Tom Mitchell – författare

A funny, filmic and fast-paced crime-caper by a hilarious new voice in middle-grade fiction, ideal for readers aged 10 and up. Some people rob banks because they’re greedy. Others enjoy the adrenalin rush. Me? I robbed a bank because of guilt. Specifically: guilt and a Nepalese scented candle… When fifteen-year-old Dylan accidentally burns down the house of the girl he’s trying to impress, he feels that only a bold gesture can make it up to her. A gesture like robbing a bank to pay for her new home.Only an unwanted Saturday job, a tyrannical bank manager, and his unfinished history homework lie between Dylan and the heist of century. And really, what’s the worst that could happen?A funny, cinematic, ill-advised comedy-crime adventure perfect for gamers, heist movie fans, and anyone who loves a laugh.

A funny, filmic and fast-paced crime-caper by a hilarious new voice in middle-grade fiction, ideal for readers aged 10 and up. Some people rob banks because they’re greedy. Others enjoy the adrenalin rush. Me? I robbed a bank because of guilt. Specifically: guilt and a Nepalese scented candle… When fifteen-year-old Dylan accidentally burns down the house of the girl he’s trying to impress, he feels that only a bold gesture can make it up to her. A gesture like robbing a bank to pay for her new home.Only an unwanted Saturday job, a tyrannical bank manager, and his unfinished history homework lie between Dylan and the heist of century. And really, what’s the worst that could happen?A funny, cinematic, ill-advised comedy-crime adventure perfect for gamers, heist movie fans, and anyone who loves a laugh.

A funny, filmic and fast-paced crime-caper by a hilarious new voice in middle-grade fiction, ideal for readers aged 10 and up.Some people rob banks because they’re greedy. Others enjoy the adrenalin rush. Me? I robbed a bank because of guilt. Specifically: guilt and a Nepalese scented candle…When fifteen-year-old Dylan accidentally burns down the house of the girl he’s trying to impress, he feels that only a bold gesture can make it up to her. A gesture like robbing a bank to pay for her new home.Only an unwanted Saturday job, a tyrannical bank manager, and his unfinished history homework lie between Dylan and the heist of century. And really, what’s the worst that could happen?A funny, cinematic, ill-advised comedy-crime adventure perfect for gamers, heist movie fans, and anyone who loves a laugh.

A hilarious, action-packed road-trip adventure from the author of HOW TO ROB A BANK, ideal for readers aged 10 and up. When fourteen-year-old Jacob misses his connecting flight in Chicago, he tries to complete his journey to LA by Greyhound bus. But on board he meets American teenager Jennifer, who is carrying a mysterious package and being chased by an enigmatic pursuer known only as ‘the Cowboy’… And she needs a partner in crime.The unlikely pair soon find themselves on the road-trip of a lifetime – a funny, filmic, page-turning adventure, ideal for readers aged 11+.

A hilarious, action-packed road-trip adventure from the author of HOW TO ROB A BANK, ideal for readers aged 10 and up.When fourteen-year-old Jacob misses his connecting flight in Chicago, he tries to complete his journey to LA by Greyhound bus. But on board he meets American teenager Jennifer, who is carrying a mysterious package and being chased by an enigmatic pursuer known only as ‘the Cowboy’… And she needs a partner in crime.The unlikely pair soon find themselves on the road-trip of a lifetime – a funny, filmic, page-turning adventure, ideal for readers aged 11+.

A wild, laugh-out-loud adventure through the not-so-great outdoors, from the author of HOW TO ROB A BANK and THAT TIME I GOT KIDNAPPED. Ideal for readers aged 10 and up. After Will is caught listening to music on his phone in class again, his mum has had enough. Will is sent to a ‘rewilding’ camp in the middle of the woods for kids addicted to tech… Disaster.Not only is the camp a screen-free snooze-fest, Will realises he has accidentally taken something of his brother’s that he must return urgently. And with no way of contacting him, Will and his three new friends plot to escape the camp in the middle of the night, and embark on a ridiculous journey through the woods.The hapless heroes must make it back to civilisation in time to return Will’s smuggled cargo – and avoid being defeated by the great outdoors in the process…

