Tobin Nellhaus – författare

Performing Democracy explores aspects of a developing form of performance that works to change social conditions for marginalized groups or to preserve the traditions and cohesion of the community. The book combines critical analysis with field reports on specific projects and productions to explore the issues that confront community-based performance. The range of topics is impressive, and includes performances in North America, Australia, the Middle East, Bosnia, Taiwan, Korea, England, and the Netherlands. Many articles include production photos. The book's first section focuses on how performance can contribute to the definition, creation, and preservation of community. Next, contributors address issues of authority within the production of community-based performance. A final section considers community-based performance's efforts to encourage individuals to feel empowered in everyday life and in their relation to government. The range of performance genres covered includes community history plays, agitprop, forum theater workshops, puppetry, avant-garde plays, dance, and oral epics. The projects involve many different kinds of communities, including the inner city, youth, seniors, ethnic groups, activists, gays and lesbians, immigrants, and prison inmates.

This updated fourth edition of Theatre Histories offers a critical overview of global theatre, drama, and performance, spanning a broad wealth of world cultures and periods, integrating them chronologically or thematically, and showing how they have often interacted.Bringing together a group of scholars from a diverse range of backgrounds and approaches to the history of global theater, this introduction to theatre history places theatre into its larger historical contexts and attends to communication’s role in shaping theatre. Its case studies provide deeper knowledge of selected topics in theater and drama, and its “Thinking Through Theatre Histories” boxes discuss important concepts and approaches used in the book.Features of the fully updated fourth edition include:Deeper coverage of East Asian and Latin American theater.Richer treatment of popular culture.More illustrations, photographs, and information about online resources.New case studies, include several written by authoritative scholars on the topic.Pronunciation guidance, both in the text and as audio files online.Timelines.An introduction on historiography.A website with additional case studies, a glossary, recordings of the pronunciation of important non-English terms, and instructor resources.A case studies library listing, including both those in print and online, for greater instructor choice and flexibility.This is an essential textbook for undergraduate courses in theatre history, world theatre and introduction to theatre, and anyone looking for a full and diverse account of the emergence, development, and continuing relevance of theatre to cultures and societies across the world.