Tom Cochrane – författare

How can an abstract sequence of sounds so intensely express emotional states? How does music elicit or arouse our emotions? What happens at the physiological and neural level when we listen to music? How do composers and performers practically manage the expressive powers of music? How have societies sought to harness the powers of music for social or therapeutic purposes?In the past ten years, research into the topic of music and emotion has flourished. In addition, the relationship between the two has become of interest to a broad range of disciplines in both the sciences and humanities. The Emotional Power of Music is a multidisciplinary volume exploring the relationship between music and emotion. Bringing together contributions from psychologists, neuroscientists, musicologists, musicians, and philosophers, the volume presents both theoreticalperspectives and in-depth explorations of particular musical works, as well as first-hand reports from music performers and composers.In the first section of the book, the authors consider the expression of emotion within music, through both performance and composing. The second section explores how music can stimulate the emotions, considering the psychological and neurological mechanisms that underlie music listening. The third section explores how different societes have sought to manage and manipulate the power of music.The book is valuable for those in the fields of music psychology and music education, as well as philosophy and musicology

How can an abstract sequence of sounds so intensely express emotional states? How does music elicit or arouse our emotions? What happens at the physiological and neural level when we listen to music? How do composers and performers practically manage the expressive powers of music? How have societies sought to harness the powers of music for social or therapeutic purposes?In the past ten years, research into the topic of music and emotion has flourished. In addition, the relationship between the two has become of interest to a broad range of disciplines in both the sciences and humanities. The Emotional Power of Music is a multidisciplinary volume exploring the relationship between music and emotion. Bringing together contributions from psychologists, neuroscientists, musicologists, musicians, and philosophers, the volume presents both theoreticalperspectives and in-depth explorations of particular musical works, as well as first-hand reports from music performers and composers.In the first section of the book, the authors consider the expression of emotion within music, through both performance and composing. The second section explores how music can stimulate the emotions, considering the psychological and neurological mechanisms that underlie music listening. The third section explores how different societes have sought to manage and manipulate the power of music.The book is valuable for those in the fields of music psychology and music education, as well as philosophy and musicology

In The Aesthetic Value of the World, Tom Cochrane defends Aestheticism, the claim that everything is aesthetically valuable and that a life lived in pursuit of aesthetic value can be a particularly good one. Furthermore, in distilling aesthetic qualities, artists have a special role to play in teaching us to recognize values; a critical component of virtue. Cochrane grounds his account upon an analysis of aesthetic value as ''objectified final value'', which is underwritten by an original psychological claim that all aesthetic values are distal versions of practical values. This is followed by systematic accounts of beauty, sublimity, comedy, drama, and tragedy, as well as appendix entries on the cute, the cool, the kitsch, the uncanny, the horrific, the erotic, and the furious.

In The Aesthetic Value of the World, Tom Cochrane defends Aestheticism, the claim that everything is aesthetically valuable and that a life lived in pursuit of aesthetic value can be a particularly good one. Furthermore, in distilling aesthetic qualities, artists have a special role to play in teaching us to recognize values; a critical component of virtue. Cochrane grounds his account upon an analysis of aesthetic value as ''objectified final value'', which is underwritten by an original psychological claim that all aesthetic values are distal versions of practical values. This is followed by systematic accounts of beauty, sublimity, comedy, drama, and tragedy, as well as appendix entries on the cute, the cool, the kitsch, the uncanny, the horrific, the erotic, and the furious.

In The Aesthetic Value of the World, Tom Cochrane defends Aestheticism, the claim that everything is aesthetically valuable and that a life lived in pursuit of aesthetic value can be a particularly good one. Furthermore, in distilling aesthetic qualities, artists have a special role to play in teaching us to recognize values; a critical component of virtue. Cochrane grounds his account upon an analysis of aesthetic value as 'objectified final value', which is underwritten by an original psychological claim that all aesthetic values are distal versions of practical values. This is followed by systematic accounts of beauty, sublimity, comedy, drama, and tragedy, as well as appendix entries on the cute, the cool, the kitsch, the uncanny, the horrific, the erotic, and the furious.

