Tony Lee Moral – författare

After a decade of successful films that included Rear Window, Vertigo, North by Northwest, and Psycho, Alfred Hitchcock produced Marnie, an apparent artistic failure and an unquestionable commercial disappointment. Over the decades, however, the film''s reputation has undergone a reevaluation, and both critics and fans alike have come to appreciate Marnie''s many qualities.In Hitchcock and the Making of Marnie, Tony Lee Moral investigates the cultural and political factors governing the 1964 film''s production, the causes of its critical and commercial failure, and Marnie''s relevance for today''s artists and filmmakers. Hitchcock''s style, motivation, and fears regarding the film are well-documented in this examination of one of his most undervalued efforts. Moral uses extensive research, including personal interviews with Tippi Hedren and Psycho screenwriter Joseph Stefano-as well as unpublished excerpts from interviews with Hitchcock himself-to delve into the issues surrounding the film''s production and release.This revised edition features four new chapters that provide even more fascinating insights into the film''s production and Hitchcock''s working methods. Biographies of Winston Graham-the author of the novel on which the film is based-and screenwriter Jay Presson Allen provide clues into how they brought a feminist viewpoint to Marnie. Additional material addresses Hitchcock''s unrealized project Mary Rose and his efforts to bring it to the screen, the director''s visual style and subjective approach to Marnie, and an exploration of the “real” Alfred Hitchcock. The book also addresses criticisms of the director following the HBO television movie The Girl, which depicted the filming of Marnie.With newly obtained access to the Hitchcock Collection Production Archives at the Margaret Herrick Library, the files of Jay and Lewis Allen, and the memoirs of Winston Graham-as well as interviews in 2012 with the Hitchcock crew-this new edition of Hitchcock and the Making of Marnie provides an invaluable look behind the scenes of a film that has finally been recognized for its influence and vision. It contains more than thirty photos, including a storyboard sequence for the film.

After a decade of successful films that included Rear Window, Vertigo, North by Northwest, and Psycho, Alfred Hitchcock produced Marnie, an apparent artistic failure and an unquestionable commercial disappointment. Over the decades, however, the film’s reputation has undergone a reevaluation, and both critics and fans alike have come to appreciate Marnie’s many qualities.In Hitchcock and the Making of Marnie, Tony Lee Moral investigates the cultural and political factors governing the 1964 film’s production, the causes of its critical and commercial failure, and Marnie’s relevance for today’s artists and filmmakers. Hitchcock’s style, motivation, and fears regarding the film are well-documented in this examination of one of his most undervalued efforts. Moral uses extensive research, including personal interviews with Tippi Hedren and Psycho screenwriter Joseph Stefano—as well as unpublished excerpts from interviews with Hitchcock himself—to delve into the issues surrounding the film’s production and release.This revised edition features four new chapters that provide even more fascinating insights into the film’s production and Hitchcock’s working methods. Biographies of Winston Graham—the author of the novel on which the film is based—and screenwriter Jay Presson Allen provide clues into how they brought a feminist viewpoint to Marnie. Additional material addresses Hitchcock’s unrealized project Mary Rose and his efforts to bring it to the screen, the director’s visual style and subjective approach to Marnie, and an exploration of the “real” Alfred Hitchcock. The book also addresses criticisms of the director following the HBO television movie The Girl, which depicted the filming of Marnie.With newly obtained access to the Hitchcock Collection Production Archives at the Margaret Herrick Library, the files of Jay and Lewis Allen, and the memoirs of Winston Graham—as well as interviews in 2012 with the Hitchcock crew—this new edition of Hitchcock and the Making of Marnie provides an invaluable look behind the scenes of a film that has finally been recognized for its influence and vision. It contains more than thirty photos, including a storyboard sequence for the film.

Alfred Hitchcock is one of the most revered filmmakers of the 20th century. Not only was he the “Master of Suspense,” he was also an innovator of storyboarding, directing, framing, editing, and marketing. Hitchcock regularly engaged with his audiences and gave lectures at film institutes, universities, and film schools across the country. Now in this Movie Making Master Class, Hitchcock author and aficionado Tony Lee Moral takes you through the process of making a ?motion picture, Hitchcock-style.

In his most innovative and technically challenging film, The Birds, Alfred Hitchcock follows the success of Psycho with a modernist, avant garde horror-thriller, which has spawned many imitators and triggered the cycle for disaster and man versus nature films. Now to mark The Birds 50th anniversary in 2013 and the digitally restored Blu-Ray release, The Making of Hitchcock's The Birds is the first book-length treatment on the production of this modernist masterpiece. Featuring new interviews with stars Rod Taylor, Tippi Hedren and Veronica Cartwright, as well as sketches and storyboards from Hitchcock's A-List technical team, Robert Boyle, Albert Whitlock and Harold Michelson, the book charts every aspect of the film's production all set against the tumultuous backdrop of the 1962 Cuban missile crisis and JFK's presidency. Using unpublished material from the Alfred Hitchcock Collection, Evan Hunter files, Peggy Robertson papers and Robert Boyle's artwork, this book will be the ultimate guide to Hitchcock's most ambitious film.The Making of Hitchcock's The Birds analyses the film's modernist underpinnings, from art director Robert Boyle's initial sketches influenced by Munch's The Scream, to the groundbreaking electronic score by pioneering German composers Remi Gassmann and Oskar Sala. The entire production process is analysed in detail, illustrated with rare behind the scenes production stills and storyboards. There is also a timeline detailing the film's production to its release at MOMA in New York, and the 1963 Cannes Film Festival.