Tony Fletcher – författare

To this day, they were, their fans believe, the best band in the world. Critics and sales figures told a similar story. Yet for all their brilliance and adoration – their famously energetic live shows routinely interrupted by stage invasions – The Smiths were continually plagued by their reticence to play the game, and by the time of 1987’s Strangeways Here We Come, they had split. Tony Fletcher’s A Light That Never Goes Out – part celebration, part paean – moves from Manchester in the nineteenth-century to the present day to tell the complete story of The Smiths. The product of extensive research and unprecedented access, it will serve to confirm The Smiths as one of the most important and influential rock groups of all time.

Dear Boy is the best-selling biography of Keith Moon, rock's greatest drummer and wildest character. Hailed by critics as one of the most compelling rock stories ever told, the book traces with striking accuracy Moon's remarkable journey from his working-class North West London childhood, through The Who's glory years, to his California high life, and his tragic, premature death in 1978 at the age of just 32.In researching a life now distorted by myths of debauchery and comic anarchy, Tony Fletcher compiled poignant interviews with over 120 of Moon's friends, family and musical associates. The result is a searingly personal portrait of a boy who never grew up, and who changed the lives of all who knew him.This remastered edition features many photographs from personal and Who archives, as well as a new foreword from Keith's daughter, Mandy Moon.

Wilson Pickett was arguably the greatest male soul screamer of the 1960s and '70s. Well known for his unprecedented string of Soul hits, including "In the Midnight Hour," "Land of 1,000 Dances," and "Mustang Sally," Pickett has sold millions of albums, and tens of millions of singles. A first ballot inductee into the Rock & Roll Hall of Fame, he collaborated with some of the biggest names in '60s and '70s pop, rock, and soul, recorded for the most renowned labels in soul and R&B, and was a legendary presence on stage, his performances frequently culminating in stage invasions by frenzied audience members of all colors eager to bask (and dance) in his radiant aura. Equally well known for his personal troubles, his musical brilliance and success - like that of so many other superstars - Pickett's career was punctuated by violence, drug and alcohol addictions, and fits of erratic and wild behavior. In In the Midnight Hour, veteran music journalist and biographer Tony Fletcher not only tells the full story of Wilson Pickett's incredible career, and troubled life, but goes beyond the individual anecdotes to illustrate how Pickett's journey - geographic, musical, and cultural - was emblematic of both that of his generation of southern black men, and that of black American music in the second half of the twentieth century. He grew up in Alabama under Jim Crow in '40s where he experienced the peak of the gospel circuit before moving north to Detroit as part of the Second Great Migration, where he recorded for the nascent Tamla/Motown label. In the 60s he participated in integrated recording sessions for Stax and Atlantic, before moving back to Alabama where he took part in sessions at Muscle Shoals that made the studios signature sound famous, and at the beginning of the '70s, found himself in Philadelphia where he was instrumental in the birth of the Philly Soul sound. While centered around Wilson Pickett and his music, In the Midnight Hour will also be about the roller-coaster journey he took in his life, the social upheavals that surrounded him, the genre he helped shape along the way, and the pitfalls of the fame that success brought him.The first biography of one the most famous, influential, and fascinating figures in soul and R&B, In the Midnight Hour will find an eager audience among fans of Wilson Pickett, and soul and R&B music in general, as well as readers interested in the development of black music during the second half of the twentieth century.

He was the Wicked Wilson Pickett, the legendary soul man whose forty-plus hits included "In the Midnight Hour," "634-5789," "Land of 1000 Dances," "Mustang Sally," and "Don''t Let the Green Grass Fool You." Remarkably handsome and with the charisma to match, Wilson Pickett was considered by many to be the greatest, the most visceral and sensual of the classic 1960s soul singers, and as a man who turned screaming into an art form, the most forceful of them all. He was the living embodiment of soul.More than that, Wilson Pickett''s journey reads like a guide to popular black American music in the late 20th century. From the gospel-rich cotton fields of Alabama to the pre-Motown metropolis of Detroit, and throughout his career at Atlantic Records--he was the first artist on that label to record at Stax in Memphis, Fame in Muscle Shoals, and Sigma in Philadelphia, and rehabilitated an exiled Bobby Womack and introduced Duane Allman along the way--Wilson Pickett led the shifts in Rhythm and Blues and soul music.Pickett''s downfall, precipitated by the move towards softer soul and then disco in the 1970s, proved equally dramatic, leading to a heavy alcohol and drug addiction, a reputation for violence and gun use, a no-show for his induction into the Rock ''n'' Roll Hall of Fame in 1991, and two jail terms later in the decade. Nonetheless, the "Wicked" Pickett climbed out of these depths to end his career with a Grammy-nominated album before his death in 2006.For this first-ever accounting of Wilson Pickett''s life, bestselling biographer Tony Fletcher interviewed members of the singer''s family, friends and partners, along with dozens of his studio and touring musicians. Offering equal attention to Pickett''s personal and professional life, with detailed insight into his legendary studio sessions and his combative road style, In the Midnight Hour: The Life and Soul of Wilson Pickett is the essential telling of an epic life.