A wild, laugh-out-loud adventure through the not-so-great outdoors, from the author of HOW TO ROB A BANK and THAT TIME I GOT KIDNAPPED. Ideal for readers aged 10 and up. After Will is caught listening to music on his phone in class again, his mum has had enough. Will is sent to a ‘rewilding’ camp in the middle of the woods for kids addicted to tech… Disaster.Not only is the camp a screen-free snooze-fest, Will realises he has accidentally taken something of his brother’s that he must return urgently. And with no way of contacting him, Will and his three new friends plot to escape the camp in the middle of the night, and embark on a ridiculous journey through the woods.The hapless heroes must make it back to civilisation in time to return Will’s smuggled cargo – and avoid being defeated by the great outdoors in the process…

A wild, laugh-out-loud adventure through the not-so-great outdoors, from the author of HOW TO ROB A BANK and THAT TIME I GOT KIDNAPPED. Ideal for readers aged 10 and up.After Will is caught listening to music on his phone in class again, his mum has had enough. Will is sent to a ‘rewilding’ camp in the middle of the woods for kids addicted to tech… Disaster.Not only is the camp a screen-free snooze-fest, Will realises he has accidentally taken something of his brother’s that he must return urgently. And with no way of contacting him, Will and his three new friends plot to escape the camp in the middle of the night, and embark on a ridiculous journey through the woods.The hapless heroes must make it back to civilisation in time to return Will’s smuggled cargo – and avoid being defeated by the great outdoors in the process…

‘Mitchell is well aware of what will make kids laugh. An observant and captivatingly funny story’ Sunday Times Children’s Book of the Week A hilarious adventure for readers aged 9+ from the author of Escape from Camp Boring. When Things Went Wild is also a timely call to protect our environment. When Kit’s family move to a crumbling house in the Scottish Highlands, he’s got a lot to deal with – terrible Wi-Fi, a new school in the middle of nowhere, and, as always, his annoying little brother, Jack. But it’s not until the brothers find a strange object on the moors that Kit’s problems really begin.A policewoman comes knocking, and the boys learn that they have found a tracker that has been removed from the leg of a golden eagle. The illegal killing of these majestic birds is all too common, and now a pair of nesting eagles are under threat. Kit and Jack start to investigate, soon joined by Tamora – the most popular girl in school – and her younger sister, Bea.Who is trying to harm the eagles, and why? Chief suspects are landowner Lord Cavendish, local farmer McNab and sinister game keeper Mosby . . . Can the city kids cope with the country – and catch the culprit?

‘Mitchell is well aware of what will make kids laugh. An observant and captivatingly funny story’ Sunday Times Children’s Book of the Week A hilarious adventure for readers aged 9+ from the author of Escape from Camp Boring. When Things Went Wild is also a timely call to protect our environment. When Kit’s family move to a crumbling house in the Scottish Highlands, he’s got a lot to deal with – terrible Wi-Fi, a new school in the middle of nowhere, and, as always, his annoying little brother, Jack. But it’s not until the brothers find a strange object on the moors that Kit’s problems really begin.A policewoman comes knocking, and the boys learn that they have found a tracker that has been removed from the leg of a golden eagle. The illegal killing of these majestic birds is all too common, and now a pair of nesting eagles are under threat. Kit and Jack start to investigate, soon joined by Tamora – the most popular girl in school – and her younger sister, Bea.Who is trying to harm the eagles, and why? Chief suspects are landowner Lord Cavendish, local farmer McNab and sinister game keeper Mosby . . . Can the city kids cope with the country – and catch the culprit?

‘Mitchell is well aware of what will make kids laugh. An observant and captivatingly funny story’Sunday Times Children’s Book of the WeekA hilarious adventure for readers aged 9+ from the author of Escape from Camp Boring. When Things Went Wild is also a timely call to protect our environment.When Kit’s family move to a crumbling house in the Scottish Highlands, he’s got a lot to deal with – terrible Wi-Fi, a new school in the middle of nowhere, and, as always, his annoying little brother, Jack. But it’s not until the brothers find a strange object on the moors that Kit’s problems really begin.A policewoman comes knocking, and the boys learn that they have found a tracker that has been removed from the leg of a golden eagle. The illegal killing of these majestic birds is all too common, and now a pair of nesting eagles are under threat. Kit and Jack start to investigate, soon joined by Tamora – the most popular girl in school – and her younger sister, Bea.Who is trying to harm the eagles, and why? Chief suspects are landowner Lord Cavendish, local farmer McNab and sinister game keeper Mosby . . . Can the city kids cope with the country – and catch the culprit?

