Václav Havel - Böcker

Václav Havel’s remarkable and rousing essay on the tyranny of apathy, with a new introduction by Timothy Snyder Cowed by life under Communist Party rule, a greengrocer hangs a placard in their shop window: Workers of the world, unite! Is it a sign of the grocer’s unerring ideology? Or a symbol of the lies we perform to protect ourselves?Written in 1978, Václav Havel’s meditation on political dissent – the rituals of its suppression, and the sparks that re-ignite it – would prove the guiding manifesto for uniting Solidarity movements across the Soviet Union. A portrait of activism in the face of falsehood and intimidation, The Power of the Powerless remains a rousing call against the allure of apathy.'Havel’s diagnosis of political pathologies has a special resonance in the age of Trump' Pankaj Mishra

Tomas Sedlacek has shaken the study of economics as few ever have. Named one of the "Young Guns" and one of the "five hot minds in economics" by the Yale Economic Review, he serves on the National Economic Council in Prague, where his provocative writing has achieved bestseller status. How has he done it? By arguing a simple, almost heretical proposition: economics is ultimately about good and evil.In The Economics of Good and Evil, Sedlacek radically rethinks his field, challenging our assumptions about the world. Economics is touted as a science, a value-free mathematical inquiry, he writes, but it's actually a cultural phenomenon, a product of our civilization. It began within philosophy--Adam Smith himself not only wrote The Wealth of Nations, but also The Theory of Moral Sentiments--and economics, as Sedlacek shows, is woven out of history, myth, religion, and ethics. "Even the most sophisticated mathematical model," Sedlacek writes, "is, de facto, a story, a parable, our effort to (rationally) grasp the world around us." Economics not only describes the world, but establishes normative standards, identifying ideal conditions. Science, he claims, is a system of beliefs to which we are committed. To grasp the beliefs underlying economics, he breaks out of the field's confines with a tour de force exploration of economic thinking, broadly defined, over the millennia. He ranges from the epic of Gilgamesh and the Old Testament to the emergence of Christianity, from Descartes and Adam Smith to the consumerism in Fight Club. Throughout, he asks searching meta-economic questions: What is the meaning and the point of economics? Can we do ethically all that we can do technically? Does it pay to be good?Placing the wisdom of philosophers and poets over strict mathematical models of human behavior, Sedlacek's groundbreaking work promises to change the way we calculate economic value.

In The Responsibility to Protect: The Promise of Stopping Mass Atrocities in Our Time, Jared Genser and Irwin Cotler provide a comprehensive overview on how this contemporary principle of international law has developed and analyze how best to apply it to current and future humanitarian crises. The "responsibility to protect" is a doctrine unanimously adopted by the UN World Summit in 2005, which says that all states have an obligation to protect their own citizens from mass atrocities, which includes genocide, war crimes, crimes against humanity, and ethnic cleansing. Its adoption and application has generated a passionate debate in law schools, professional organizations, media and within the U.N. system.To present a full picture of where the doctrine now stands and where it could go in the future, editors Jared Genser and Irwin Cotler have assembled a global team of authors with diverse backgrounds and differing viewpoints, including Edward Luck, the UN Secretary-General's Special Advisor on the Responsibility to Protect. Genser and Cotler balance the pro-RtoP chapters with more skeptical arguments from agency staff and scholars with long experience in addressing mass atrocities. Framed by a Preface from Desmond Tutu and Vaclav Havel and a Conclusion from Gareth Evans, these in-depth and authoritative analyses move beyond theory to demonstrate how RtoP has worked on the ground and should work if applied to other crises. The global focus of this book, as well as its detailed application of the principle in case studies make it uniquely useful to staff at international organizations and NGOs considering use of the principle in a given circumstance, to scholars providing advice to governments, and to students seeking guidance on this still-expanding subject.

Books of great political insight and novelty always outlive their time of birth and this reissued work, initially published in 1985, is no exception. Written shortly after the formation of Charter 77, the essays in this collection are among the most original and compelling pieces of political writing to have emerged from central and Eastern Europe during the whole of the post-war period. Václav Havel’s essay provides the title for the book. It was read by all the contributors who in turn responded to the many questions which Havel raises about the potential power of the powerless.The essays explain the anti-democratic features and limits of Soviet-type totalitarian systems of power. They discuss such concepts as ideology, democracy, civil liberty, law and the state from a perspective which is radically different from that of people living in liberal western democracies. The authors also discuss the prospects for democratic change under totalitarian conditions. Steven Lukes’ introduction provides an invaluable political and historical context for these writings.The authors represent a very broad spectrum of democratic opinion, including liberal, conservative and socialist.

