Vahid Parvaresh – författare

How and why do words cause people to take offence online? This book explores the complex nature of offence, examining how the structure of language - from individual words to broader linguistic patterns - can be employed to construct offensive meanings. It demonstrates that offence is not a universal concept but a subjective experience shaped by the perspective of the target. Through a multi-layered analysis of words, meanings and context, the book offers a deeper understanding of how offence is creatively constructed, conveyed, understood and experienced on social media. By investigating the continuum between explicitly and implicitly offensive language, it reveals how even subtle language choices can have significant consequences. This work serves as a valuable resource for anyone interested in language, communication and the social dynamics of offence. It will appeal to scholars and students in linguistics, communication studies, the social sciences as well as law and computer science.

This innovative book examines the discourse of reality television, and the elasticity of language in the popular talent show The Voice from a cross-cultural perspective.

This innovative book examines the discourse of reality television, and the elasticity of language in the popular talent show The Voice from a cross-cultural perspective.

This volume brings together a wide array of papers which explore, among other things, to what extent languages and cultures are variable with respect to the interactions around the event of death. Motivated by J. L. Mey’s idea of the pragmeme, a situated speech act, the volume has both theoretical and practical implications for scholars working in different fields of enquiry. As the papers in this volume reveal, despite the terminological differences between various disciplines, the interactions around the event of death serve to provide solace, not only to the dying, but also to the family and friends of the deceased, thus helping them to “accommodate” to the new state of affairs.