Travis Jeppesen – författare

In See You Again in Pyongyang, Travis Jeppesen, the first American to complete a university program in North Korea, culls from his experiences living, traveling, and studying in the country to create a multifaceted portrait of the country and its idiosyncratic capital city in the Kim Jong Un Era.Anchored by the experience of his five trips to North Korea and his interactions with citizens from all walks of life, Jeppesen takes readers behind the propaganda, showing how the North Korean system actually works in daily life. He challenges the notion that Pyongyang is merely a "showcase capital" where everything is staged for the benefit of foreigners, as well as the idea that Pyongyangites are brainwashed robots. Jeppesen introduces readers to an array of fascinating North Koreans, from government ministers with a side hustle in black market Western products to young people enamored with American pop culture.With unique personal insight and a rigorous historical grounding, Jeppesen goes beyond the media cliches, showing North Koreans in their full complexity. See You Again in Pyongyang is an essential addition to the literature about one of the world's most fascinating and mysterious places.

With contributions by Blake Smith, Roger Lancaster, David Moulton, Stephen Adubato, Amir Naaman, Ran Heilbrunn, Pierre d'Alancaisez, Travis Jeppesen, Oliver Davis, Yotam Feldman, and Marcas Lancaster. Today's world of PrEP, Pride parades, and gay marriage eclipses the wildest dreams of the sexual revolution. While it was formerly deviant to promote gay lifestyles, it is now 'problematic' to suggest that not all departures from the norm are in the homosexual's best interest. Amidst this excess, a new wave of discontentment rises among the once-keenest proponents of sexual progress: gay men. What happened in the transition from inversion to homosexuality, gayness, and queerness? Why do some gay men lament the freedoms afforded to them by sexual and social acceptance? Bold and daring, the essays in Inversion reflect on the vicious cycle of debasement, acceptance, sacrifice, and liberation that homosexuality has been stuck in for longer than it wishes to acknowledge. As gay culture fails to confront its history, it adopts hollow narratives of struggle. Some gay men fear losing their freedoms, some advocate for sexual restraint, while others, lost in the ever-expanding LGBTQIA+ 'community, ' continue to make maximalist ideological demands of those outside. These responses mark a fracture in gay life. If there is some essence to homosexual desire, how is it being served by today's gay culture and queer politics? Has the gay man - homosexual, queer, or inverted - rendered himself obsolete? Bringing together contributions by eleven leading thinkers, theorists, and critics who examine the consequences of pink-washing history, denial of sexual realities, and the memetic nature of desire, Inversion reclaims homosexuality's lost depth in an era of profound discontent. Fearless in its critique and challenging in its proposals, Inversion considers the cultural and political aspects of gay life after homosexuality as it battles with queerness and the allure of a reactionary return, pharmacologically fueled sexual degeneration, and existential dread.

Pieter Slagboom’s drawings are about life and death. About how these ostensible antagonists are inseparable; how, in his imagination, they are even fused. In his enormous canvases, we are held by the essence of our existence as though by a steel vise: we come from the void and in the end shall return to it. Thousands upon thousands of sweeping lines, twisting like Moebius strips, make for an almost physical experience of this truth. The dead and the newborn emerge from the primeval soup of Slagboom’s lines, as do genitals; we spot larger-than-life fantasies of disturbing sexual acts. The circle of life as a short circuit. The energy of some of the pictures in Slagboom’s oeuvre is almost too much to bear - we shudder before the pigments materializing our latent knowledge: that death is suspended in life.