Thrilling adventures and hilarious capers from three brilliant children’s authors in one audiobook collection.THAT TIME I GOT KIDNAPPEDWhen fourteen-year-old Jacob misses his connecting flight in Chicago, he tries to complete his journey to LA by Greyhound bus. But on board he meets American teenager Jennifer, who is carrying a mysterious package and being chased by an enigmatic pursuer known only as ‘the Cowboy’… And she needs a partner in crime. The unlikely pair soon find themselves on the road-trip of a lifetime – a funny, filmic, page-turning adventure.THE KID WHO CAME FROM SPACEA small village in the wilds of Northumberland is rocked by the disappearance of twelve-year-old Tammy. Only her twin brother, Ethan, knows she is safe – and the extraordinary truth of where she is. It is a secret he must keep, or risk never seeing her again. But that doesn’t mean he’s going to give up. A remarkable story of sibling connection, friendship and interstellar adventure.THE TAYLOR TURBOCHASERThe Taylor TurboChaser is a road-trip rollercoaster… with a twist. At its heart is the unforgettable Amy Taylor. Amy loves cars, and dreams of being a driver. But there’s a major catch: her slow old wheelchair with its broken wheel. When Amy finally gets a new electric one, it’s exciting… at first. But standard engines only have so much power. And that’s where Rahul comes in – Amy’s best friend and genius inventor. Soon Rahul turns a wheelchair into… a supercar! And so the Taylor TurboChaser is born. But when it all goes suddenly wrong Amy is going to have to hit the road – and drive…

Colin Coleridge is facing a long, boring summer holiday with NOTHING to do. But when he notices some weird markings outside his house, and some strangers acting VERY suspiciously in his neighbour’s garden, he decides to investigate. And before too long, Colin and his new friend Lucy have found themselves caught up in a mission involving an ancient sword, a mysterious curse, and a plan to SAVE THE WORLD…Hilarious, fast-paced, and action-packed, How to Stop the End of the World is an apocalyptically funny adventure for readers aged 9+, from the highly-acclaimed author of Escape from Camp Boring and When Things Went Wild.

Colin Coleridge is facing a long, boring summer holiday with NOTHING to do. But when he notices some weird markings outside his house, and some strangers acting VERY suspiciously in his neighbour’s garden, he decides to investigate. And before too long, Colin and his new friend Lucy have found themselves caught up in a mission involving an ancient sword, a mysterious curse, and a plan to SAVE THE WORLD…Hilarious, fast-paced, and action-packed, How to Stop the End of the World is an apocalyptically funny adventure for readers aged 9+, from the highly-acclaimed author of Escape from Camp Boring and When Things Went Wild.

Colin Coleridge is facing a long, boring summer holiday with NOTHING to do. But when he notices some weird markings outside his house, and some strangers acting VERY suspiciously in his neighbour’s garden, he decides to investigate. And before too long, Colin and his new friend Lucy have found themselves caught up in a mission involving an ancient sword, a mysterious curse, and a plan to SAVE THE WORLD…Hilarious, fast-paced, and action-packed, How to Stop the End of the World is an apocalyptically funny adventure for readers aged 9+, from the highly-acclaimed author of Escape from Camp Boring and When Things Went Wild.

When an unfortunate incident in a space shuttle simulator turns twelve year old Franklin Wilson into an accidental viral sensation, he attracts the attention of Xavier Drake, the third richest person in the world, who invites Franklin to take part in a competition to become the actual first kid in space. But after the competition launches, and the five young contestants begin to compete in a series of trials that will see them eliminated one by one until only the winner remains, Franklin discovers that everything is not what it seems – and it turns out there is much more at stake than just a trip to space…Hilarious, fast-paced, and action-packed, The First Kid in Space is an out-of-this-world adventure for readers aged 9+, from the highly-acclaimed author of Escape from Camp Boring and How to Rob a Bank.

