory, such as the connections between desire, conviction, and action, between intellect and will, and between rationality and emotions. It also addresses important ethical issues such as the diversity of character dispositions, moral progress and moral education, the limits of virtue, and moral responsibility.The historical and contemporary perspectives offered in this volume will enrich current debates, not only by suggesting answers, but also by broadening the usual range of questions about weakness of will. Owing to the intimate connection of the topic with other key themes in moral philosophy, the historical and thematic studies contained in this book also provide an overview of moral philosophy as a whole.

Aristotle's Nicomachean Ethics is the text which had the single greatest influence on Aquinas's ethical writings, and the historical and philosophical value of Aquinas's appropriation of this text provokes lively debate. In this volume of new essays, thirteen distinguished scholars explore how Aquinas receives, expands on and transforms Aristotle's insights about the attainability of happiness, the scope of moral virtue, the foundation of morality and the nature of pleasure. They examine Aquinas's commentary on the Ethics and his theological writings, above all the Summa theologiae. Their essays show Aquinas to be a highly perceptive interpreter, but one who also brings certain presuppositions to the Ethics and alters key Aristotelian notions for his own purposes. The result is a rich and nuanced picture of Aquinas's relation to Aristotle that will be of interest to readers in moral philosophy, Aquinas studies, the history of theology and the history of philosophy.

In this book Tobias Hoffmann studies the medieval free will debate during its liveliest period, from the 1220s to the 1320s, and clarifies its background in Aristotle, Augustine, and earlier medieval thinkers. Among the wide range of authors he examines are not only well-known thinkers such as Thomas Aquinas, Duns Scotus, and William of Ockham, but also a number of authors who were just as important in their time and deserve to be rediscovered today. To shed further light on their theories of free will, Hoffmann also explores their competing philosophical explanations of the fall of the angels, that is, the hypothesis of an evil choice made by rational beings under optimal psychological conditions. As he shows, this test case imposed limits on tracing free choices to cognition. His book provides a comprehensive account of a debate that was central to medieval philosophy and continues to occupy philosophers today.

Aristotle's Nicomachean Ethics is the text which had the single greatest influence on Aquinas's ethical writings, and the historical and philosophical value of Aquinas's appropriation of this text provokes lively debate. In this volume of new essays, thirteen distinguished scholars explore how Aquinas receives, expands on and transforms Aristotle's insights about the attainability of happiness, the scope of moral virtue, the foundation of morality and the nature of pleasure. They examine Aquinas's commentary on the Ethics and his theological writings, above all the Summa theologiae. Their essays show Aquinas to be a highly perceptive interpreter, but one who also brings certain presuppositions to the Ethics and alters key Aristotelian notions for his own purposes. The result is a rich and nuanced picture of Aquinas's relation to Aristotle that will be of interest to readers in moral philosophy, Aquinas studies, the history of theology and the history of philosophy.

In this book Tobias Hoffmann studies the medieval free will debate during its liveliest period, from the 1220s to the 1320s, and clarifies its background in Aristotle, Augustine, and earlier medieval thinkers. Among the wide range of authors he examines are not only well-known thinkers such as Thomas Aquinas, Duns Scotus, and William of Ockham, but also a number of authors who were just as important in their time and deserve to be rediscovered today. To shed further light on their theories of free will, Hoffmann also explores their competing philosophical explanations of the fall of the angels, that is, the hypothesis of an evil choice made by rational beings under optimal psychological conditions. As he shows, this test case imposed limits on tracing free choices to cognition. His book provides a comprehensive account of a debate that was central to medieval philosophy and continues to occupy philosophers today.

In 1918, Czechoslovakia was established as a new democratic state in Europe. In the subsequent years, artists in almost every field there developed visionary ideas. The Czech avantgarde movement permeated not only fine art but also architecture, literature, poetry, music, theatre and film. This publication for an exhibition in the Bröhan-Museum provides an overview of the most important trends of Czech modernism. Czechoslovakia’s lively art and design history is presented, starting out from Czech cubism and surrealism, through architecture, furniture design and photography. Using exemplary paintings, graphic art, collages, sculptures and photographs, this volume recalls and pays tribute to the Czech creative contribution to European Modernism. Artists: Stefan Bedřich, Emil Berka, Josef Chochol, František Drtikol, Emil Filla, Bohuslav Fuchs, Jaromír Funke, Josef Gočár, Jindřich Halabala, Jaroslava Hatláková, Pavel Janák, Dušan Jurkovič, Celda Klouček, Miloš Koreček, Jan Kotěra, Emil Králík, Jiří Kroha, Antonín Kybal, František Kysela, František Muzika, Vítězslav Nezval, Otakar Novotný, Karel E. Ort, Antonín Procházka, Miloslav Prokop, Jaroslav Rössler, Robert Slezák, Václav Špála, Oldřich Starý, Jiří Stibral, Jindřich Štyrský, Ladislav Sutnar, Karel Teige, Toyen, Jóža Uprka, Ladislav Žák et al. Compact survey of the Czech avantgarde movement in the first half of the 20th century A must-have for fans of cubism, surrealism, photography, architecture, and functionalist design Exhibition: 12.10.2023–03.03.2024, Bröhan-Museum, Berlin Look inside