Tsering Dondrup – författare

Tsering Döndrup is one of the most popular and critically acclaimed authors writing in Tibetan today. In a distinct voice rich in black humor and irony, he describes the lives of Tibetans in contemporary China with wit, empathy, and a passionate sense of justice. The Handsome Monk and Other Stories brings together short stories from across Tsering Döndrup’s career to create a panorama of Tibetan society.With a love for the sparse yet vivid language of traditional Tibetan life, Tsering Döndrup tells tales of hypocritical lamas, crooked officials, violent conflicts, and loyal yaks. His nomad characters find themselves in scenarios that are at once strange and familiar, satirical yet poignant. The stories are set in the fictional county of Tsezhung, where Tsering Döndrup’s characters live their lives against the striking backdrop of Tibet’s natural landscape and go about their daily business to the ever-present rhythms of Tibetan religious life. Tsering Döndrup confronts pressing issues: the corruption of religious institutions; the indignities and injustices of Chinese rule; poverty and social ills such as gambling and alcoholism; and the hardships of a minority group struggling to maintain its identity in the face of overwhelming odds. Ranging in style from playful updates of traditional storytelling techniques to narrative experimentation, Tsering Döndrup’s tales pay tribute to the resilience of Tibetan culture.

Tsering Döndrup is one of the most popular and critically acclaimed authors writing in Tibetan today. In a distinct voice rich in black humor and irony, he describes the lives of Tibetans in contemporary China with wit, empathy, and a passionate sense of justice. The Handsome Monk and Other Stories brings together short stories from across Tsering Döndrup’s career to create a panorama of Tibetan society.With a love for the sparse yet vivid language of traditional Tibetan life, Tsering Döndrup tells tales of hypocritical lamas, crooked officials, violent conflicts, and loyal yaks. His nomad characters find themselves in scenarios that are at once strange and familiar, satirical yet poignant. The stories are set in the fictional county of Tsezhung, where Tsering Döndrup’s characters live their lives against the striking backdrop of Tibet’s natural landscape and go about their daily business to the ever-present rhythms of Tibetan religious life. Tsering Döndrup confronts pressing issues: the corruption of religious institutions; the indignities and injustices of Chinese rule; poverty and social ills such as gambling and alcoholism; and the hardships of a minority group struggling to maintain its identity in the face of overwhelming odds. Ranging in style from playful updates of traditional storytelling techniques to narrative experimentation, Tsering Döndrup’s tales pay tribute to the resilience of Tibetan culture.

A remarkable novel by one of Tibet’s foremost authors, The Red Wind Howls is a courageous and gripping portrayal of Tibetan suffering under Mao’s regime. The story delves deep into forbidden history, spanning the famine of the Great Leap Forward, the Cultural Revolution, and, most taboo of all, the 1958 Amdo rebellion when Tibetans rose in armed revolt against the Chinese state. Tsering Döndrup self-published the book in 2006, because no publisher would risk accepting it. When the authorities caught wind, all copies were confiscated and the author faced severe reprisals. He lost his job as head of the local archives, his passport was confiscated, and he has been under close surveillance ever since.This powerful novel is set in part in the punitive labor camps to which Tibetans were sent after the failed rebellion, where many perished from starvation or forced labor. Inside and outside the camps, it depicts with dark humor a world of informers, cruelty, and score settling, against the backdrop of immeasurable environmental devastation and the destruction of traditional Tibetan ways of life. The novel draws on extensive interviews conducted by the author, and the rhythms of oral storytelling are reflected in its fragmented narrative style, which jumps back and forth between periods and events. An unparalleled account of the Chinese Communist Party’s takeover of Tibet, The Red Wind Howls is both a richly imaginative work of fiction and a vital piece of historical testimony.