Books of great political insight and novelty always outlive their time of birth and this reissued work, initially published in 1985, is no exception. Written shortly after the formation of Charter 7, the essays in this collection are among the most original and compelling pieces of political writing to have emerged from central and Eastern Europe during the whole of the post-war period.

Vaclav Havel is one of the most important European writers of our time. In 1979 he was sentenced to four and a half years of hard labour for his involvement in the Czech human rights movement, Charter 77. In prison he was allowed to write to his wife, Olga, once a week. He used the opportunity for profound reflections, on theatre, society and philosophy. These letters form a remarkable document, and a work of lasting value.'From Havel, we learn that the true heroes of our time are those who stay the course.' Bruce Chatwin

On the eve of his fiftieth birthday, Vaclav Havel looks back on his life in the theatre, the literary politics of his early years and the stagnation that followed the 1968 Soviet invasion of Czechoslovakia. Havel also discusses his part in his country's struggle to restore morality and civic responsibility to public life and the price he has paid for this. Havel spent several years in prison, faced constant harassment by the police, and had his plays banned. Despite this, the account is lacking in bitterness. Czechoslovakia's leading playwright emerges as a man of profound moral conviction and clarity, a master of "absurd theatre" who, paradoxically, was in 1989 elected president of his country.

The plays in this volume, which complements Selected Plays 1963-1983 are Largo Desolato, Temptation and Redevelopment in versions by Tom Stoppard, George Theiner and James Saunders respectively.Their themes are freedom of thought, Faustian opportunism and town planning as metaphors for life in Eastern Europe before the collapse of Communism, all handled with their author's characteristic wit and irony, and written before he was translated from a prison to the highest office of state.

The Czech President Vaclav Havel, a force on behalf of international human rights and his country's most celebrated dissident, first gained prominence as a playwright. During the period when Havel was blacklisted by the Czechoslovakian government for his political activism, productions of his work in and around Prague were regarded as subversive acts. The Beggar's Opera is a free-wheeling, highly politicized adaptation of John Gay's well-known eighteenth-century work of the same name. The play, reminiscent of Havel's earlier Garden Party and The Memorandum, is up to his best satirical standard. Like the Brecht/Weill Threepenny Opera, Havel's play uses an underworld milieu to explore the intermingled themes of love, loyalty, and treachery.Paul Wilson's new English translation of The Beggar's Opera is lively, idiomatic, and sensitive to underlying linguistic and political issues. The Cornell edition contains an Introduction by Peter Steiner that details the November 1, 1976, premiere of the play in the Prague suburb of Horní Pocernice, the reaction of the Czech secret police, and the measures the government took to punish and discredit those involved in the production. Eleven photographs—of the playwright, the actors, the theatre, and the actual performance—enhance the texture of the book.

Books of great political insight and novelty always outlive their time of birth and this reissued work, initially published in 1985, is no exception. Written shortly after the formation of Charter 77, the essays in this collection are among the most original and compelling pieces of political writing to have emerged from central and Eastern Europe during the whole of the post-war period. Václav Havel’s essay provides the title for the book. It was read by all the contributors who in turn responded to the many questions which Havel raises about the potential power of the powerless. The essays explain the anti-democratic features and limits of Soviet-type totalitarian systems of power. They discuss such concepts as ideology, democracy, civil liberty, law and the state from a perspective which is radically different from that of people living in liberal western democracies. The authors also discuss the prospects for democratic change under totalitarian conditions. Steven Lukes’ introduction provides an invaluable political and historical context for these writings. The authors represent a very broad spectrum of democratic opinion, including liberal, conservative and socialist.

Books of great political insight and novelty always outlive their time of birth and this reissued work, initially published in 1985, is no exception. Written shortly after the formation of Charter 77, the essays in this collection are among the most original and compelling pieces of political writing to have emerged from central and Eastern Europe during the whole of the post-war period. Václav Havel’s essay provides the title for the book. It was read by all the contributors who in turn responded to the many questions which Havel raises about the potential power of the powerless. The essays explain the anti-democratic features and limits of Soviet-type totalitarian systems of power. They discuss such concepts as ideology, democracy, civil liberty, law and the state from a perspective which is radically different from that of people living in liberal western democracies. The authors also discuss the prospects for democratic change under totalitarian conditions. Steven Lukes’ introduction provides an invaluable political and historical context for these writings. The authors represent a very broad spectrum of democratic opinion, including liberal, conservative and socialist.