Tom Bieling – författare

Wie wir Dinge gestalten, hat einen maßgeblichen Einfluss darauf, was oder wen wir als "normal" oder "normabweichend" empfinden. Design markiert somit die Grenzbereiche zwischen In- und Exklusion, indem es implizit Rollen- und Wertebilder konfiguriert und dabei gleichermaßen in den Herstellungs- und Deutungsprozess von Normalität involviert ist.

Wenn solche Normvorstellungen durch Design mitkonstruiert werden, bedeutet das im Umkehrschluss jedoch auch, dass sie sich durch Design dekonstruieren, also kritisch hinterfragen und verändern lassen: Design kann auch Gegenmodelle entwickeln.

In Inklusion als Entwurf deckt Tom Bieling auf zahlreichen Ebenen Verbindungen von Design und Inklusion auf und leitet daraus nicht nur neue Operationsbereiche für Designer ab, sondern liefert auch Anknüpfungspunkte für andere Praxis- und Wissensfelder.

Design has long established itself as an independent research competence. The New Experimental Research in Design (NERD) series seeks to provide a public platform to reflect upon and discuss the specifically experimental dimension of the field. The contributions from researchers from around the world exhibit a diverse and insightful range of approaches, giving rise to further debate and action in the rapidly evolving field. In times of multiple crises – the authors in this volume strive to find tactics of response. They introduce experiments into more-than-human design, co-species production, critical algorithmic immersion, feminist engagements with new materialism and more. From autoethnographic explorations to socially engaged methods, they challenge not just the role of design in these times, but the self-positioning of the designer.　 Experimental design Practice based research　 Design methods

In its entire range of media and product worlds, Design is decisively involved in the cultural production and distribution of related images and interpretations of gender. This anthology examines why this is the case and what happens when it is changed from different perspectives and knowledge disciplines relevant to design. The contributions collected in this book enter into an interdisciplinary dialogue on the design of gender and provide theoretical and methodological approaches to understanding the social, cultural and political functions of design.

This book explores how design shapes and is shaped by communities across diverse physical and digital, urban and rural, local and transnational contexts. Bringing together scholars and practitioners from around the world, it investigates how design fosters interaction, identity, and belonging. From grassroots initiatives to global networks, COMMUNITY (&) DESIGN examines design for, in, and by communities, revealing how shared spaces, tools, and practices shape collective life – and how communities, in turn, design their own worlds. Crossing disciplines and geographies, it offers fresh insights into how design redefines what community can mean today.

In 1995, Michael Erlhoff formulated a beautiful vision in Nutzen statt Besitzen (Use Instead of Ownership) that anticipated many later debates. What was intended as an alternative to the logic of ownership is now more relevant than ever considering global crises; however, questions and problems that were hardly considered at the time are also emerging.The new edition, supplemented with 20 new essays, reopens the topic and continues to think boldly and speculatively. The diversity of the contributions corresponds to the open and "undisciplined" self-image of BIRD. Even after 30 years, Erlhoff's plea remains a groundbreaking impetus—to reflect on what may lie ahead and how we want to live.Authors: Michael Erlhoff, Tom Bieling, Uta Brandes, Katharina Bredies, Rosan Chow, Meret Ernst, Köbi Gantenbein, Simon Grand, Angela Grosso Ciponte und Evelyne Roth, Harald Gruendl, Saskia Herbert, Wolfgang Jonas, Simon Küffer, Ralf Michel, Stephan Rammler, Hans Ulrich Reck, Erik Spiekermann, Peter Friedrich Stephan, Kai Völcker und Peter Eckart, Thomas Wagner