He was the Wicked Wilson Pickett, the legendary soul man whose forty-plus hits included "In the Midnight Hour," "634-5789," "Land of 1000 Dances," "Mustang Sally," and "Don''t Let the Green Grass Fool You." Remarkably handsome and with the charisma to match, Wilson Pickett was considered by many to be the greatest, the most visceral and sensual of the classic 1960s soul singers, and as a man who turned screaming into an art form, the most forceful of them all. He was the living embodiment of soul.More than that, Wilson Pickett''s journey reads like a guide to popular black American music in the late 20th century. From the gospel-rich cotton fields of Alabama to the pre-Motown metropolis of Detroit, and throughout his career at Atlantic Records--he was the first artist on that label to record at Stax in Memphis, Fame in Muscle Shoals, and Sigma in Philadelphia, and rehabilitated an exiled Bobby Womack and introduced Duane Allman along the way--Wilson Pickett led the shifts in Rhythm and Blues and soul music.Pickett''s downfall, precipitated by the move towards softer soul and then disco in the 1970s, proved equally dramatic, leading to a heavy alcohol and drug addiction, a reputation for violence and gun use, a no-show for his induction into the Rock ''n'' Roll Hall of Fame in 1991, and two jail terms later in the decade. Nonetheless, the "Wicked" Pickett climbed out of these depths to end his career with a Grammy-nominated album before his death in 2006.For this first-ever accounting of Wilson Pickett''s life, bestselling biographer Tony Fletcher interviewed members of the singer''s family, friends and partners, along with dozens of his studio and touring musicians. Offering equal attention to Pickett''s personal and professional life, with detailed insight into his legendary studio sessions and his combative road style, In the Midnight Hour: The Life and Soul of Wilson Pickett is the essential telling of an epic life.

He was the Wicked Wilson Pickett, the legendary soul man whose forty-plus hits included "In the Midnight Hour," "634-5789," "Land of 1000 Dances," "Mustang Sally," and "Don't Let the Green Grass Fool You." Remarkably handsome and with the charisma to match, Wilson Pickett was considered by many to be the greatest, the most visceral and sensual of the classic 1960s soul singers, and as a man who turned screaming into an art form, the most forceful of them all. He was the living embodiment of soul.More than that, Wilson Pickett's journey reads like a guide to popular black American music in the late 20th century. From the gospel-rich cotton fields of Alabama to the pre-Motown metropolis of Detroit, and throughout his career at Atlantic Records--he was the first artist on that label to record at Stax in Memphis, Fame in Muscle Shoals, and Sigma in Philadelphia, and rehabilitated an exiled Bobby Womack and introduced Duane Allman along the way--Wilson Pickett led the shifts in Rhythm and Blues and soul music.Pickett's downfall, precipitated by the move towards softer soul and then disco in the 1970s, proved equally dramatic, leading to a heavy alcohol and drug addiction, a reputation for violence and gun use, a no-show for his induction into the Rock 'n' Roll Hall of Fame in 1991, and two jail terms later in the decade. Nonetheless, the "Wicked" Pickett climbed out of these depths to end his career with a Grammy-nominated album before his death in 2006.For this first-ever accounting of Wilson Pickett's life, bestselling biographer Tony Fletcher interviewed members of the singer's family, friends and partners, along with dozens of his studio and touring musicians. Offering equal attention to Pickett's personal and professional life, with detailed insight into his legendary studio sessions and his combative road style, In the Midnight Hour: The Life and Soul of Wilson Pickett is the essential telling of an epic life.

