Trish Reid – författare
Visar alla böcker från författaren . Handla med fri frakt och snabb leverans.
19 produkter
19 produkter
Häftad, Engelska, 2012
183 kr
Skickas inom 10-15 vardagar
In this cutting-edge text, Trish Reid offers a concise overview of the shifting roles of theatre and theatricality in Scottish culture. She asks important questions about the relationship between Scottish theatre, history and identity, and celebrates the recent emergence of a generation of internationally successful Scottish playwrights.
Inbunden, Engelska, 2024
3 747 kr
Skickas inom 10-15 vardagar
The Routledge Companion to Twentieth Century British Theatre and Performance provides a broad range of perspectives on the multiple models and examples of theatre, artists, enthusiasts, enablers, and audiences that emerged over this formative 100-year period.This first volume covers the first half of the century, constructing an equitable and inclusive history that is more representative of the nation's lived experience than the traditional narratives of British theatre. Its approach is intra-national – weaving together the theatres and communities of England, Scotland, Wales, and Northern Ireland. The essays are organised thematically arranged into sections that address nation, power, and identity; fixity and mobility; bodies in performance; the materiality of theatre and communities of theatre. This approach highlights the synergies, convergences, and divergences of the theatre landscape in Britain during this period, giving a sense of the sheer variety of performance that was taking place at any given moment in time.This is a fascinating and indispensable resource for undergraduate and graduate students, postgraduate researchers, and scholars across theatre and performance studies, cultural studies, and twentieth-century history.
Inbunden, Engelska, 2025
3 747 kr
Skickas inom 10-15 vardagar
The Routledge Companion to Twentieth Century British Theatre and Performance provides a broad range of perspectives on the multiple models and examples of theatre, artists, enthusiasts, enablers and audiences that emerged over this formative hundred‑year period.This second volume covers the second half of the century, constructing an equitable and inclusive history that is more representative of the nation's lived experience than the traditional narrative of British theatre. Its approach is intra-national - weaving together the theatres and communities of England, Scotland, Northern Ireland and Wales, as well as being thematic, breaking down its coverage into sections that address nation, power and identity; fixity and mobility; bodies in performance; theatre communities, and the materiality of theatre. This approach exposes the synergies, convergences and divergences of the theatre world in Britain during this period, giving a sense of the sheer variety of performance that was taking place at any given moment in time.This is a fascinating and indispensable resource for undergraduate and graduate students, postgraduate researchers and scholars across theatre and performance studies, cultural studies, and twentieth century history.
Häftad, Engelska, 2026
784 kr
Skickas inom 10-15 vardagar
The Routledge Companion to Twentieth Century British Theatre and Performance provides a broad range of perspectives on the multiple models and examples of theatre, artists, enthusiasts, enablers, and audiences that emerged over this formative 100-year period.This first volume covers the first half of the century, constructing an equitable and inclusive history that is more representative of the nation's lived experience than the traditional narratives of British theatre. Its approach is intra-national – weaving together the theatres and communities of England, Scotland, Wales, and Northern Ireland. The essays are organised thematically arranged into sections that address nation, power, and identity; fixity and mobility; bodies in performance; the materiality of theatre and communities of theatre. This approach highlights the synergies, convergences, and divergences of the theatre landscape in Britain during this period, giving a sense of the sheer variety of performance that was taking place at any given moment in time.This is a fascinating and indispensable resource for undergraduate and graduate students, postgraduate researchers, and scholars across theatre and performance studies, cultural studies, and twentieth-century history.
E-bok
PDF, Engelska, 2024898 kr
Läs direkt efter köp
The Routledge Companion to Twentieth Century British Theatre and Performance provides a broad range of perspectives on the multiple models and examples of theatre, artists, enthusiasts, enablers, and audiences that emerged over this formative 100-year period.
This first volume covers the first half of the century, constructing an equitable and inclusive history that is more representative of the nation''s lived experience than the traditional narratives of British theatre. Its approach is intra-national – weaving together the theatres and communities of England, Scotland, Wales, and Northern Ireland. The essays are organised thematically arranged into sections that address nation, power, and identity; fixity and mobility; bodies in performance; the materiality of theatre and communities of theatre. This approach highlights the synergies, convergences, and divergences of the theatre landscape in Britain during this period, giving a sense of the sheer variety of performance that was taking place at any given moment in time.