How can an abstract sequence of sounds so intensely express emotional states? How does music elicit or arouse our emotions? What happens at the physiological and neural level when we listen to music? How do composers and performers practically manage the expressive powers of music? How have societies sought to harness the powers of music for social or therapeutic purposes? In the past ten years, research into the topic of music and emotion has flourished. In addition, the relationship between the two has become of interest to a broad range of disciplines in both the sciences and humanities. The Emotional Power of Music is a multidisciplinary volume exploring the relationship between music and emotion. Bringing together contributions from psychologists, neuroscientists, musicologists, musicians, and philosophers, the volume presents both theoretical perspectives and in-depth explorations of particular musical works, as well as first-hand reports from music performers and composers. In the first section of the book, the authors consider the expression of emotion within music, through both performance and composing. The second section explores how music can stimulate the emotions, considering the psychological and neurological mechanisms that underlie music listening. The third section explores how different societes have sought to manage and manipulate the power of music. The book is valuable for those in the fields of music psychology and music education, as well as philosophy and musicology

In this book, Tom Cochrane develops a new control theory of the emotions and related affective states. Grounded in the basic principle of negative feedback control, his original account outlines a new fundamental kind of mental content called 'valent representation'. Upon this foundation, Cochrane constructs new models for emotions, pains and pleasures, moods, expressive behaviours, evaluative reasoning, personality traits and long-term character commitments. These various states are presented as increasingly sophisticated layers of regulative control, which together underpin the architecture of the mind as a whole. Clearly structured and containing numerous diagrams and examples to illustrate the discussion, this study draws on the latest research from fields including philosophy, psychology and neuroscience, and will appeal to readers interested in the philosophy and cognitive science of emotion.

Featuring classic authors and brand new work, we are confronted with a fundamental metaphysical challenge in every story. Are we souls, brains, animals, or patterns of information? Are the Buddhists right to say that the self is an illusion? Do we survive under conditions such as total amnesia, or the replacement of our brains by machine parts? Each story is accompanied by an introductory overview and examination of the philosophical arguments behind it.Alongside deeper appreciation of stories by authors such as Roald Dahl, John Varley, J. R. Dawson and Ursula Le Guin, we are seamlessly introduced to the philosophy of personal identity through memorable fiction:‘The Barbie Murders’ depicts a society in which each member conforms to a strict template for their physical and mental characteristics.‘Marley and Marley’ follows a middle-aged woman who takes part in a government program to travel back in time to take care of her orphaned younger self.‘Edward the Conqueror’ investigates the existence of the soul, when a mysterious cat appears to be reincarnation of a long-dead composer.Thought-provoking and highly entertaining, this one-of-a-kind anthology challenges traditional beliefs around how we see ourselves and allows us to understand what it means to be human.

Featuring classic authors and brand new work, we are confronted with a fundamental metaphysical challenge in every story. Are we souls, brains, animals, or patterns of information? Are the Buddhists right to say that the self is an illusion? Do we survive under conditions such as total amnesia, or the replacement of our brains by machine parts? Each story is accompanied by an introductory overview and examination of the philosophical arguments behind it.Alongside deeper appreciation of stories by authors such as Roald Dahl, John Varley, J. R. Dawson and Ursula Le Guin, we are seamlessly introduced to the philosophy of personal identity through memorable fiction:‘The Barbie Murders’ depicts a society in which each member conforms to a strict template for their physical and mental characteristics.‘Marley and Marley’ follows a middle-aged woman who takes part in a government program to travel back in time to take care of her orphaned younger self.‘Edward the Conqueror’ investigates the existence of the soul, when a mysterious cat appears to be reincarnation of a long-dead composer.Thought-provoking and highly entertaining, this one-of-a-kind anthology challenges traditional beliefs around how we see ourselves and allows us to understand what it means to be human.

In the first science fiction and philosophy anthology to focus on identity, a set of exemplary stories raise deep questions about who and what we are. Featuring classic authors and brand new work, we are confronted with a fundamental metaphysical topic within every story. Are we souls, brains, animals, or patterns of information? Are the Buddhists right to say that the self is an illusion? Do we survive under conditions such as total amnesia, or the destruction of the body? Each story is accompanied by an introductory overview and narrative explaining the ideas and the principal philosophical arguments behind it.Alongside deeper appreciation of stories by authors such as Roald Dahl, John Varly, J. R. Dawson and Ursula Le Guin, we are seamlessly introduced to the philosophy of personal identity through memorable fiction:- ''The Barbie Murders'' depicts a society in which each member conforms to a strict template for their physical and mental characteristics.- ''Marley and Marley'' follows a middle-aged woman who takes part in a government program to travel back in time to take care of her orphaned younger self.- ''Edward the Conqueror'' illustrates the concept of the soul, as an essence of a person that persists while other things about them may change.Thought-provoking and highly entertaining, this one-of-a-kind anthology challenges traditional beliefs around how we see ourselves and allows us to understand what it means to be human.