Valerie Steele – författare

"Fascinating." - The New YorkerWhat can psychoanalysis tell us about the power and allure of fashion? Valerie Steele, author of Dress, Dreams and Desire, was described by critic Suzy Menkes as “the Freud of fashion.” In this pathbreaking book, the first cultural history of fashion and psychoanalysis, Steele does not merely hold a mirror up to fashion’s surface, she looks into its soul.A renowned fashion historian, Steele draws on key psychoanalytic concepts about the body, sexuality, and the unconscious – from the dream theories of Freud and Jung to Lacan’s mirror stage and Anzieu’s skin ego – to interpret the work of designers such as Elsa Schiaparelli, Gianni Versace, and Alexander McQueen. She explores how fashion is the lens through which we see ourselves – and how others see us. Far from being superficial, fashion can be regarded as a “deep surface” that communicates our unconscious desires and anxieties, with none of us fully aware of what we are "saying" with the clothes we wear.

The word fetishism evokes images of `kinky' sex, involving an abnormal attraction to certain articles of clothing, such as black leather boots, or body parts, like legs and buttocks. Yet the fetish is in fashion - on the catwalks and in the streets. Leather gear, body piercing, second-skin rubber, even the corset, are back; no longer restricted to sexual subcultures but worn by `club kids' and socialites alike. While fetishism has traditionally been regarded by pyschologists as a `perversion', modern fashion has increasingly embraced characteristic fetish-items such as the spiked high-heel shoe.Fetish: Fashion, Sex, and Power is a historically-grounded study of the relationship between fashion and fetishism. Treating fashion as a symbolic system linked to the expression of sexuality, Steele marshals a dazzling array of evidence from pornography, psychology, and historical literature to illuminate this relationship. Is it fashion or fetish when fashion magazines feature the straps and stilettos of the dominatrix? What of body piercing, either ear rings or those worn through genitals? Is the corset, whether worn by men or women a `style' or a `perversion'.Steele brilliantly charts the boundaries of the `normal' and the `perverse', and shows how even the most bizarre-seeming clothing fetishes enable their wearers (male and female, gay and straight) to use clothing to express their social and sexual identities.

Kinky boots, corsets, underwear as outerwear, second-skin garments of rubber and leather, uniforms, body piercing. Today everything from a fetishist's dream appears on the fashion runways. Although some people regard fetish fashion as exploitative and misogynistic, others interpret it as a positive Amazonian statement--couture Catwoman. But the connection between fashion and fetishism goes far beyond a few couture collections. For the past thirty years, the iconography of sexual fetishism has been increasingly assimilated into popular culture. Before Michelle Pfeiffer's Catwoman, there was Mrs. Peel, heroine of the 1960s television show "The Avengers," who wore a black leather catsuit modeled on a real fetish costume. Street styles like punk and the gay "leatherman" look also testify to the influence of fetishism.as interviews with individuals involved in sexual fetishism, sadomasochism, and cross-dressing, to illuminate the complex relationship between appearance and identity. Based on years of research, Fetish: Fashion, Sex & Power explains how a paradigm shift in attitudes toward sex and gender has given rise to the phenomenon of fetish fashion.Providing provocative answers to such questions as: Why is black regarded as the sexiest color? Is fetishizing the norm for males? Does fetish fashion reflect a fear of AIDS? And why do so many people love shoes? Steel shows how human sexuality is never just a matter of doing what comes naturally; fantasy always plays an important role.

Kinky boots, corsets, underwear as outerwear, second-skin garments of rubber and leather, uniforms, body piercing.... Today everything from a fetishist''s dream appears on the fashion runways. Although some people regard fetish fashion as exploitative and misogynistic, others interpret it as a positive Amazonian statement--couture Catwoman. But the connection between fashion and fetishism goes far beyond a few couture collections. For the past thirty years, the iconography of sexual fetishism has been increasingly assimilated into popular culture. Before Michelle Pfeiffer''s Catwoman, there was Mrs. Peel, heroine of the 1960s television show "The Avengers," who wore a black leather catsuit modeled on a real fetish costume. Street styles like punk and the gay "leatherman" look also testify to the influence of fetishism. The concept of fetishism has recently assumed a growing importance in critical thinking about the cultural construction of sexuality. Yet until now no scholar with an in-depth knowledge of fashion history has studied the actual clothing fetishes themselves. Nor has there been a serious exploration of the historical relationship between fashion and fetishism, although erotic styles have changed significantly and "sexual chic" has become increasingly conspicuous. Cultural historian Valerie Steele has devoted much of her career to the study of the relationship between clothing and sexuality, and is uniquely qualified to write this book. Marshalling a dazzling array of evidence from pornography, psychology, and history, as well as interviews with individuals involved in sexual fetishism, sadomasochism, and cross-dressing, Steele illuminates the complex relationship between appearance and identity. Based on years of research, her book Fetish: Fashion, Sex & Power explains how a paradigm shift in attitudes toward sex and gender has given rise to the phenomenon of fetish fashion. "Steele is to fetish dressing what Anne Rice is to vampires," writes Christa Worthington of Elle magazine, "the intellectual interpreter of...wishes beyond our ken." According to Steele, fetishism shows how human sexuality is never just a matter of doing what comes naturally; fantasy always plays an important role. Steele provides provocative answers to such questions as: Why is black regarded as the sexiest color? Is fetishizing the norm for males? Does fetish fashion reflect a fear of AIDS? And why do so many people love shoes?