This is a fascinating and indispensable resource for undergraduate and graduate students, postgraduate researchers, and scholars across theatre and performance studies, cultural studies, and twentieth-century history.
E-bok
Engelska, 2024901 kr
Läs direkt efter köp
The Routledge Companion to Twentieth Century British Theatre and Performance provides a broad range of perspectives on the multiple models and examples of theatre, artists, enthusiasts, enablers, and audiences that emerged over this formative 100-year period.
This first volume covers the first half of the century, constructing an equitable and inclusive history that is more representative of the nation''s lived experience than the traditional narratives of British theatre. Its approach is intra-national – weaving together the theatres and communities of England, Scotland, Wales, and Northern Ireland. The essays are organised thematically arranged into sections that address nation, power, and identity; fixity and mobility; bodies in performance; the materiality of theatre and communities of theatre. This approach highlights the synergies, convergences, and divergences of the theatre landscape in Britain during this period, giving a sense of the sheer variety of performance that was taking place at any given moment in time.
This is a fascinating and indispensable resource for undergraduate and graduate students, postgraduate researchers, and scholars across theatre and performance studies, cultural studies, and twentieth-century history.
E-bok
PDF, Engelska, 2025950 kr
Läs direkt efter köp
The Routledge Companion to Twentieth Century British Theatre and Performance provides a broad range of perspectives on the multiple models and examples of theatre, artists, enthusiasts, enablers and audiences that emerged over this formative hundred year period.This second volume covers the second half of the century, constructing an equitable and inclusive history that is more representative of the nation's lived experience than the traditional narrative of British theatre. Its approach is intra-national - weaving together the theatres and communities of England, Scotland, Northern Ireland and Wales, as well as being thematic, breaking down its coverage into sections that address nation, power and identity; fixity and mobility; bodies in performance; theatre communities, and the materiality of theatre. This approach exposes the synergies, convergences and divergences of the theatre world in Britain during this period, giving a sense of the sheer variety of performance that was taking place at any given moment in time.This is a fascinating and indispensable resource for undergraduate and graduate students, postgraduate researchers and scholars across theatre and performance studies, cultural studies, and twentieth century history.
E-bok
Engelska, 2025950 kr
Läs direkt efter köp
The Routledge Companion to Twentieth Century British Theatre and Performance provides a broad range of perspectives on the multiple models and examples of theatre, artists, enthusiasts, enablers and audiences that emerged over this formative hundred year period.This second volume covers the second half of the century, constructing an equitable and inclusive history that is more representative of the nation's lived experience than the traditional narrative of British theatre. Its approach is intra-national - weaving together the theatres and communities of England, Scotland, Northern Ireland and Wales, as well as being thematic, breaking down its coverage into sections that address nation, power and identity; fixity and mobility; bodies in performance; theatre communities, and the materiality of theatre. This approach exposes the synergies, convergences and divergences of the theatre world in Britain during this period, giving a sense of the sheer variety of performance that was taking place at any given moment in time.This is a fascinating and indispensable resource for undergraduate and graduate students, postgraduate researchers and scholars across theatre and performance studies, cultural studies, and twentieth century history.
E-bok
Engelska, 2012171 kr
Läs direkt efter köp
In this cutting-edge text, Trish Reid offers a concise overview of the shifting roles of theatre and theatricality in Scottish culture. She asks important questions about the relationship between Scottish theatre, history and identity, and celebrates the recent emergence of a generation of internationally successful Scottish playwrights.
E-bok
Engelska, 2012191 kr
Läs direkt efter köp
In this cutting-edge text, Trish Reid offers a concise overview of the shifting roles of theatre and theatricality in Scottish culture. She asks important questions about the relationship between Scottish theatre, history and identity, and celebrates the recent emergence of a generation of internationally successful Scottish playwrights.
Häftad, Engelska, 2018
580 kr
Skickas inom 10-15 vardagar
Anthony Neilson is one of the most exciting and challenging voices in contemporary British theatre. For two decades he has been in the vanguard of new writing and has acquired a reputation for innovation and experimentation. His major stage plays include Penetrator, The Censor, Stitching, Realism and his 2004 masterpiece The Wonderful World of Dissocia, arguably one of the best Scottish plays of the new millennium.This volume provides the first full-length study of both Neilson’s plays and his innovative rehearsal methodology. As well as providing a detailed account of each play Trish Reid includes an extensive new interview with Neilson and with many of his key collaborators. This is essential reading for anyone who wants to develop a better understanding of one of British theatre’s most original artists on stage and in the rehearsal room.