When an unfortunate incident in a space shuttle simulator turns twelve year old Franklin Wilson into an accidental viral sensation, he attracts the attention of Xavier Drake, the third richest person in the world, who invites Franklin to take part in a competition to become the actual first kid in space.But after the competition launches, and the five young contestants begin to compete in a series of trials that will see them eliminated one by one until only the winner remains, Franklin discovers that everything is not what it seems – and it turns out there is much more at stake than just a trip to space…Hilarious, fast-paced, and action-packed, The First Kid in Space is an out-of-this-world adventure for readers aged 9+, from the highly-acclaimed author of Escape from Camp Boring and How to Rob a Bank.

Big Cat Read On supports fluent readers to improve their reading skills and nurture a love of reading. Consisting of a wide range of engaging chapter books, the Big Cat Read On series improves reading stamina and comprehension, develops vocabulary, and introduces children to more sophisticated narrative structures and themes.Hi, I’m Alfie. I’m in the Fulwood Rangers Under-11 football team (well, I’m on the bench mainly – sub number 2, that’s me). We’re playing in the Sheffield Youth Cup football tournament, and do we have a chance of winning? Nope. Our coach is an ex-pro, but all he does is get us to run round the field. We’re never going to lift the cup unless we use some new tactics, on and off the pitch.Ask the author and Book talk questions invite the reader to think more deeply about the themes in the book and reflect on their reading experience. Online lesson plans provide guidance in using this book in a range of settings, including independent, social and whole-class reading – all designed to support the reader to connect with the book and encourage a positive attitude to reading.

Big Cat Read On supports fluent readers to improve their reading skills and nurture a love of reading. Consisting of a wide range of engaging chapter books, the Big Cat Read On series improves reading stamina and comprehension, develops vocabulary, and introduces children to more sophisticated narrative structures and themes.While mining for gold in the Wild West, Pa is injured in an accident, leaving young Lily to race home for help. Her journey through the treacherous landscape is filled with escalating challenges, all while being chased by the notorious Cactus Kid and his gang.Ask the author and Book talk questions invite the reader to think more deeply about the themes in the book and reflect on their reading experience. Online lesson plans provide guidance in using this book in a range of settings, including independent, social and whole-class reading – all designed to support the reader to connect with the book and encourage a positive attitude to reading.

Big Cat Read On supports fluent readers to improve their reading skills and nurture a love of reading. Consisting of a wide range of engaging chapter books, the Big Cat Read On series improves reading stamina and comprehension, develops vocabulary, and introduces children to more sophisticated narrative structures and themes.A missing play. A runaway monkey. A boy’s first day on the job. What could possibly go wrong? The year is 1600, and Henry just wants to survive his first day as an apprentice at Griggs’s print shop. When a mischievous monkey steals pages from the only complete copy of Shakespeare’s A Midsummer Night’s Dream, Henry is flung into a wild chase across London to get it back.About the Author and Book Talk questions invite the reader to think more deeply about the themes in the book and reflect on their reading experience. Online lesson plans provide guidance in using this book in a range of settings, including independent, social and whole-class reading – all designed to support the reader to connect with the book and encourage a positive attitude to reading.

These tales were penned by one Thomas Lanier Williams of Missouri before he became a successful playwright, and yet his voice is unmistakable.The reliable idiosyncrasies and quiet dignity of Williams’s eccentrics are already present in his characters. Consider the diminutive octogenarian of “The Caterpillar Dogs”, who may have just met her match in a pair of laughing Pekinese that refuse to obey; the retired, small-town evangelist in “Every Friday Nite is Kiddies Nite”, who wears bright-coloured pyjamas and receives a message from God to move to St. Louis and finally, finally go to the movies again; or the distraught factory worker whose stifled artistic spirit, and just a soupçon of the macabre, propel the drama of “Stair to the Roof”.Love’s diversions and misdirections, even autoerotic longings, are found in these delightful lagniappes: in “Season of Grapes,” the intoxicating ripeness of summer in the Ozarks acquaints one young man with his own passions, which turn into a fever dream, and the first revelation of female sexuality blooms for a college boy in “Ironweed”. Is there such a thing as innocence? Apparently in the 1930s there was, and Williams reveals it in these stories.