An astute exploration of the most outrageous shoe designs of the 21st centuryThis fabulously illustrated book explores western culture’s fascination with extravagant and fashionable shoes. Over the past decade, shoe design has become increasingly central to fashion, with fashion companies paying ever more attention to shoes and other accessories. High-heeled shoes, in particular, have become the fashion accessory of the 21st century.Co-written by one of the world’s leading historians of fashion and an authority on fashion accessories, the book features approximately 150 pairs of the most extreme and ultra-fashionable styles of the past 12 years, including work by such prominent designers as Manolo Blahnik, Pierre Hardy, Christian Louboutin and Bruno Frisoni for Roger Vivier, as well as shoes by influential design houses such as Azzedine Alaïa, Balenciaga, Alexander McQueen, and Prada. Avant-garde styles by up-and-coming designers such as Japan’s Kei Kagami and Noritaka Tatehana are also highlighted.Shoe Obsession examines recent extreme and fantastical shoe styles in relation to the history of high heels, the role of shoes as a reflection of their wearers’ personality traits, and the importance of shoes in art and exhibitions. The book is lavishly illustrated with full-color photographs of spectacular contemporary shoe designs.Published in association with The Fashion Institute of Technology, New YorkExhibition Schedule:The Fashion Institute of Technology, New York(02/07/13-04/13/13)

The more than eighty collaborators featured in this book comprise an A to Z of Vuitton s creative collaborations, especially from the last decade, with significant chapters devoted to the work of Nicolas Ghesquiere, Marc Jacobs, Takashi Murakami and other key collaborators. Never forgetting the long tradition of the house, the period covered by the book from the late 1990s through the present day will describe the role that Louis Vuitton is playing in a crucial moment in global fashion. Now with 536 pages, this edition features more than 130 pages of stunning new imagery that showcases the increasingly symbiotic relationship between fashion, art, and design.

One of the few surveys of Black style and fashion ever published, How to Slay offers a lavishly illustrated overview of African American style through the twentieth century, focusing on the last thirty-five years. Through striking images of some of the most celebrated icons of Black style and taste, from Josephine Baker, Michelle Obama, Maya Angelou, and Miles Davis to Rihanna, Naomi Campbell, Kanye West, and Pharrell Williams, this book explores the cultural underpinnings of Black trends that have become so influential in mainstream popular culture and a bedrock of fashion vernacular today. A preponderance of Black musicians, who for decades have inspired trends and transformed global fashion, are featured and discussed, while a diverse array of topics are touched upon and examined hats, hair, divas, the importance of attitude, the use of colour, 60s style, the influence of Africa and the Caribbean, and the beauty of black skin.

Long before 'collabs' became a buzzword, artists influenced every aspect of the fashion world. This approachable collection compares fashion and art side-by-side to highlight a variety of relationships: inspiration, collaboration, and artists working to create their own fashion or fashion photography. Art X Fashion introduces readers to designers like Coco Chanel and Elsa Schiaparelli, who famously worked with artists like Picasso and Dali in the early twentieth century, as well as to iconic fashion moments like Yves Saint Laurent s 1965 homage to Piet Mondrian. Art and fashion pairings like John Galliano (inspired by Tutankhamun s death mask, Arcimboldo, Gustav Klimt, and Hokusai), Guo Pei (inspired by Velazquez), Margiela (inspired by Gaugin), and Iris Van Herpen (inspired by Paul Delvaux), reveal surprising connections. Projects by street artists like Keith Haring and Kaws introduce the era of collaborations, which saw artists such as Yayoi Kusama and Takashi Murakami work with Louis Vuitton. More recent collaborations include Raf Simons with Sterling Ruby and Kerby Jean-Raymond with Derrick Adams. Chapters on striking purses and other accessories designed by artists, and artists creating in fashion including Cindy Sherman, William Wegman, and John Baldessari round out this fresh and delightful take on fashion design.