Inbunden, Engelska, 2017
1 755 kr
Skickas inom 10-15 vardagar
Anthony Neilson is one of the most exciting and challenging voices in contemporary British theatre. For more than two decades he has been in the vanguard of new writing and has acquired a formidable reputation for innovation and experimentation. His major stage plays include Penetrator, The Censor, Stitching, Realism, Unreachable and his 2004 masterpiece The Wonderful World of Dissocia, arguably one of the finest Scottish plays of the new millennium.This volume provides the first full-length study of Neilson’s plays and his innovative rehearsal methodology. As well as providing a detailed account of each play Trish Reid includes an extensive new interview with Neilson and additional contributions from important scholars and commentators in the field. This is essential reading for anyone who wants to develop a better understanding of one of British theatre’s most original artists.
E-bok
Engelska, 2017625 kr
Läs direkt efter köp
Anthony Neilson is one of the most exciting and challenging voices in contemporary British theatre. For more than two decades he has been in the vanguard of new writing and has acquired a formidable reputation for innovation and experimentation. His major stage plays include Penetrator, The Censor, Stitching, Realism, Unreachable and his 2004 masterpiece The Wonderful World of Dissocia, arguably one of the finest Scottish plays of the new millennium. This volume provides the first full-length study of Neilson''s plays and his innovative rehearsal methodology. As well as providing a detailed account of each play Trish Reid includes an extensive new interview with Neilson and additional contributions from important scholars and commentators in the field. This is essential reading for anyone who wants to develop a better understanding of one of British theatre''s most original artists.
E-bok
PDF, Engelska, 2017625 kr
Läs direkt efter köp
Anthony Neilson is one of the most exciting and challenging voices in contemporary British theatre. For more than two decades he has been in the vanguard of new writing and has acquired a formidable reputation for innovation and experimentation. His major stage plays include Penetrator, The Censor, Stitching, Realism, Unreachable and his 2004 masterpiece The Wonderful World of Dissocia, arguably one of the finest Scottish plays of the new millennium. This volume provides the first full-length study of Neilson''s plays and his innovative rehearsal methodology. As well as providing a detailed account of each play Trish Reid includes an extensive new interview with Neilson and additional contributions from important scholars and commentators in the field. This is essential reading for anyone who wants to develop a better understanding of one of British theatre''s most original artists.
Häftad, Engelska, 2014
421 kr
Skickas inom 10-15 vardagar
To paraphrase Alistair Beaton's Caledonia - the first play in this collection - 'The English have anthologies, the Spanish have anthologies, the French have anthologies . . . why should not Scotland have its anthology?'Scotland is entering a crucial period in its history, where its identity is being debated daily, from everyday conversation to the national and international press. At the same time, its theatre is resurgent, with key Scottish playwrights, theatres and theatre companies expanding their performance vocabularies while coming to prominence in national and international contexts.Caledonia is a tale of hubris and delusion, portraying a crucial slice of Scotland's history and its foray into imperial colonialism told with dark humour and creative flair, by award-winning playwright and satirist Alistair Beaton.Bullet Catch, by Rob Drummond, is a unique theatrical experience exploring the world of magic, featuring mind-reading, levitation, and the most notorious finale in show business.Morna Pearson's The Artist Man and the Mother Woman is a wickedly funny, deceptively simple, surreal portrait of a spectacularly dysfunctional relationship.Rantin', by Kieran Hurley draws on storytelling, live music and an unapologetically haphazard take on Scottish folk tradition, in an attempt to stitch together fragmented stories to reveal a botched patchwork of a nation.First performed at the Royal Court in 2013, Narrative by Anthony Neilson is a theatrical exploration of the the boundaries and possibilities of storytelling.Featuring plays from Alistair Beaton, Rob Drummond, Morna Pearson, Kieran Hurley and Anthony Neilson, this collection is edited by Dr. Trish Reid, a leading critical voice on Scottish theatre.
