Usher Caplan – författare

The passionately held views of A.M. Klein are focused in these essays on literature and the arts. Ranging from the formally theoretical to the intensely personal, they reflect the enthusiasm and the conviction characteristic of all Klein's writing.Among the subjects that come under the critic's unblinking eye are various genres of Jewish literature, illuminating not only on their own terms but also for what they reveal about Klein's Jewish poems. There are also essays on Canadian, American, English, and European literature as general subjects, and others on specific works and individual writers, including the acclaimed articles on James Joyce.Throughout this collection is heard a critical voice sharpened with erudition and enriched with emotion. The essays are framed with an introduction, which presents a thematic analysis, and a biographical chronology, which places the essays in the context of Klein's life and work as teacher, poet, novelist, and critic.

Throughout his career A.M. Klein struggled to define for himself the role of the poet in the contemporary world. Deeply rooted in the traditions of Judaism, and at the same time powerfully attracted by the freedom and scope of international modernism, he sought to reconcile past and present, community and creative individuality. Whether or not he finally achieved his own high aims, it was, in his own words, 'something merely to entertain them.' The result was a body of work immensely rich and varied in tone, language, cultural resonance.This collection of eighty-four poems offers a representative sampling of Klein's finest poetry, while taking into account the changing critical discourse of the last fifty years. Anyone interested in experiencing the full range of Klein's poetic achievement, or in understanding the complex nature of the poet, need look no further than this eminently readable volume.

Much of A.M. Klein's finest prose is to be found in the mass of uncompleted work that he abandoned at the time of his breakdown, and that became accessible only when his papers were deposited in the National Archives. Notebooks offers a generous selection of this work, revealing previously unsuspected facets of Klein's character and artistry.The fiction, criticism, and memoirs collected here focus on Klein's exploration of the role of the artist. The works illuminate crucial periods of his career, especially the early 1940s, when he was transforming himself into a modernist, and the early 1950s, when he was struggling to overcome the misgivings about his art that were to lead to his final breakdown.The semi-autobiographical text which Klein referred to as 'Raw Material' and the unfinished novel of prison life entitled 'Stranger and Afraid' cast a new light on Klein's often frustrating relationship with the Montreal Jewish community. In 'Marginalia' he discusses poetic form and technique and makes observations on the nature of poetry, thereby providing insights into his own concerns as a writer. In 'The Golem,' a profoundly ambiguous treatment of the act of creation, a self-portrait emerges of a storyteller who has lost faith in the power and value of his story. The volume includes a critical introduction, that places the material in the context of Klein's other works, as well as textual and explanatory notes.

Much of A.M. Klein's finest prose is to be found in the mass of uncompleted work that he abandoned at the time of his breakdown, and that became accessible only when his papers were deposited in the National Archives. Notebooks offers a generous selection of this work, revealing previously unsuspected facets of Klein's character and artistry.The fiction, criticism, and memoirs collected here focus on Klein's exploration of the role of the artist. The works illuminate crucial periods of his career, especially the early 1940s, when he was transforming himself into a modernist, and the early 1950s, when he was struggling to overcome the misgivings about his art that were to lead to his final breakdown.The semi-autobiographical text which Klein referred to as 'Raw Material' and the unfinished novel of prison life entitled 'Stranger and Afraid' cast a new light on Klein's often frustrating relationship with the Montreal Jewish community. In 'Marginalia' he discusses poetic form and technique and makes observations on the nature of poetry, thereby providing insights into his own concerns as a writer. In 'The Golem,' a profoundly ambiguous treatment of the act of creation, a self-portrait emerges of a storyteller who has lost faith in the power and value of his story. The volume includes a critical introduction, that places the material in the context of Klein's other works, as well as textual and explanatory notes.

Throughout his career A.M. Klein struggled to define for himself the role of the poet in the contemporary world. Deeply rooted in the traditions of Judaism, and at the same time powerfully attracted by the freedom and scope of international modernism, he sought to reconcile past and present, community and creative individuality. Whether or not he finally achieved his own high aims, it was, in his own words, 'something merely to entertain them.' The result was a body of work immensely rich and varied in tone, language, cultural resonance.This collection of eighty-four poems offers a representative sampling of Klein's finest poetry, while taking into account the changing critical discourse of the last fifty years. Anyone interested in experiencing the full range of Klein's poetic achievement, or in understanding the complex nature of the poet, need look no further than this eminently readable volume.