Paris, Capital of Fashion accompanies a major exhibition at The Museum at FIT, New York’s only museum dedicated solely to the art of fashion. This lavishly-illustrated book is edited by MFIT’s director and chief curator, Valerie Steele, also the author of the acclaimed Paris Fashion: A Cultural History. This new book opens with an important essay on how and why Paris became famous as the international “capital of fashion.”Steele traces how the mythic “aura” of Paris fashion was constructed over generations, as the splendour of the court at Versailles came to be echoed by the spectacle of the haute couture. Yet Paris has faced repeated challenges from other fashion capitals, especially London, Milan, and New York. Essays by Christopher Breward, David Gilbert, Grazia d’Annunzio, and Antonia Finnane place Paris within a broader global narrative, while Sophie Kurkdjian investigates the cultural value of the Parisian couture, and Agnès Rocomora explores the online imagery of the chic Parisienne.As The New Yorker recently put it, Paris is “the most glamorous and competitive of the world’s fashion capitals.” No other city has been branded “Fashion” as Paris has. By opening the study of Paris fashion to new approaches, this book explains why Paris still retains its position as the world’s undisputed fashion capital.

Paris, Capital of Fashion accompanies a major exhibition at The Museum at FIT, New York''s only museum dedicated solely to the art of fashion. This lavishly-illustrated book is edited by MFIT''s director and chief curator, Valerie Steele, also the author of the acclaimed Paris Fashion: A Cultural History. This new book opens with an important essay on how and why Paris became famous as the international “capital of fashion.”Steele traces how the mythic “aura” of Paris fashion was constructed over generations, as the splendour of the court at Versailles came to be echoed by the spectacle of the haute couture. Yet Paris has faced repeated challenges from other fashion capitals, especially London, Milan, and New York. Essays by Christopher Breward, David Gilbert, Grazia d''Annunzio, and Antonia Finnane place Paris within a broader global narrative, while Sophie Kurkdjian investigates the cultural value of the Parisian couture, and Agnès Rocomora explores the online imagery of the chic Parisienne.As The New Yorker recently put it, Paris is “the most glamorous and competitive of the world''s fashion capitals.” No other city has been branded “Fashion” as Paris has. By opening the study of Paris fashion to new approaches, this book explains why Paris still retains its position as the world''s undisputed fashion capital.

Paris, Capital of Fashion accompanies a major exhibition at The Museum at FIT, New York''s only museum dedicated solely to the art of fashion. This lavishly-illustrated book is edited by MFIT''s director and chief curator, Valerie Steele, also the author of the acclaimed Paris Fashion: A Cultural History. This new book opens with an important essay on how and why Paris became famous as the international “capital of fashion.”Steele traces how the mythic “aura” of Paris fashion was constructed over generations, as the splendour of the court at Versailles came to be echoed by the spectacle of the haute couture. Yet Paris has faced repeated challenges from other fashion capitals, especially London, Milan, and New York. Essays by Christopher Breward, David Gilbert, Grazia d''Annunzio, and Antonia Finnane place Paris within a broader global narrative, while Sophie Kurkdjian investigates the cultural value of the Parisian couture, and Agnès Rocomora explores the online imagery of the chic Parisienne.As The New Yorker recently put it, Paris is “the most glamorous and competitive of the world''s fashion capitals.” No other city has been branded “Fashion” as Paris has. By opening the study of Paris fashion to new approaches, this book explains why Paris still retains its position as the world''s undisputed fashion capital.

- An essential reference for students, curators and scholars of fashion, cultural studies, and the expanding range of disciplines that see fashion as imbued with meaning far beyond the material. - Over 300 in-depth entries covering designers, articles of clothing, key concepts and styles. - Edited and introduced by Valerie Steele, a scholar who has revolutionized the study of fashion, and who has been described by The Washington Post as one of "fashion's brainiest women." Derided by some as frivolous, even dangerous, and celebrated by others as art, fashion is anything but a neutral topic. Behind the hype and the glamour is an industry that affects all cultures of the world. A potent force in the global economy, fashion is also highly influential in everyday lives, even amongst those who may feel impervious.This handy volume is a one-stop reference for anyone interested in fashion - its meaning, history and theory. From Avedon to Codpiece, Dandyism to the G-String, Japanese Fashion to Subcultures, Trickle down to Zoot Suit, The Berg Companion to Fashion provides a comprehensive overview of this most fascinating of topics and will serve as the benchmark guide to the subject for many years to come.

"e;Fascinating."e; - The New YorkerWhat can psychoanalysis tell us about the power and allure of fashion? Valerie Steele, author of Dress, Dreams and Desire, was described by critic Suzy Menkes as the Freud of fashion. In this pathbreaking book, the first cultural history of fashion and psychoanalysis, Steele does not merely hold a mirror up to fashion's surface, she looks into its soul.A renowned fashion historian, Steele draws on key psychoanalytic concepts about the body, sexuality, and the unconscious from the dream theories of Freud and Jung to Lacan's mirror stage and Anzieu's skin ego to interpret the work of designers such as Elsa Schiaparelli, Gianni Versace, and Alexander McQueen. She explores how fashion is the lens through which we see ourselves and how others see us. Far from being superficial, fashion can be regarded as a deep surface that communicates our unconscious desires and anxieties, with none of us fully aware of what we are "e;saying"e; with the clothes we wear.