E-bok
PDF, Engelska, 2014453 kr
Läs direkt efter köp
To paraphrase Alistair Beaton''s Caledonia - the first play in this collection - ''The English have anthologies, the Spanish have anthologies, the French have anthologies . . . why should not Scotland have its anthology?''Scotland is entering a crucial period in its history, where its identity is being debated daily, from everyday conversation to the national and international press. At the same time, its theatre is resurgent, with key Scottish playwrights, theatres and theatre companies expanding their performance vocabularies while coming to prominence in national and international contexts.Caledonia is a tale of hubris and delusion, portraying a crucial slice of Scotland''s history and its foray into imperial colonialism told with dark humour and creative flair, by award-winning playwright and satirist Alistair Beaton.Bullet Catch, by Rob Drummond, is a unique theatrical experience exploring the world of magic, featuring mind-reading, levitation, and the most notorious finale in show business.Morna Pearson''s The Artist Man and the Mother Woman is a wickedly funny, deceptively simple, surreal portrait of a spectacularly dysfunctional relationship.Rantin'', by Kieran Hurley draws on storytelling, live music and an unapologetically haphazard take on Scottish folk tradition, in an attempt to stitch together fragmented stories to reveal a botched patchwork of a nation.First performed at the Royal Court in 2013, Narrative by Anthony Neilson is a theatrical exploration of the the boundaries and possibilities of storytelling.Featuring plays from Alistair Beaton, Rob Drummond, Morna Pearson, Kieran Hurley and Anthony Neilson, this collection is edited by Dr. Trish Reid, a leading critical voice on Scottish theatre.
E-bok
Engelska, 2014451 kr
Läs direkt efter köp
To paraphrase Alistair Beaton''s Caledonia - the first play in this collection - ''The English have anthologies, the Spanish have anthologies, the French have anthologies . . . why should not Scotland have its anthology?''Scotland is entering a crucial period in its history, where its identity is being debated daily, from everyday conversation to the national and international press. At the same time, its theatre is resurgent, with key Scottish playwrights, theatres and theatre companies expanding their performance vocabularies while coming to prominence in national and international contexts.Caledonia is a tale of hubris and delusion, portraying a crucial slice of Scotland''s history and its foray into imperial colonialism told with dark humour and creative flair, by award-winning playwright and satirist Alistair Beaton.Bullet Catch, by Rob Drummond, is a unique theatrical experience exploring the world of magic, featuring mind-reading, levitation, and the most notorious finale in show business.Morna Pearson''s The Artist Man and the Mother Woman is a wickedly funny, deceptively simple, surreal portrait of a spectacularly dysfunctional relationship.Rantin'', by Kieran Hurley draws on storytelling, live music and an unapologetically haphazard take on Scottish folk tradition, in an attempt to stitch together fragmented stories to reveal a botched patchwork of a nation.First performed at the Royal Court in 2013, Narrative by Anthony Neilson is a theatrical exploration of the the boundaries and possibilities of storytelling.Featuring plays from Alistair Beaton, Rob Drummond, Morna Pearson, Kieran Hurley and Anthony Neilson, this collection is edited by Dr. Trish Reid, a leading critical voice on Scottish theatre.
Häftad, Engelska, 2024
835 kr
Skickas inom 10-15 vardagar
This textbook offers a detailed and expansive account of theatre and performance in contemporary Scotland. It considers the underlying historical and cultural developments that have enabled the recent renaissance in Scottish theatre and the emergence of playwrights of international standing, such as David Greig, Zinnie Harris, David Harrower and Rona Munro as well as companies of significant international note. Some prominence is given to the National Theatre of Scotland, which was established in 2004 in the aftermath of Scottish devolution, and which has become a key organization in the creating and dissemination – nationally and internationally – of Scottish theatre and performance. The book aims to capture the diversity and eclecticism of Scotland’s contemporary performance culture by examining work across a spectrum from children’s theatre, community theatre, mainstream theatre for adult audiences and live and performance art.
E-bok
Engelska, 20241 056 kr
Läs direkt efter köp
This textbook offers a detailed and expansive account of theatre and performance in contemporary Scotland. It considers the underlying historical and cultural developments that have enabled the recent renaissance in Scottish theatre and the emergence of playwrights of international standing, such as David Greig, Zinnie Harris, David Harrower and Rona Munro as well as companies of significant international note. Some prominence is given to the National Theatre of Scotland, which was established in 2004 in the aftermath of Scottish devolution, and which has become a key organization in the creating and dissemination – nationally and internationally – of Scottish theatre and performance. The book aims to capture the diversity and eclecticism of Scotland’s contemporary performance culture by examining work across a spectrum from children’s theatre, community theatre, mainstream theatre for adult audiences and live and performance art.