The official journal of the Mid-America Theatre ConferenceTheatre History Studies (THS) is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre. THS is a member of the Council of Editors of Learned Journals and is included in the MLA Directory of Periodicals. THS is indexed in Humanities Index, Humanities Abstracts, Book Review Index, MLA International Bibliography, International Bibliography of Theatre, Arts & Humanities Citation Index, IBZ International Bibliography of Periodical Literature, and IBR International Bibliography of Book Reviews. Full texts of essays appear in the databases of both Humanities Abstracts Full Text and SIRS.Along with book reviews on the latest publications from established and emerging voices in the field, this issue of Theatre History Studies contains three sections with fourteen essays total. In the general section, three essays offer an array of insights, methods, and provocations. In the special section on care, contributors capture their experience as scholars, humans, and citizens in 2022. In Part III, the 2022 Robert A. Schanke Research Award-winning paper by Heidi L. Nees asks historians to rethink Western constructions of time. Taken together, volume 42 captures how this journal serves theatre historians as scholars and laborers as they work to attend and tend to their field. CONTRIBUTORSCheryl Black / Shelby Brewster / Matthieu Chapman / Meredith Conti / Zach Dailey / Michael DeWhatley / Whit Emerson / Katherine Gillen / Miles P. Grier / Patricia Herrera / Lisa Jackson-Schebetta / Nancy Jones / Joshua Kelly / Felicia Hardison LondrÉ / Bret McCandless / Marci R. McMahon/ Tom Mitchell / Sherrice Mojgani / John Murillo III / Heidi L. Nees / Jessica N. PabÓn-ColÓn / Kara Raphaeli / Leticia L. Ridley / Cynthia Running-Johnson / Alexandra Swanson / Catherine Peckinpaugh Vrtis / Shane Wood / Christine Woodworth / Robert O. Yates

After Soviet cipher clerk Igor Gouzenko defected in 1945, Canada was shocked by the revelation that its own citizens were engaged in espionage for the Soviet Union. P.S. Burn After Reading explores how the Canadian government used the controversial Kellock-Taschereau Commission – sometimes judiciously, sometimes not – to uncover and thwart domestic spies during the early days of the Cold War. Drawing on a wealth of sources, including the Commission’s extensive records, GRU documents turned over by Gouzenko, American Venona decrypts, Soviet KGB archives, and newly released British MI5 and MI6 files, authors Reinhold Kramer and Tom Mitchell provide a comprehensive account of the crisis. They reveal that, despite some civil liberties missteps, the government’s suspicions were largely justified. The book weaves together the evidence against the spies, the tradecraft of Soviet espionage, complex legal challenges faced by the state, and the political fallout. With access to hundreds of newly released British intelligence files, P.S. Burn After Reading offers both specialists and general readers fresh insights into the espionage crisis of 1945–46 and the pivotal role it played in exposing Canada’s postwar security and intelligence vulnerabilities.

The Winnipeg General Strike of 1919, which involved approximately 30,000 workers, is Canada's best-known strike. When the State Trembled recovers the hitherto untold story of the Citizens' Committee of 1000, formed by Winnipeg's business elite in order to crush the revolt and sustain the status quo.This account, by the authors of the award-winning Walk Towards the Gallows, reveals that the Citizens drew upon and extended a wide repertoire of anti-labour tactics to undermine working-class unity, battle for the hearts and minds of the middle class, and stigmatize the general strike as a criminal action. Newly discovered correspondence between leading Citizen lawyer A.J. Andrews and Acting Minister of Justice Arthur Meighen illuminates the strategizing and cooperation that took place between the state and the Citizens. While the strike's break was a crushing defeat for the labour movement, the later prosecution of its leaders on charges of sedition reveals abiding fears of radicalism and continuing struggles between capital and labour on the terrain of politics and law.

The Winnipeg General Strike of 1919, which involved approximately 30,000 workers, is Canada's best-known strike. When the State Trembled recovers the hitherto untold story of the Citizens' Committee of 1000, formed by Winnipeg's business elite in order to crush the revolt and sustain the status quo.This account, by the authors of the award-winning Walk Towards the Gallows, reveals that the Citizens drew upon and extended a wide repertoire of anti-labour tactics to undermine working-class unity, battle for the hearts and minds of the middle class, and stigmatize the general strike as a criminal action. Newly discovered correspondence between leading Citizen lawyer A.J. Andrews and Acting Minister of Justice Arthur Meighen illuminates the strategizing and cooperation that took place between the state and the Citizens. While the strike's break was a crushing defeat for the labour movement, the later prosecution of its leaders on charges of sedition reveals abiding fears of radicalism and continuing struggles between capital and labour on the terrain of politics and law.