From Tony Fletcher, the acclaimed biographer of Keith Moon, comes an incisive history of New York’s seminal music scenes and their vast contributions to our culture. Fletcher paints a vibrant picture of mid-twentieth-century New York and the ways in which its indigenous art, theater, literature, and political movements converged to create such unique music.With great attention to the colorful characters behind the sounds, from trumpet player Dizzy Gillespie to Tito Puente, Bob Dylan, and the Ramones, he takes us through bebop, the Latin music scene, the folk revival, glitter music, disco, punk, and hip-hop as they emerged from the neighborhood streets of Harlem, the East and West Village, Brooklyn, the Bronx, and Queens. All the while, Fletcher goes well beyond the history of the music to explain just what it was about these distinctive New York sounds that took the entire nation by storm.

New York, the early 1990s. In a city spiraling out of control, megaclub Hedonism attracts the abandoned and the abused, kids who flock to Manhattan to invent themselves anew. When DJ Skippy is shot in mysterious circumstances, his best friend Holy decides to solve the crime himself... Hedonism is a fast action trip through a hard core underworld of pounding dance music, S&M sex and mountains of illegal drugs. It''s a world populated by glamorous models, body-pierced dancers and heartless villains, a world where no-one sleeps and everyone is a suspect.

R.E.M. ist die wohl einflussreichste, produktivste und bedeutendste amerikanische Rockband der vergangenen 25 Jahre. Von ihren bescheidenen Postpunk-Anfängen in der Universitätsstadt Athens in Georgia bis zu ihrem gegenwärtigen Status als weltweites Phänomen, haben sich R.E.M. stets gegen die landläufigen Erwartungen des Publikums aufgelehnt und die Regeln des Musikbusiness mit Eifer untergraben. Auf diesem Weg produzierten sie mehr als ein Dutzend grandioser Alben, einschließlich ihrer Klassiker, dem 1983er Debüt Murmur, dem Automatic For The People aus dem Jahr 1992 und dem Chartstürmer Reveal von 2001.Sie haben sich als ein überaus kreatives, künstlerisches Bollwerk, als Meister des phantasievollen Rockvideos und als Lieferanten von vielen zeitlosen Singles wie Everybody Hurts, Losing My Religion und The One I Love erwiesen.Tony Fletchers Biographie aus dem Jahr 1989 war das erste Buch, das über R.E.M. geschrieben wurde. Nun hat sich Fletcher diesem Thema erneut gewidmet und es mit neuen Interviewaufzeichnungen der Bandmitglieder und Freunde R.E.M.s um zehn weitere Kapitel ergänzt. Mit einem aktuellen Nachwort von Gerrit Bartels, der sich mit dem Album Around The Sun und der Aufnahme der Band in die Rock''n''Roll Hall Of Fame im Jahr 2007 kritisch auseinandersetzt. Gerrit Bartels ist Kulturredakteur des Tagesspiegels in Berlin. Dieses Buch ist eine solide und sehr gut recherchierte klassische Rockbiographie.

Die Bestseller-Biografie Dear Boy ist das Standardwerk über Keith Moon, den größten Drummer und wildesten Charakter des Rock. Sie schildert mit größter Sorgfalt und viel Liebe zum Detail Moons packende Reise von seiner Kindheit im Londoner Arbeitermilieu über die ruhmreichen Jahre von The Who bis hin zum kalifornischen Highlife und Moons tragischem, frühem Tod.Bei seiner Recherche befragte der Author Tony Fletcher über 120 Freunde, Familienangehörige und Kollegen. Das Ergebnis ist ein ehrliches und persönliches Portrait eines genialen Musikers, dessen Bild in der Öffentlichkeit durch immer neue Legenden über seine anarchische Zügellosigkeit völlig entstellt wurde.Von den Kritikern in den USA und in England wurde diese Biografie als eine der großartigsten Rockstorys aller Zeiten gefeiert.

To this day, they were, their fans believe, the best band in the world. Critics and sales figures told a similar story. Yet for all their brilliance and adoration – their famously energetic live shows routinely interrupted by stage invasions – The Smiths were continually plagued by their reticence to play the game, and by the time of 1987’s Strangeways Here We Come, they had split. Tony Fletcher’s A Light That Never Goes Out – part celebration, part paean – moves from Manchester in the nineteenth-century to the present day to tell the complete story of The Smiths. The product of extensive research and unprecedented access, it will serve to confirm The Smiths as one of the most important and influential rock groups of all time.

