Tom Sastry – författare

What to do when everything goes up in flames? Summon up A Man’s House Catches Fire, Tom Sastry’s debut collection of poetry, with all its elegant, satirical and hurt-quenching power: here are nightmares and fairytales, museums full of regret, mis-enchantments and magic for dark times.Whilst the accelerants of complicity and violence seep from these exacting poems, Sastry’s wit and stoicism slake the bonfire of modern troubles. They defiantly ask us: why do “the great marquees of England” stand empty? How old is your heart? Why aren’t we listening to the sea, and what it has to say? Funny, marvellously frank and often courageous, A Man’s House Catches Fire urges us to take a long hard look into the flames and avert the disasters of the heart, home and nations that threaten to befall us all.“Tom Sastry is a magician of deadpan. He’s kind of like if the Atlantic Ocean had a laugh track. Terrifying and hypnotic, but also desperately funny. This collection is generous in both its clarity and mystery." — Hera Lindsay Bird“Tom Sastry’s poems stare down the ridiculousness of the world we live in, and offer us ways to carry on in spite of it. These are poems of bright wit and astonishing vulnerability, with one eye always on the future. A Man’s House Catches Fire gives us the simultaneous pain and joy of being a human being; reminds us it is marvellous / that it still hurts.” – Suzannah Evans

Everything That Can Happen contains many kinds of future: an android fills out a passport form; the local cricket pitch is lost underwater; frozen limbs thaw from cryogenic sleep; robotic shoes allow for highspeed parenting.The poems in this anthology explore time, language, changing landscapes, future selves, uncertainty, catastrophe and civilisation. Whether imagining a distant, apocalyptic future or the moment we live in, nudged slightly beyond what we know, the poems ask what we can do to prepare ourselves for a future that edges a little closer every day.

In You have no normal country to return to, Tom Sastry explores questions of national identity and ‘the end of history'. A blistering, bleakly funny and timely second poetry collection, following his Seamus Heaney First Collection Prize shortlisted, A Man's House Catches Fire. By turns crisply satirical and questioning, You have no normal country to return to ranges across the legacies of Empire, postwar migration and the current crisis in English identity. Sastry’s precise, brilliantly attuned poetry asks how the times we live in and the tales we tell about them affect us; how our emotional landscapes are shaped by national myths and the more personal stories we tell about ourselves. It is a book about illusion, and discovering, again and again, that what was once taken for granted was never really there; a guidebook for an age of “enchantments collapsing on themselves”.

Is your retirement plan dying in the climate wars? Are you getting on with things in the meantime? In Life expectancy begins to fall, Tom Sastry asks how we normalise an apocalypse, taking us on a tour of bad coping strategies, unwelcome epiphanies, and striking reminders of what we still have.Part-elegy and part-satire, these poems do not show you what to do in a crisis, nor do they promote the cliches of positive thinking that tell you how to be a good worker, an effective activist or a spiritual person. Instead, quietly and persuasively, Sastry develops a subtle meditation on hope. The poetry shows us as we mostly are, lost in the enormity of it all and busy with other things. Explore a world where ‘pessimism is complicated by love’ and optimism is found hiding in moments where ‘nothing happens, in the most lavish way’.

Is your retirement plan dying in the climate wars? Are you getting on with things in the meantime? In Life expectancy begins to fall, Tom Sastry asks how we normalise an apocalypse, taking us on a tour of bad coping strategies, unwelcome epiphanies, and striking reminders of what we still have.Part-elegy and part-satire, these poems do not show you what to do in a crisis, nor do they promote the cliches of positive thinking that tell you how to be a good worker, an effective activist or a spiritual person. Instead, quietly and persuasively, Sastry develops a subtle meditation on hope. The poetry shows us as we mostly are, lost in the enormity of it all and busy with other things. Explore a world where ''pessimism is complicated by love'' and optimism is found hiding in moments where ''nothing happens, in the most lavish way''.