Turner Classic Movies - Böcker

Romantic comedies have had an incredible influence on popular culture, shaping everything from how we think of relationships to fashion. Often swept aside in film history, these movies are thought of as pure comfort viewing. Although they certainly provide those fuzzy feelings, they have also had a significant artistic influence and cultural impact. Spanning decades of romantic comedies-from movies of the 1930s such as It Happened One Night and the rom com craze of the 80s and 90s including When Harry Met Sally... all the way to contemporary hits like Crazy Rich Asians, and everything in between-Falling in Love at the Movies will make you fall in love (all over again) with romantic comedies.Esther Zuckerman-accomplished entertainment journalist and member of the New York Film Critic's Circle-takes readers on a journey through the rom-com. She examines the psychological aspects that make us so drawn to these types of films, diving deep into the key auteurs-from Preston Sturges to James L. Brooks to Nora Ephron and beyond-who both created and subverted the canon. These directors, actors, and writers shaped the genre, establishing and also busting traditional pillars and tenets of these movies such as the "Perfect Pair" or "The Man in Crisis" and "The High Maintenance Woman." Featuring full-colour images from the films throughout, along the way Zuckerman takes detours, explores iconic lines of dialogue (Who could forget Julia Roberts' "I'm also just a girl, standing in front of a boy, asking him to love her" iconic moment from Notting Hill?) to memorable scenes (the magical moments at the Empire State Building in An Affair to Remember and Sleepless in Seattle) and weaves in interviews of artists and romantic comedy fanatics in the industry. Looking beyond the traditional rom-com, Zuckerman digs into the nooks and crannies, the films that buck the trend of "happily ever after," the ones that think beyond heteronormative narratives, and the indies that kept the rom-com alive outside of the studio system, to offer a more comprehensive story of the rom-com than has ever been seen before-and one that you're bound to love. How's that for a happy ending?

Turner Classic Movies presents a festival of film frights, spanning monster greats to modern and classic horror to family-friendly cinematic treats that capture the spirit of Halloween, complete with reviews, behind-the-scenes stories, and a trove of images.Halloween Favourites spotlights 31 essential Halloween-time films, their associated sequels and remakes, and recommendations to expand your seasonal repertoire based on your favourites. Featured titles:Nosferatu (1922)Phantom of the Opera (1925)Dracula (1931)Frankenstein (1931)Dr. Jekyll & Mr. Hyde (1931)The Mummy (1933)Mystery of the Wax Museum (1933)The Wolf Man (1941)Cat People (1942)Them (1953)Invasion of the Body Snatchers (1956)Creature from the Black Lagoon (1954)Curse of Frankenstein (1957)Horror of Dracula (1958)House on Haunted Hill (1959)The Birds (1963)Black Sunday (1960)Pit and the Pendulum (1961)The Haunting (1963)Night of the Living Dead (1968)Rosemary's Baby (1968)The Exorcist (1972)Young Frankenstein (1976)Halloween (1978)The Shining (1980)The Thing (1982)A Nightmare on Elm Street (1984)Beetlejuice (1988)Hocus Pocus (1993)Scream (1996)Get Out (2017)

From Turner Classic Movies and the creators of @precodedotcom, this is the essential film-by-film guide to must-see cinema from the pre-Code era-a wild and wonderful time in Hollywood history before strict enforcement of a censorship code that ruled moviemaking for decades.With unparalleled freedom in the Golden Age of Hollywood, movies produced during the "pre-Code" era between 1930 and 1934 boldly confronted a wide range of provocative subjects, including sexual freedom, the glorification of outlaws, racial taboos, and class consciousness. Films of the period include beloved classics like Grand Hotel(1932) and King Kong(1933) but also lesser-known gems like I Am a Fugitive from a Chain Gang(1932) and Ann Vickers (1933). These films, produced at the height of the Great Depression, pushed the limits of contemporary social norms at a time when Hollywood studios were desperate to attract audiences-by any means necessary. Pre-Code Essentials invites modern readers to engage with that history while diving deep into movies that remain, as they were then, adventurous and uncompromising.In their incisive text, film historians Kim Luperi and Danny Reid cover fifty films that take readers through the pre-Code era's evolution. Perfect for both pre-Code novices and film aficionados alike, the book is packed with detailed production and censorship histories, recommendations, and trivia. Famous names like Barbara Stanwyck, Jean Harlow, Clark Gable, and Ernst Lubitsch get their due, while sidebars spotlight treasures of the period like Ann Dvorak, Joan Blondell, Paul Robeson, Nina Mae McKinney, Dorothy Arzner, Warren William, and Dolores De Rio. Post-Epilogue features discuss availability of the listed films and include the text of the 1930 Production Code. Illustrated by more than 200 photos, Production Code Administration records detailing correspondence between studios and censors, and more, Pre-Code Essentials is both a gorgeous guide and an indispensable resource of Hollywood history.Among the films profiled: The Divorcee, All Quiet on the Western Front, Safe in Hell, Frankenstein, Shanghai Express, Freaks, Merrily We Go to Hell, Downstairs, Love Me Tonight, Trouble in Paradise, Three on a Match, The Sign of the Cross, Gabriel Over the White House, The Story of Temple Drake, The Emperor Jones, The Sin of Nora Moran, I Am Suzanne!, The Black Cat, Smarty, Murder at the Vanities, and many more