Todd Longstaffe-Gowan – författare

Much has been written about London’s terraced houses with their simple dignity, their economical use of space, and their sense of comfort and human scale. Yet the small gardens that lie before or behind the houses in this great city have until now been overlooked. In this groundbreaking account of the development of the private garden in London, eminent garden historian Todd Longstaffe-Gowan provides a delightful remedy to the oversight. Recognizing the contribution of modest domestic gardens to the texture of eighteenth- and early nineteenth-century London, Longstaffe-Gowan explores in full detail the small gardens, their owners, and their significance to the development of the metropolis. Some two hundred illustrations enhance this rich and fascinating discussion.Town gardening was conventionally maligned as a trifling pursuit conducted within inhospitable and infertile enclosures. This view changed during the eighteenth century as middle class Londoners found in gardening activities an outlet for personal enjoyment and expression. This book describes how gardening affected the lives of many, becoming part of the ritual of the daily round and gratifying material aspirations.

Modern-day London abounds with a multitude of gardens, enclosed by railings and surrounded by houses, which attest to the English love of nature. These green enclaves, known as squares, are among the most distinctive and admired features of the metropolis and are England's greatest contribution to the development of European town planning and urban form. Traditionally, inhabitants who overlooked these gated communal gardens paid for their maintenance and had special access to them. As such, they have long been synonymous with privilege, elegance, and prosperous metropolitan living. They epitomize the classical notion of rus in urbe, the integration of nature within the urban plan—a concept that continues to shape cities to this day.Todd Longstaffe-Gowan delves into the history, evolution, and social implications of squares, which have been an important element in the planning and expansion of London since the early 17th century. As an amenity that fosters health and well-being and a connection to the natural world, the square has played a crucial role in the development of the English capital.

A celebration of London’s vast and varied garden legacy, but with an unexpected focus on those gardens that have either vanished or changed beyond recognition over the centuries  Lost Gardens of London pays tribute to the evanescence of London’s vast and varied garden legacy. Todd Longstaffe-Gowan explores gardens that range in date from the sixteenth to the twenty-first century, and from the capital’s humble allotments and gardens behind terraced houses to defunct squares, amateur botanical gardens and aviaries, princely pleasure grounds, royal-palace gardens, artists’ gardens and private menageries—gardens that either no longer exist or are unrecognisable today.  Our fascination with lost gardens is often fuelled by our interest in reconstructing worlds that supply us with a powerful means of making sense of the past, and a way of reading history. In this beautiful and evocative book, illustrated with a variety of images including watercolours, coloured engravings, and photographs, Longstaffe-Gowan reminds us of what a precious asset gardened green space is, and how it has contributed over the centuries to the quality of life and well-being of generations of inhabitants of the Metropolis.  Distributed for Modern Art Press  Exhibition Schedule:  Garden Museum, London(23 October 2024–2 March 2025)

A highly original study of eccentric English garden-makers and their extraordinary gardens  In English Garden Eccentrics, renowned landscape architect and historian Todd Longstaffe-Gowan reveals a series of obscure and eccentric English garden-makers who, between the early seventeenth and early twentieth centuries, created intensely personal and idiosyncratic gardens. They include such fascinating characters as the superstitious antiquary William Stukeley and the animal- and bird-loving Lady Read, as well as the celebrated master of Vauxhall Gardens, Jonathan Tyers, who created at his home at Denbies one of the gloomiest and most perverse anti-pleasure gardens in Georgian England. Others built miniature mountains, shaped topiaries, displayed exotic animals, excavated caves, and assembled architectural fragments and fossils to realise their gardens in a way that was often thought excessive.  With quirky and compelling illustrations and chapters including “Lady Broughton’s ‘Miniature copy of the Swiss Glaciers,’” “Topiary on a Gargantuan Scale: The Clipped ‘Yew-trees’ at Four Ancient London Churchyards,” and “The Burrowing Duke at Harcourt House,” English Garden Eccentrics brings together garden and landscape history with cultural history and biography. The book engagingly reveals what it is about the gardener and his or her creation that can be seen as eccentric and focusses on an area of garden history that has scarcely been explored: gardens seen as expressions of the singular character of their makers, and therefore functioning, in effect, as a form of autobiography.  This lively and accessible book calls on gardeners today to learn from example and dare to be eccentric. Distributed for the Paul Mellon Centre for Studies in British Art