Tom Paulin – författare

Since his precise, potent and subtle portraits of Northern Irish life first came to public attention in the 1970s, Tom Paulin has been an unmissable writer on the contemporary poetry scene. This selection of his work draws on nearly four decades of poetry and translation, updating and expanding upon the Selected Poems 1972-1990, and showcasing the microscopic detail and reinvention of the ordinary with which Paulin writes of place, culture and memory. The Ireland of Paulin's childhood is explored both from a personal and a historical perspective to form a complex picture of a country in turmoil and in recovery. But Paulin's concerns are as international as they are local, as reflected in his long-standing appetite for European writers, histories and languages. Dialectic and lyrical, original and exploratory, ambitious and provocative, Tom Paulin is one of the defining voices of his generation: brilliantly varied and utterly compelling, as apparent from this New Selected Poems.

Hazlitt is one of the greatest masters of English prose style and this new selection demonstrates the variety and richness of his writing. The volume includes classic pieces of drama and literature criticism, such as his essays on Shakespeare and Coleridge, as well as less well-known material from his social and political journalism. This collection encourages the reader to reconsider the nature of critical writing, which Hazlitt transforms into an art form.

This important study from the prizewinning novelist and critic Amit Chaudhuri explores D. H. Lawrence's position as a 'foreigner' in the English canon. Focusing on the poetry, Chaudhuri examines how Lawrence's works, and Lawrence himself, have been read, and misread, in terms of their 'difference.' In contrast to the Leavisite project of placing Lawrence in the English 'great tradition,' this study demonstrates how Lawrence's writing brings into question the notion of 'Englishness' itself. It also shows how Lawrence's aesthetic sets him apart radically from both his Modernist contemporaries and his Romantic forbears. The starting-point of this enquiry into Lawrentian 'difference' is, for the purposes of this study, the poetry, its stylistic features, the ways in which it has been read, and, importantly, involves a search for a critical language by which it, and its 'difference', might be addressed. In doing so, it takes recourse to Jacques Derrida's notions of 'grammatalogy' and 'ecriture', and Michel Foucault's notion of 'discourse'. Referring to Lawrence's travel writings about Mexico and Italy, his essays on European and Etruscan art, on Mexican marketplaces and rituals, and American literature, and especially to his poetic manifesto, 'The Poetry of the Present,' this book shows how Lawrence was working towards both a theory and a practice that critique the post-Enlightenment unitary European self. Chaudhuri also, radically, allows his own post-colonial identity to inform his reading of the poetry, and to let the poems enter into a conversation with that identity. This is the first time that Lawrence's poetry has been discussed in this way, in the light of post-colonial and post-structuralist theory; it is also the first time a leading post-colonial writer of his generation has taken as his subject a major canonical English writer, and, through him, remapped the English canon as a site of 'difference.'

The rediscovery and restitution of William Hazlitt as a canonical Romantic author has been among the latest and most significant developments in present-day Romantic studies. This volume, a collection of previously unpublished essays by the foremost scholars in the field presents Hazlitt as a philosophical, and not simply a 'familiar' essayist. It offers a comprehensive statement of the significance and transmission of Hazlitt's philosophical principles, in his own work and in that of his contemporaries and succeeding writers. This book is an essential contribution to a vital new aspect of Romantic studies and shows Hazlitt to be, as his memorial claims, 'The first (unanswered) Metaphysician of the age'.

The Secret Life of Poems is a primer which offers a poem - or on occasion an excerpt - succeeding with commentary in which rhythm, form, metre and sources are the order of the day, not ethical commentary or descriptive paraphrase. This brief engagement with forty-seven poems is intended for students and readers of poetry, and seeks to explain how poetry works by bringing into view the hidden order of specific poems.

After the success of The Riot Act, his version of Sophocles's Antigone, Tom Paulin turned his formidable powers of transformation on Aeschylus's Prometheus Bound. Commissioned by the Open University, Paulin produced a reworking of the myth, deploying a fluent and sinewy diction laced with the vernacular. As drama it is a brilliant object lesson in what is inessential. Plot and character, even action, are secondary to a gripping, inventive and quasi-futuristic treatment of burning contemporary issues - feminism, the corruption of power and authoritarian politics.

This book offers Tom Paulin's own choice from his first four collections of poems, A State of Justice, The Strange Museum, Liberty Tree and Fivemiletown, and from Seize the Fire, his version of Aeschylus's Prometheus Bound. It introduces the new reader to a body of work distinguished from the outset by its intelligence, toughness and lyrical grace.

A collection of poems by Tom Paulin, who is also known as an essayist and from his appearances on television and radio. The title of the book is taken from a statement by the modernist painter Paul Klee.

The 'wind dog' is a broken rainbow, but, in the title poem of Tom Paulin's sixth collection, it provides this most agile of poets with a perfect bridge into childhood and its 'lingo-jingo of beginnings'. The poem is a gloriously singing meditation on the life of the ear - 'the only true reader' - and the meaning and music of both words and pre-verbal sounds are a recurring theme in this rich, cogent and prosodically adventurous volume.