On 5 July 1899 Hilda Blake, a 21-year-old maidservant in Brandon, Manitoba, who had come to Canada from England ten years earlier as an orphan immigrant, shot and killed her mistress. Two days after Christmas she was hanged, one of the few women in Canadian history to die for her crime.Blake unintentionally left a remarkable documentary record, ranging from Poorhouse records, courts dockets of custody and criminal cases in which she was the central figure, popular, journalistic, and professional assessments of her character, and a poem, 'My Downfall', that she penned in Brandon Gaol while awaiting execution. To explain why Hilda bought a gun and why she fired it, Kramer and Mitchell employee both historical and literary techniques. The result is a richly textured story of late Victorian social, cultural, and political life.This remarkable book - part mystery, part historical detective story - uncovers Hilda Blake's life, from her origins in Norfolk, England, to her tragic death. It also examines the lives of other principals in the story: successful Brandon businessman Robert Lane and his wife Mary, the murdered woman; Lane's business partner, Alexander McIlvride; Police Chief James Kircaldy; A.P. Stewart and his wife, Letitia Singer Stewart, the family for whom the 12-year-old orphaned Hilda first worked as a domestic servant; Rev. C.C. McLaurin, the Baptist minister who knew Hilda and counselled the condemned woman in her final days; social purity activist Dr Amelia Yeomans, who petitioned for clemency; Governor-General Minto, who urged the Laurier government to stay the execution, even Clifford Sifton, the MP from Brandon, federal minister of Immigration, and the most powerful western Liberal in the Laurier cabinet, for whom the case was a potential minefield.As the authors write, 'We tell a story because only a story can expose the real workings of a culture, and only a story can express our protest against time.'

The Winnipeg General Strike of 1919, which involved approximately 30,000 workers, is Canada's best-known strike. When the State Trembled recovers the hitherto untold story of the Citizens' Committee of 1000, formed by Winnipeg's business elite in order to crush the revolt and sustain the status quo.This account, by the authors of the award-winning Walk Towards the Gallows, reveals that the Citizens drew upon and extended a wide repertoire of anti-labour tactics to undermine working-class unity, battle for the hearts and minds of the middle class, and stigmatize the general strike as a criminal action. Newly discovered correspondence between leading Citizen lawyer A.J. Andrews and Acting Minister of Justice Arthur Meighen illuminates the strategizing and cooperation that took place between the state and the Citizens. While the strike's break was a crushing defeat for the labour movement, the later prosecution of its leaders on charges of sedition reveals abiding fears of radicalism and continuing struggles between capital and labour on the terrain of politics and law.

On 5 July 1899 Hilda Blake, a 21-year-old maidservant in Brandon, Manitoba, who had come to Canada from England ten years earlier as an orphan immigrant, shot and killed her mistress. Two days after Christmas she was hanged, one of the few women in Canadian history to die for her crime.Blake unintentionally left a remarkable documentary record, ranging from Poorhouse records, courts dockets of custody and criminal cases in which she was the central figure, popular, journalistic, and professional assessments of her character, and a poem, 'My Downfall', that she penned in Brandon Gaol while awaiting execution. To explain why Hilda bought a gun and why she fired it, Kramer and Mitchell employee both historical and literary techniques. The result is a richly textured story of late Victorian social, cultural, and political life.This remarkable book - part mystery, part historical detective story - uncovers Hilda Blake's life, from her origins in Norfolk, England, to her tragic death. It also examines the lives of other principals in the story: successful Brandon businessman Robert Lane and his wife Mary, the murdered woman; Lane's business partner, Alexander McIlvride; Police Chief James Kircaldy; A.P. Stewart and his wife, Letitia Singer Stewart, the family for whom the 12-year-old orphaned Hilda first worked as a domestic servant; Rev. C.C. McLaurin, the Baptist minister who knew Hilda and counselled the condemned woman in her final days; social purity activist Dr Amelia Yeomans, who petitioned for clemency; Governor-General Minto, who urged the Laurier government to stay the execution, even Clifford Sifton, the MP from Brandon, federal minister of Immigration, and the most powerful western Liberal in the Laurier cabinet, for whom the case was a potential minefield.As the authors write, 'We tell a story because only a story can expose the real workings of a culture, and only a story can express our protest against time.'

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