Ulrich Alexander Boschwitz – författare

'Gripping' - Telegraph'Brilliant' - Sunday Times'Riveting' - Guardian

The devastating rediscovered classic written from the horrors of Nazi Germany, as one Jewish man attempts to flee persecution in the wake of Kristallnacht

BERLIN, NOVEMBER 1938. With storm troopers battering against his door, Otto Silbermann must flee out the back of his own home. He emerges onto streets thrumming with violence: it is Kristallnacht, and synagogues are being burnt, Jews rounded up and their businesses destroyed.

Turned away from establishments he had long patronised, betrayed by friends and colleagues, Otto finds his life as a respected businessman has dissolved overnight. Desperately trying to conceal his Jewish identity, he takes train after train across Germany in a race to escape this homeland that is no longer home.

Twenty-three-year-old Ulrich Alexander Boschwitz wrote The Passenger at breakneck speed in 1938, fresh in the wake of the Kristallnacht pogroms, and his prose flies at the same pace. Shot through with Hitckcockian tension, The Passenger is a blisteringly immediate story of flight and survival in Nazi Germany.

A prophetic, darkly comic lost classic about down-and-outs in a fractured Berlin by the author of the Sunday Times bestselling rediscovery The Passenger

'A writer of great insight and talent' FT

Berlin, 1920s: a beacon of culture and hedonism, but a political mess. The streets are crowded with war veterans, beggars, prostitutes and madmen, desperately chasing any means to secure a few marks or a roof over their heads. Come nighttime, a rag-tag group descends on the Jolly Huntsman pub to dance and drown their cares in all the schnapps they can afford. But in this society on the brink, pleasure all too easily erupts into violence.

A bleakly comic story of struggle and discontent on the fringes of the metropolis, Berlin Shuffle is a blistering portrait of a divided society that would give way to fascism. Written when he was just twenty-two years old, Boschwitz's first novel displays his extraordinary talent for capturing Germany's self-destruction, which would tragically engulf him only five years later.