Tristan Garcia – författare

What is a thing? What is an object? Tristan Garcia decisively overturns 100 years of Heideggerian orthodoxy about the supposedly derivative nature of objects and in so doing gives deep insights into the world and our place in it. Garcia's original and systematic formal ontology of things strips them of any determination, intensity or depth. From this radical ontological poverty, he develops encyclopaedic regional ontologies of objects. By covering topics as diverse as the universe, events, time, the living, animals, human beings, representation, arts and rules, culture, history, political economy, values, classes, genders, ages of life and death, he shows that speculative metaphysics and ontology are alive and well.

Our lives today are oppressed by the demand that we live, feel and experience with ever greater intensity. We are enticed to try exotic flavors and smells; urged to enjoy a wide range of sexual experiences; pushed to engage in extreme sports and recreational drugs – all in the pursuit of some new, unheard-of intensity.Tristan Garcia argues that such intensity rarely lives up to its promise. It always comes at a price: one that defines the ethical predicament of contemporary life.The notion of intensity was the hidden key to Garcia’s landmark book Form and Object. In The Life Intense, the first part of his ambitious Letting Be trilogy, he begins to develop it in detail. This first book focuses on ethics; the forthcoming volumes will be devoted to politics and then metaphysics.

Our lives today are oppressed by the demand that we live, feel and experience with ever greater intensity. We are enticed to try exotic flavors and smells; urged to enjoy a wide range of sexual experiences; pushed to engage in extreme sports and recreational drugs – all in the pursuit of some new, unheard-of intensity.Tristan Garcia argues that such intensity rarely lives up to its promise. It always comes at a price: one that defines the ethical predicament of contemporary life.The notion of intensity was the hidden key to Garcia’s landmark book Form and Object. In The Life Intense, the first part of his ambitious Letting Be trilogy, he begins to develop it in detail. This first book focuses on ethics; the forthcoming volumes will be devoted to politics and then metaphysics.

Throughout the history of human societies, the question of ‘we’ has always entailed the question of ‘us and them’, the reconciliation of which can either give birth to or mark the end of a politics. Tristan Garcia’s radical historicisation of the ways we have imagined ourselves is more than a commentary on the dynamics of representation in a given society. This work is a rigorous engagement with the history of humanity’s attempts at being collectively. For fans of The Life Intense, the first volume in the Letting Be series, We Ourselves is the next step in the development of Garcia's  thought, but for those who have not read it, it also stands alone. Garcia provides a methodological framework that critically reinvigorates our dreams of the society to come and clears the way for the return to ontology in Letting Be III.

Throughout the history of human societies, the question of ‘we’ has always entailed the question of ‘us and them’, the reconciliation of which can either give birth to or mark the end of a politics. Tristan Garcia’s radical historicisation of the ways we have imagined ourselves is more than a commentary on the dynamics of representation in a given society. This work is a rigorous engagement with the history of humanity’s attempts at being collectively. For fans of The Life Intense, the first volume in the Letting Be series, We Ourselves is the next step in the development of Garcia's  thought, but for those who have not read it, it also stands alone. Garcia provides a methodological framework that critically reinvigorates our dreams of the society to come and clears the way for the return to ontology in Letting Be III.

Memories from the Jungle is set in an unspecified future in which Earth has been rendered uninhabitable by pollution and war. Most humans live in orbital stations surrounding the globe, while only animals still survive on the African continent, along with a few scientists who study them in a kind of zoo and experimental laboratory. Doogie, a chimpanzee, has been raised as a human by a zoological researcher, Gardner Evans, and his daughter, Janet.Doogie is no ordinary chimpanzee: gifted with an exceptional intelligence (perhaps the result of a scientific experiment), he has been taught a fairly sophisticated version of the human language, is capable of human emotions such as love and jealousy, and has a highly developed understanding of human behavior. After an accident to the spacecraft that was bringing him back to Earth from an orbital station, Doogie finds himself alone in the jungle. In order to survive, he must rediscover the very animal nature he has been trained to reject.

As a philosopher and a novelist, Tristan Garcia inhabits two worlds, metaphysics and literary fiction, like an amphibious creature moving between the land and the sea, breathing in both air and water. He is drawn to metaphysics because, as he puts it, metaphysics is the edge of the abyss of thought, the unstable frontier of indeterminacy where thinking is no longer constrained by the principles of logic or the law of non-contradiction. Metaphysics seeks to describe the world from outside one’s own point of view. It aims at an ecstatic reconstruction of what keeps us locked up in our conditions, in our time and place, here among the living, with our subjectivities and within our situations. It gives us an idea of all constraints from a point of view that posits the possible absence of the constraint of having a point of view.The ambition of this slender book – which is at the same time a concise introduction to Garcia’s work and thought – is to help us grasp and transform the conditions of our existence by paying equal attention to what is ending and what is just beginning, to the dusk and to the dawn. Until we cannot hold our breath any longer.

As a philosopher and a novelist, Tristan Garcia inhabits two worlds, metaphysics and literary fiction, like an amphibious creature moving between the land and the sea, breathing in both air and water. He is drawn to metaphysics because, as he puts it, metaphysics is the edge of the abyss of thought, the unstable frontier of indeterminacy where thinking is no longer constrained by the principles of logic or the law of non-contradiction. Metaphysics seeks to describe the world from outside one’s own point of view. It aims at an ecstatic reconstruction of what keeps us locked up in our conditions, in our time and place, here among the living, with our subjectivities and within our situations. It gives us an idea of all constraints from a point of view that posits the possible absence of the constraint of having a point of view.The ambition of this slender book – which is at the same time a concise introduction to Garcia’s work and thought – is to help us grasp and transform the conditions of our existence by paying equal attention to what is ending and what is just beginning, to the dusk and to the dawn. Until we cannot hold our breath any longer.