Häftad, Engelska, 2004
348 kr
Skickas inom 3-6 vardagar
Tricia Rose – författare
Visar alla böcker från författaren Tricia Rose. Handla med fri frakt och snabb leverans.
8 produkter
8 produkter
- Häftad, Engelska, 1994
641 kr
Skickas inom 10-15 vardagar
Microphone Fiends, a collection of original essays and interviews, brings together some of the best known scholars, critics, journalists and performers to focus on the contemporary scene. It includes theoretical discussions of musical history along with social commentaries about genres like disco, metal and rap music, and case histories of specific movements like the Riot Grrls, funk clubbing in Rio de Janeiro, and the British rave scene. - Häftad, Engelska, 2008
236 kr
Skickas inom 5-8 vardagar
Hip-hop is in crisis. For the past dozen years, the most commercially successful hip-hop has become increasingly saturated with caricatures of black gangstas, thugs, pimps, and 'hos. The controversy surrounding hip-hop is worth attending to and examining with a critical eye because, as scholar and cultural critic Tricia Rose argues, hip-hop has become a primary means by which we talk about race in the United States . In The Hip-Hop Wars , Rose explores the most crucial issues underlying the polarized claims on each side of the debate: Does hip-hop cause violence, or merely reflect a violent ghetto culture? Is hip-hop sexist, or are its detractors simply anti-sex? Does the portrayal of black culture in hip-hop undermine black advancement? A potent exploration of a divisive and important subject, The Hip-Hop Wars concludes with a call for the regalvanization of the progressive and creative heart of hip-hop. What Rose calls for is not a sanitized vision of the form, but one that more accurately reflects a much richer space of culture, politics, anger, and yes, sex, than the current ubiquitous images in sound and video currently provide. - Häftad, Engelska, 1994
302 kr
Skickas inom 3-6 vardagar
From its beginnings in hip hop culture, the dense rhythms and aggressive lyrics of rap music have made it a provocative fixture on the American cultural landscape. In Black Noise: Rap Music and Black Culture in Contemporary America, Tricia Rose, described by the New York Times as a "hip hop theorist," takes a comprehensive look at the lyrics, music, cultures, themes, and styles of this highly rhythmic, rhymed storytelling and grapples with the most salient issues and debates that surround it.Assistant Professor of Africana Studies and History at New York University, Tricia Rose sorts through rap's multiple voices by exploring its underlying urban cultural politics, particularly the influential New York City rap scene, and discusses rap as a unique musical form in which traditional African-based oral traditions fuse with cutting-edge music technologies. Next she takes up rap's racial politics, its sharp criticisms of the police and the government, and the responses of those institutions. Finally, she explores the complex sexual politics of rap, including questions of misogyny, sexual domination, and female rappers' critiques of men.But these debates do not overshadow rappers' own words and thoughts. Rose also closely examines the lyrics and videos for songs by artists such as Public Enemy, KRS-One, Salt N' Pepa, MC Lyte, and L. L. Cool J. and draws on candid interviews with Queen Latifah, music producer Eric "Vietnam" Sadler, dancer Crazy Legs, and others to paint the full range of rap's political and aesthetic spectrum. In the end, Rose observes, rap music remains a vibrant force with its own aesthetic, "a noisy and powerful element of contemporary American popular culture which continues to draw a great deal of attention to itself." - E-bokEngelska, 2014
750 kr
Läs direkt efter köp
Microphone Fiends, a collection of original essays and interviews, brings together some of the best known scholars, critics, journalists and performers to focus on the contemporary scene. It includes theoretical discussions of musical history along with social commentaries about genres like disco, metal and rap music, and case histories of specific movements like the Riot Grrls, funk clubbing in Rio de Janeiro, and the British rave scene.
- E-bokPDF, Engelska, 2014
750 kr
Läs direkt efter köp
Microphone Fiends, a collection of original essays and interviews, brings together some of the best known scholars, critics, journalists and performers to focus on the contemporary scene. It includes theoretical discussions of musical history along with social commentaries about genres like disco, metal and rap music, and case histories of specific movements like the Riot Grrls, funk clubbing in Rio de Janeiro, and the British rave scene.
- Inbunden, Engelska, 2024
276 kr
Skickas
- E-bokEngelska, 2026
166 kr
Läs direkt efter köp
When Black Noise: Rap Music and Black Culture in Contemporary America by Tricia Rose hit the shelves in 1994 it sparked the birth of hip hop studies and set a new standard for the scholarly study of Black popular music. As Marc Lamont Hill has remarked, "e;There is hip hop studies and Black studies before Tricia Rose and after Tricia Rose."e; With radical cross-disciplinary acumen and groundbreaking insights, Black Noise indelibly transformed how rap music, its musicians and the conditions under which they live and create their art are revealed and understood. Black Noise 30th Anniversary eBook Edition is as sharply incisive and relevant as ever. It includes all original text and contains exclusive new content available in digital-only format, including:Critical Author Reflection. In her inimitable voice, Tricia Rose challenges readers to reassess the current realities of hip hop study and culture, and challenges us to re-envision and reclaim the collective values and practices that defined hip hop's Golden Age.Insightful commentary by other distinguished scholars. Marc Lamont Hill, Robin D.G. Kelley, George Lipsitz, Nasir Marumo, and Andre C. Willis. These wide-ranging pieces trace the impact of Black Noise across decades and disciplines, examining how the book and its arguments radically reshaped the exploration and understanding of the relationships between Black music, sound, economics, technology, gender, race and popular culture. They also speak to the influences of Black Noise upon their own work and how generations of scholars, artists, and activists worldwide have been inspired by it. Integrated Media Access. Allows readers to engage directly with the music discussed in the text, creating a more sonically immersive and analytically rich reading experience—one that connects critical insight with the sound and texture of the music itself.