R.E.M., the most acclaimed American group of their generation, disbanded in September 2011 with their idealism and dignity intact. In this, the final edition of his best-selling R.E.M. biography, Tony Fletcher brings their story to a conclusion and explains what led this unique group to draw a curtain on their career.This Omnibus Enhanced digital edition of Perfect Circle includes a bonus multimedia discography charting every album and single of R.E.M’s career, presented in chronological order through audio, video and imagery.Drawing on interviews with band members, friends, associates and business partners, the book follows R.E.M.’s upward trajectory from the seminal debut Murmur in 1983 to the 1990s when their albums Out Of Time, Automatic For The People and Monster sold tens of millions, making them one of the world’s biggest groups, to their final years together.Granted access to the group throughout their career, Tony Fletcher delves beyond R.E.M.s renowned humility and social awareness, discussing fame, fortune and sexuality with the same keen eye he casts on the group’s astonishing career and musical catalogue. The result is neither blind fan worship nor jaundiced critical cynicism, but a balanced and thorough telling of one of the most compelling rock stories of our time.

One of Britain's best-loved and most successful fanzines, Jamming! documented the musical landscape as it evolved between 1977 and 1986.Fully illustrated throughout, The Best of Jamming! includes numerous stand-out pieces from the zine's impressive 36 issue-run, from early features on The Jam, The Smiths, Run-D.M.C, Cocteau Twins and The Beat, to surprise exclusive interviews with Paul McCartney, U2 and Pete Townshend. Personal letters from Mark E. Smith, Paul Weller and others appear alongside arts, sports and politics features, poetry and a Foreword by Billy Bragg.Having guided Jamming! from a 6-page school publication to a nationally distributed monthly, editor Tony Fletcher provides behind-the-scenes insights, while musicians and former contributors reflect on their interviews and Jamming!'s long-lasting influence.An immensely evocative read, The Best of Jamming! perfectly encapsulates the excitement and unprecedented potential of the DIY era.

R.E.M., the most acclaimed American group of their generation, disbanded in September 2011 with their idealism and dignity intact. In this edition of his best-selling R.E.M. biography, Tony Fletcher brings their story to a conclusion and explains what led this unique group to draw a curtain on their career.Drawing on interviews with band members, friends, associates and business partners, the book follows R.E.M.'s career from their debut in 1983, throughout the 1990s, to their final years together.Granted access to the group throughout their career, Tony Fletcher delves beyond R.E.M.'s renowned humility and social awareness, discussing fame, fortune and sexuality with the same keen eye he casts on the group's astonishing career and musical catalogue. The result is a balanced and thorough telling of one of the most compelling rock stories of our time.

Known for the classics “Knock on Wood,” “634-5789,” “Raise Your Hand,” “Big Bird,” and “I’ve Never Found a Girl (To Love Me Like You Do),” among others, Eddie Floyd’s career as a soul legend spans over sixty years. His professional singing career began in Detroit in the 1950s as a founding member of the Falcons, considered “The First Soul Group.” A solo artist and songwriter for Memphis’s famed Stax Records from 1966 until 1975, Floyd has subsequently been the singer for the Blues Brothers Band and for Bill Wyman’s Rhythm Kings, while continuing to perform and record solo.In Knock! Knock! Knock! On Wood, Floyd recounts how a three-year stint in an Alabama reform school shaped his young life; recalls the early years of R&B in Detroit alongside future Motown and Stax legends; discusses the songwriting sessions with Steve Cropper and Booker T. Jones that produced his biggest hits; addresses his complicated life-long relationship with the often-unpredictable Wilson Pickett; shares his memories of friend Otis Redding; reveals his unlikely involvement in the rise of southern rock darlings Lynyrd Skynyrd; and offers an insider perspective on the tragic downfall of Stax Records. With input from Bruce Springsteen, Bill Wyman, Paul Young, William Bell, Steve Cropper, and others, Knock! Knock! Knock! On Wood captures Eddie’s tireless work ethic and warm personality for an engrossing first-hand account of one of the last true soul survivors.

Before authoring eleven books, including best-selling biographies of Who drummer Keith Moon, R.E.M. and the Smiths, Tony Fletcher was a teenage music magazine publisher (Jamming!) in his native England. But, with a degree of industry that sounds absolutely exhausting, he also ran a record label, interviewed rock stars, led a band, promoted concerts, worked as an on-air TV interviewer — and still found time for romance.Fletcher chronicled the early days of his life and career in Boy About Town (2013) but had enough extraordinary experiences left over for this colorful and engaging memoir.1980–84 was an explosive time in British rock, as the disruptive energy of bands like the Clash and Sex Pistols gave way to more sophisticated and chart-friendly genres and bands. Fletcher was on the front lines, running a record label with Paul Weller of the Jam, attending many of the most important concerts and befriending some of the top acts, many of whom became MTV regulars: Madness, Dexy's Midnight Runners, Wham!, Echo & the Bunnymen, Killing Joke, Adam and the Ants, the Smiths and more. Then there's the time he interviewed Paul McCartney...This is a complicated coming-of-age story, the tale of a naïve young man in a cultural whirlwind who learns some hard lessons about business, journalism, love and sex – all the while trying to get his own band a record deal.