'To say that [Fivemiletown] was one of the best books of the Eighties isn't enough: it is one of the best books I know, or for that matter, am capable of imagining: a corrosive and uproarious litany of bad sex, bad politics and bad religion.' Michael Hofmann

The Road to Inver gathers the verse translations of Tom Paulin from four decades, and brings together distinguished versions of classical and European poets which have appeared in his previous collections, from Liberty Tree (1983) to The Wind Dog (1999). But The Road to Inver also includes dozens of new and recent translations from the European canon; it is at once a new volume of poetry by Tom Paulin and a personal anthology of European poetry, ranging from Horace to Heine and covering a surprising range of French, German, Russian and Italian poets. The Road to Inver is the richest collection of its kind since Robert Lowell's Imitations.

Tom Paulin's first collection since The Road to Inver in 2004, Love's Bonfire sets poems about early life and marriage beside up-to-the minute and minutely registered perceptions of post-settlement Ireland. At the book's centre are delicately inward versions of the contemporary Palestinian poet Walid Khazendar, which resonate with the proximity of other lives, other exiles and destinies, as of an autobiography by other means.

Since his precise, potent and subtle portraits of Northern Irish life first came to public attention in the 1970s, Tom Paulin has been an unmissable writer on the contemporary poetry scene. This selection on his work draws on nearly four decades of poetry and translation, updating and expanding upon the Selected Poems 1972-1990, and showcasing the microscopic detail and reinvention of the ordinary with which Paulin writes of place, culture and memory. The Ireland of Paulin's childhood is explored both from a personal and a historical perspective to form a complex picture of a country in turmoil and in recovery. But Paulin's concerns are as international as they are local, as reflected in his long-standing appetite for European writers, histories and languages. Dialectic and lyrical, original and exploratory, ambitious and provocative, Tom Paulin is one of the defining voices of his generation: brilliantly varied and utterly compelling, as apparent from this New Selected Poems.

A selection of the writer's greatest nature poetry, selected by Tom Paulin, published in a beautiful new edition by Faber.At once a voice arose amongThe bleak twigs overheadIn a full-hearted evensongOf joy illimited;An aged thrush, frail, gaunt, and small,In blast-beruffled plume,Had chosen thus to fling his soulUpon the growing gloom . . .-The Darkling Thrush

WINNER OF THE PEN HEANEY PRIZESHORTLISTED FOR THE T. S. ELIOT PRIZEFINALIST FOR THE DEREK WALCOTT PRIZE FOR POETRYLONGLISTED FOR THE CHRISTOPHER EWART-BIGGS MEMORIAL PRIZEI guess I must have been in two mindsabout the new dayas the daylight godsbegan to march in straight linesgoing I don't know where.from 'The Spare Room'In his first collection for more than a decade, Tom Paulin revisits themes of place, occupation, conflict and legacy, primarily in the context of his native Northern Ireland. Stories and memories, even histories, are shown to be both frail and persistent, troubling and vital. There is a powerful austerity in play as he sets aside the rhetorical force and linguistic dazzle for which he is renowned, to speak simply of later life and the losses it brings: 'if only some idea / could find its way / through enemy territory / then I'd at last begin / to look up at the sky.' As outward-looking as ever, he also includes here intimate and resonant versions from Brecht and Ronsard, and from the contemporary Palestinian poet, Walid Khazendar.'To say the [Fivemiletown] was one of the best books of the Eighties isn't enough: it is one of the best books I know, or for that matter, am capable of imagining . . . what British or Irish poet was doing anything like this?' Michael Hofmann, London Review of Books'Tom Paulin is among the best of a great generation of Irish poets.' Sunday Telegraph'Paulin often creates the illusion that the poem is being made up as he goes along. Spontaneity is difficult to pull off in poetry but it is a Paulin forté. The casualness is only possible because of the absolute control of form, each poem a windbreak for his words . . .' Kate Kellaway'[Tom Paulin's] short, punchy poems are characterised by their ability to evoke images through the smallest details, or through sudden shifts of register ... Mr Paulin's poems fight against lazy uses of language ... in Love's Bonfire Mr Paulin demonstrates the strength that comes with saying less, not unlike relying on only a spark for warmth.' The Economist

In this selection from the two-volume Plain Speaker, Tom Paulin and Duncan Wu have given priority to essays that address some of the most important critical issues both in romantic studies today and the poetics of prose. Provides the only edition of The Plain Speaker available outside libraries since 1928.Contains Hazlitt's seminal essays on plain speaking and the major romantic topics.Includes a brilliant introduction by Tom Paulin, the greatest poet-critic of his generation and the editorial expertise of Duncan Wu.

In this selection from the two-volume Plain Speaker, Tom Paulin and Duncan Wu have given priority to essays that address some of the most important critical issues both in romantic studies today and the poetics of prose. Provides the only edition of The Plain Speaker available outside libraries since 1928.Contains Hazlitt's seminal essays on plain speaking and the major romantic topics.Includes a brilliant introduction by Tom Paulin, the greatest poet-critic of his generation and the editorial expertise of Duncan Wu.

William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.

William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.

William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.

William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.

William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.

William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.

William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.

William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.

William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.

William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.