Val Webb – författare

National Best Books 2007 Award-Winner in Religion. Insightful, imaginative, and provocative! Val Webb's new book has freed the Divine from the religious. A striking achievement. John Shelby Spong, author of Jesus for the Non-Religious. In Like Catching Water in a Net, Val Webb is not out to prove the existence of a God or the Divine, but to set out intuitions or intimations of the Divine nature and attributes from the stories and literature of the world's religions. Casting her net more widely than Karen Armstrong in The History of God or Jack Miles in God: A Biography, Webb delves deeply into the poetry and sayings of Sufi, Buddhist, and Hindu mystics, the nature religion of the ancient Mesopotamians, their kin the Israelites, and the Aboriginal people of her own beloved Australia.

Val Webb describes in this book how humans have engaged the Divine across religions and centuries, through rituals, art, sacred places, language and song. Drawing on personal and observed experience of travel and meetings with strangers, Webb uses her anecdotes to supplement her analysis of centuries of theology, literature and travel writing. The sum effect is to remind us that we need as many stories as possible in order to engage the Sacred-beyond-description, even if only to remind us of the distance still to go and the limitless (and sometimes unsuccessful) journey. The result is an interwoven, vivid, and theologically reflective reading experience.

This is a masterful and engaging account of how humans through centuries and cultures have engaged and experienced the divine. Our doctor is Muslim, our lawyer Jewish our best friend Buddhist, a plurality multiplied by global travel and politics. In "Like Catching Water in a Net", Webb discussed how humans have described the Divine. This companion book looks at how humans have engaged the Divine across religions and centuries, through ritual, art, sacred places, language and song. Here, Webb includes her own experiences, both personal and observed from travel in fifty countries, as well as centuries of theology, literature and travel writing. She meanders along winding trails, talk over the fence and drink wine with a stranger, literally and figuratively. To engage the larger-than-description Sacred, we need all the stories we can find, even if only to remind us the distance still to go and the limitless (sometimes unsuccessful) journey. As a teacher of world religions and art, and an artist, this will not be a string of anecdotes, but a woven together, reader-friendly, vividly painted, theologically reflective whole.