POW! is the fascinating memoir of a precocious English teen in the early 1980s who published a music magazine, interviewed many of the era's top artists, befriended rock stars, ran a record label, appeared on television, played in a band and found first love -- all at the same time!In this sequel to his Boy About Town (2013), Tony Fletcher's incredible adventures in the world of British post-punk make for a compelling adventure of highs (an exclusive interview with Paul McCartney, friendship with Paul Weller of the hugely successful Jam, playing to huge audiences, discovering love and sex) and lows (heartbreak, learning the financial challenges of running a label the hard way, the collapse of his band). Despite the passage of time, he summons up all the enthusiasm he felt for the music and women he loved and marvels at the incredible experiences he had as a hard-working young striver.The generation raised on MTV, the New Musical Express and bands like Madness, Wham!, the Smiths, Echo and the Bunnymen, Dexy's Midnight Runners and Killing Joke will love reading this inside view of a knowledgeable fan who got to know them all.“Tony Fletcher, one of the great post-punk inspirational writers and thinkers: his fanzine Jamming! inspired me to start Creation. This early '80s memoir POW! is his story of that period. Take a bow Tony, you always were a cool chap.” Alan McGee, author of Creation Records: Riots, Raves and Running a Label“Tony writes with the energy of the music he loves and knows. Forward motion: it’s the life he’s lived.” Johnny Marr, author of Set the Boy Free: The Autobiography“What makes POW! special is that it captures the early-'80s UK music storm not from the top of the industry but from knee height, through the eyes of a 16-year-old who had somehow blundered into the middle of it.” Mark Jay, author of The Nudniks of 1977“Anyone who ever fell in love with pop music will be enthralled by Tony Fletcher’s Access All Areas adventure. Packed with anecdotes and insight, this is an absolute gem of a book.” Russ Litten, author of Scream If You Want to Go Faster"Tony's compulsively readable memoir takes me right along with him on his youthful adventures in grimy early-'80s London and beyond." Dan Epstein, author of Now You're One of Us: The Incredible Story of Redd Kross“POW! is quite an extraordinary achievement, at the very least for showing that Tony’s memories are as detailed and full as if these things has happened just last week. Memories that stimulate and force my own to come rushing, partially, back: both good and bad. It was an extraordinary time to be that age, to be steeped in such action and excitement, as we were. Most autobiographies skim over the bad bits with a wry eye, a 'whoops' with a grin. but Tony has no such tone. Or shame, even! His gods are as slammed as they are revered, showing both their humanity and their human-ness, their own faults and problems.” Hugo Burnham, Gang of Four

'I was no longer fitting in at school. I was unsure of my friends, and they were increasingly unsure of me. I wanted to be a rock star. But while all around, voices were starting to break, acne beginning to appear, facial hair sprouting, I remained all flabby flesh and innate scruff, with a high-pitched whine and not a muscle to my name. I was the runt of the class and rarely allowed to forget it. I had no father at home to help me out, and could hardly talk to my mum. So I took solace in The Jam.'As a boy, Tony Fletcher frequently felt out of place. Yet somehow he secured a ringside seat for one of the most creative periods in British cultural history. Boy About Town tells the story of the bestselling author’s formative years in the pre- and post-punk music scenes of London, counting down, from fifty to number one: attendance at seminal gigs and encounters with musical heroes; schoolboy projects that became national success stories; the style culture of punks, mods and skinheads and the tribal violence that enveloped them; life as a latchkey kid in a single-parent household; weekends on the football terraces in a quest for street credibility; and the teenage boy’s unending obsession with losing his virginity.Boy About Town is an evocative, bittersweet, amusing and wholly original account of growing up and coming of age in the glory days of the 1970s.

Formed in Athens, Georgia in 1980, R.E.M. released their first single, Radio Free Europe, in 1981. By the time the band broke up they had recorded fifteen studio albums, 63 singles, sold more than 85 million records, signed the biggest recording contract in music history, and were inducted into the Rock and Roll Hall of Fame in their first year of eligibility.