Trish Ferguson – författare

'There's an east wind coming... such a wind as never blew on England yet.'Arthur Conan Doyle's His Last Bow features a selection of Sherlock Holmes stories written at a time of growing tensions in Europe. First published as a collection in 1917, against the backdrop of the First World War, the volume covers tales that deviate from the pattern of earlier Sherlock adventures which focus on individual culpability and the comfort of a simplistic restoration of order. The titular story in this collection was influenced by Doyle's personal experience of the war, and in these tales the solutions to seemingly small-scale, local, mysteries uncover crimes concerning national security, or even expose the covert evil actions of organizations and powerful dictators. This edition contains a new introduction by Trish Ferguson which offers a richly detailed contextual backdrop for understanding the work as an act of war service designed to offer a morale boost to both British troops abroad and readers at home.ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Explores Thomas Hardy’s engagement with Victorian legal debates in his prose fictionThomas Hardy’s fiction is examined in this book in the context of the seismic legal reforms of the nineteenth century as well as legal discourse in the literature of the era. The book examines the ways in which Hardy’s role as a magistrate and his interest in the law impacted fundamentally on his prose fiction. It demonstrates that throughout his prose fiction Hardy engages with contentious legal issues that were debated by legal professionals and literary figures of his day, and argues that Hardy used fiction as a forum to question the extent to which legal reform improved the lives of women and the working classes.The study also looks at the ways in which Hardy deployed criminal plots derived from sensation fiction and reveals that the genre’s engagement with legal reform influenced not only his sensation novel Desperate Remedies (1871) but also the plots of his subsequent fiction.

This book is about selected Victorian texts and authors that in many cases have never before been subject to sustained scholarly attention. Taking inspiration from the pioneeringly capacious approach to the hidden hinterland of Victorian fiction adopted by scholars like John Sutherland and Franco Moretti, this energetically revisionist volume takes advantage of recent large-scale digitisation projects that allow unprecedented access to hitherto neglected literary texts and archives. Blending lively critical engagement with individual texts and close attention to often surprising trends in the production and reception of prose fiction across the Victorian era, this book will be of use to anyone interested in re-evaluating the received meta-narratives of Victorian literary history. With an afterword by John Sutherland

This book is about selected Victorian texts and authors that in many cases have never before been subject to sustained scholarly attention. Taking inspiration from the pioneeringly capacious approach to the hidden hinterland of Victorian fiction adopted by scholars like John Sutherland and Franco Moretti, this energetically revisionist volume takes advantage of recent large-scale digitisation projects that allow unprecedented access to hitherto neglected literary texts and archives. Blending lively critical engagement with individual texts and close attention to often surprising trends in the production and reception of prose fiction across the Victorian era, this book will be of use to anyone interested in re-evaluating the received meta-narratives of Victorian literary history. With an afterword by John Sutherland

This book is about selected Victorian texts and authors that in many cases have never before been subject to sustained scholarly attention. Taking inspiration from the pioneeringly capacious approach to the hidden hinterland of Victorian fiction adopted by scholars like John Sutherland and Franco Moretti, this energetically revisionist volume takes advantage of recent large-scale digitisation projects that allow unprecedented access to hitherto neglected literary texts and archives. Blending lively critical engagement with individual texts and close attention to often surprising trends in the production and reception of prose fiction across the Victorian era, this book will be of use to anyone interested in re-evaluating the received meta-narratives of Victorian literary history. With an afterword by John Sutherland

Explores Thomas Hardy’s engagement with Victorian legal debates in his prose fictionThomas Hardy’s fiction is examined in this book in the context of the seismic legal reforms of the nineteenth century as well as legal discourse in the literature of the era. The book examines the ways in which Hardy’s role as a magistrate and his interest in the law impacted fundamentally on his prose fiction. It demonstrates that throughout his prose fiction Hardy engages with contentious legal issues that were debated by legal professionals and literary figures of his day, and argues that Hardy used fiction as a forum to question the extent to which legal reform improved the lives of women and the working classes.The study also looks at the ways in which Hardy deployed criminal plots derived from sensation fiction and reveals that the genre’s engagement with legal reform influenced not only his sensation novel Desperate Remedies (1871) but also the plots of his subsequent fiction.

Maud Gonne has long been viewed merely as a contemporary of more prominent literary, political and legal figures who played a role in Irish politics of the early twentieth century. While Eva Gore-Booth has been the subject of recent critical attention, much less notice has been paid to Gonne. This succinct biography highlights the significance of Gonne as a political and literary figure in her own right and utilises archival resources in a detailed study of her role as a political activist, journalist,reviewer and also as a founder and editor of nationalist publications. Drawing on previously unpublished correspondence and interviews, this book offers an important re-evaluation of Gonne's contribution to the political and social landscape of early twentieth-century Ireland. It contributes to the growing emphasis in scholarship on the roles played by women in the formation of the Irish state.

Maud Gonne has long been viewed merely as a contemporary of more prominent literary, political and legal figures who played a role in Irish politics of the early twentieth century. While Eva Gore-Booth has been the subject of recent critical attention, much less notice has been paid to Gonne. This succinct biography highlights the significance of Gonne as a political and literary figure in her own right and utilises archival resources in a detailed study of her role as a political activist, journalist,reviewer and also as a founder and editor of nationalist publications. Drawing on previously unpublished correspondence and interviews, this book offers an important re-evaluation of Gonne's contribution to the political and social landscape of early twentieth-century Ireland. It contributes to the growing emphasis in scholarship on the roles played by women in the formation of the Irish state.

Literature and Modern Time is a collection of essays that explore literature in the context of a wave of challenges to linear conceptions of time introduced by thinkers such as Bergson, Einstein, McTaggart, Freud and Nietzsche. These challenges were not uniform in character. The volume will demonstrate that literature of the era under scrutiny was not simply reacting to new theories of time—in some cases it is actually inspiring and anticipating them. Thus Literature and Modern Time promises to offer a genuine dialogue between literature and time theory and in doing so will uncover and examine influences and connections— sometimes unexpected—between philosophers and writers of the era. It will examine literary attempts to transcend and escape time and also challenge rupture-based accounts of modernist time by demonstrating that literary texts commonly associated with brokenness, decline or stasis, also, at the same time, maintain faith in healing, renewal and mobility.This collection contains interdisciplinary research of the quite highest kind - to see so many different kinds of time - narrative, historical, mechanical, subjective, non-linear time, myth and nostalgia - as well as time/space discussed here is very stimulating indeed.Professor Simon James

Literature and Modern Time is a collection of essays that explore literature in the context of a wave of challenges to linear conceptions of time introduced by thinkers such as Bergson, Einstein, McTaggart, Freud and Nietzsche. These challenges were not uniform in character. The volume will demonstrate that literature of the era under scrutiny was not simply reacting to new theories of time—in some cases it is actually inspiring and anticipating them. Thus Literature and Modern Time promises to offer a genuine dialogue between literature and time theory and in doing so will uncover and examine influences and connections— sometimes unexpected—between philosophers and writers of the era. It will examine literary attempts to transcend and escape time and also challenge rupture-based accounts of modernist time by demonstrating that literary texts commonly associated with brokenness, decline or stasis, also, at the same time, maintain faith in healing, renewal and mobility.

This collection contains interdisciplinary research of the quite highest kind - to see so many different kinds of time - narrative, historical, mechanical, subjective, non-linear time, myth and nostalgia - as well as time/space discussed here is very stimulating indeed.Professor Simon James