The broad range of A.M. Klein’s interests, ideas, and activities is reflected in this selection of articles, editorials, and reviews – a selection that also displays the qualities that distinguished all his creative writing and the highly idiosyncratic nature of his style.The writings in this volume span a most critical juncture in human affairs; a period that witnessed the Great Depression, the rise of fascism, Nazism, and communism, the Second World War, and the emergence of the State of Israel. As a journalist, Klein did more than record the events – he gave expression to the feelings of his people and helped shape their responses. His wide reading, sensitivity, and intelligence made him a perceptive observer and keen analyst, while his command of language, his passion, rhetoric, and wit, made him an eloquent spokesman. These qualities enabled him to carry out the responsibilities, as he saw them, of chronicler and champion. Though Klein’s major concern was with the Canadian Jewish scene, his interests were part of the mosaic of Canadian history and his work forms a chronicle and a commentary on events of world-wide significance. Klein’s journalism relates frequently, in both substance and language, to his poems and fiction, and thus provides a context for the study of his creative writing. It also reveals aspects of his personality, values, and commitments, contributing to our understanding and appreciation of one of Canada’s foremost writers.

The broad range of A.M. Klein’s interests, ideas, and activities is reflected in this selection of articles, editorials, and reviews – a selection that also displays the qualities that distinguished all his creative writing and the highly idiosyncratic nature of his style.The writings in this volume span a most critical juncture in human affairs; a period that witnessed the Great Depression, the rise of fascism, Nazism, and communism, the Second World War, and the emergence of the State of Israel. As a journalist, Klein did more than record the events – he gave expression to the feelings of his people and helped shape their responses. His wide reading, sensitivity, and intelligence made him a perceptive observer and keen analyst, while his command of language, his passion, rhetoric, and wit, made him an eloquent spokesman. These qualities enabled him to carry out the responsibilities, as he saw them, of chronicler and champion. Though Klein’s major concern was with the Canadian Jewish scene, his interests were part of the mosaic of Canadian history and his work forms a chronicle and a commentary on events of world-wide significance. Klein’s journalism relates frequently, in both substance and language, to his poems and fiction, and thus provides a context for the study of his creative writing. It also reveals aspects of his personality, values, and commitments, contributing to our understanding and appreciation of one of Canada’s foremost writers.

Much of A.M. Klein's finest prose is to be found in the mass of uncompleted work that he abandoned at the time of his breakdown, and that became accessible only when his papers were deposited in the National Archives. Notebooks offers a generous selection of this work, revealing previously unsuspected facets of Klein's character and artistry.The fiction, criticism, and memoirs collected here focus on Klein's exploration of the role of the artist. The works illuminate crucial periods of his career, especially the early 1940s, when he was transforming himself into a modernist, and the early 1950s, when he was struggling to overcome the misgivings about his art that were to lead to his final breakdown.The semi-autobiographical text which Klein referred to as 'Raw Material' and the unfinished novel of prison life entitled 'Stranger and Afraid' cast a new light on Klein's often frustrating relationship with the Montreal Jewish community. In 'Marginalia' he discusses poetic form and technique and makes observations on the nature of poetry, thereby providing insights into his own concerns as a writer. In 'The Golem,' a profoundly ambiguous treatment of the act of creation, a self-portrait emerges of a storyteller who has lost faith in the power and value of his story. The volume includes a critical introduction, that places the material in the context of Klein's other works, as well as textual and explanatory notes.

Throughout his career A.M. Klein struggled to define for himself the role of the poet in the contemporary world. Deeply rooted in the traditions of Judaism, and at the same time powerfully attracted by the freedom and scope of international modernism, he sought to reconcile past and present, community and creative individuality. Whether or not he finally achieved his own high aims, it was, in his own words, 'something merely to entertain them.' The result was a body of work immensely rich and varied in tone, language, cultural resonance.This collection of eighty-four poems offers a representative sampling of Klein's finest poetry, while taking into account the changing critical discourse of the last fifty years. Anyone interested in experiencing the full range of Klein's poetic achievement, or in understanding the complex nature of the poet, need look no further than this eminently readable volume.

The broad range of A.M. Klein’s interests, ideas, and activities is reflected in this selection of articles, editorials, and reviews – a selection that also displays the qualities that distinguished all his creative writing and the highly idiosyncratic nature of his style.The writings in this volume span a most critical juncture in human affairs; a period that witnessed the Great Depression, the rise of fascism, Nazism, and communism, the Second World War, and the emergence of the State of Israel. As a journalist, Klein did more than record the events – he gave expression to the feelings of his people and helped shape their responses. His wide reading, sensitivity, and intelligence made him a perceptive observer and keen analyst, while his command of language, his passion, rhetoric, and wit, made him an eloquent spokesman. These qualities enabled him to carry out the responsibilities, as he saw them, of chronicler and champion. Though Klein’s major concern was with the Canadian Jewish scene, his interests were part of the mosaic of Canadian history and his work forms a chronicle and a commentary on events of world-wide significance. Klein’s journalism relates frequently, in both substance and language, to his poems and fiction, and thus provides a context for the study of his creative writing. It also reveals aspects of his personality, values, and commitments, contributing to our understanding and appreciation of one of Canada’s foremost writers.