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The Monkees represent a vital problem for rock and pop, and perhaps the major question: is it the music that matters or the personality and image of the performers?This book explores the system behind the Monkees, the controversial made-for-tv band that scored some of the biggest hit records of the 1960s. The Monkees represent the cumulative result of a complex coordination of talented individuals, from songwriters to studio musicians to producers – the system of the 1960s Hollywood music industry. The new rock criticism bewailed the fake band, while fans and audiences made the Monkees a major commercial success. More than any other band in the 1960s, the Monkees illustrate the genius of the system and its role in popular music.
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The first computer-generated animated feature film, Toy Story (1995) sustains a dynamic vitality that proved instantly appealing to audiences of all ages. Like the great Pop Artists, Pixar Studios affirmed the energy of modern commercial popular culture and, in doing so, created a distinctive alternative to the usual Disney formula.Tom Kemper traces the film's genesis, production history and reception to demonstrate how its postmodern mishmash of pop culture icons and references represented a fascinating departure from Disney's fine arts style and fairytale naturalism. By foregrounding the way in which Toy Story flipped the conventional relationship between films and their ancillary merchandising by taking consumer products as its very subject, Kemper provides an illuminating, revisionist exploration of this groundbreaking classic.