"e;Fascinating."e; - The New YorkerWhat can psychoanalysis tell us about the power and allure of fashion? Valerie Steele, author of Dress, Dreams and Desire, was described by critic Suzy Menkes as the Freud of fashion. In this pathbreaking book, the first cultural history of fashion and psychoanalysis, Steele does not merely hold a mirror up to fashion's surface, she looks into its soul.A renowned fashion historian, Steele draws on key psychoanalytic concepts about the body, sexuality, and the unconscious from the dream theories of Freud and Jung to Lacan's mirror stage and Anzieu's skin ego to interpret the work of designers such as Elsa Schiaparelli, Gianni Versace, and Alexander McQueen. She explores how fashion is the lens through which we see ourselves and how others see us. Far from being superficial, fashion can be regarded as a deep surface that communicates our unconscious desires and anxieties, with none of us fully aware of what we are "e;saying"e; with the clothes we wear.

Paris has been the international capital of fashion for more than 300 years. Even before the rise of the haute couture, Parisians were notorious for their obsession with fashion, and foreigners eagerly followed their lead. From Charles Frederick Worth to Gabrielle “Coco” Chanel, Christian Dior, and Yves Saint Laurent, fashion history is dominated by the names of Parisian couturiers. But Valerie Steele''s Paris Fashion is much more than just a history of great designers. This fascinating book demonstrates that the success of Paris ultimately rests on the strength of its fashion culture – created by a host of fashion performers and spectators, including actresses, dandies, milliners, artists, and writers. First published in 1988 to great international acclaim, this pioneering book has now been completely revised and brought up to date, encompassing the rise of fashion''s multiple world cities in the 21st century. Lavishly illustrated, deeply learned, and elegantly written, Valerie Steele''s masterwork explores with brilliance and flair why Paris remains the capital of fashion.

- An essential reference for students, curators and scholars of fashion, cultural studies, and the expanding range of disciplines that see fashion as imbued with meaning far beyond the material.- Over 300 in-depth entries covering designers, articles of clothing, key concepts and styles. - Edited and introduced by Valerie Steele, a scholar who has revolutionized the study of fashion, and who has been described by The Washington Post as one of "fashion''s brainiest women."Derided by some as frivolous, even dangerous, and celebrated by others as art, fashion is anything but a neutral topic. Behind the hype and the glamour is an industry that affects all cultures of the world. A potent force in the global economy, fashion is also highly influential in everyday lives, even amongst those who may feel impervious.This handy volume is a one-stop reference for anyone interested in fashion - its meaning, history and theory. From Avedon to Codpiece, Dandyism to the G-String, Japanese Fashion to Subcultures, Trickle down to Zoot Suit, The Berg Companion to Fashion provides a comprehensive overview of this most fascinating of topics and will serve as the benchmark guide to the subject for many years to come.

Paris has been the international capital of fashion for more than 300 years. Even before the rise of the haute couture, Parisians were notorious for their obsession with fashion, and foreigners eagerly followed their lead. From Charles Frederick Worth to Gabrielle “Coco” Chanel, Christian Dior, and Yves Saint Laurent, fashion history is dominated by the names of Parisian couturiers. But Valerie Steele''s Paris Fashion is much more than just a history of great designers. This fascinating book demonstrates that the success of Paris ultimately rests on the strength of its fashion culture – created by a host of fashion performers and spectators, including actresses, dandies, milliners, artists, and writers. First published in 1988 to great international acclaim, this pioneering book has now been completely revised and brought up to date, encompassing the rise of fashion''s multiple world cities in the 21st century. Lavishly illustrated, deeply learned, and elegantly written, Valerie Steele''s masterwork explores with brilliance and flair why Paris remains the capital of fashion.

“This is an original, gracefully written study of Paris fashion, one that manages to say as much about national character, in a sense, as it does about the rise and fall of hemlines. . . . I would not only recommend it to anyone interested in the psychology of clothes, but to anyone planning a sejour in France – as much required reading, say, as the Green Guides of Michelin.” ?Los Angeles Times Book ReviewThis beautifully illustrated new edition of Paris Fashion examines the history and culture of style in the fashion capital from the 14th century through to the present day.Paris has been the international capital of fashion for more than 300 years. Even before the rise of the haute couture, Parisians were notorious for their obsession with fashion, and foreigners eagerly followed their lead. From Charles Frederick Worth to Gabrielle “Coco” Chanel, Christian Dior, and Yves Saint Laurent, fashion history is dominated by the names of Parisian couturiers. But Valerie Steele''s Paris Fashion is much more than just a history of great designers. This fascinating book demonstrates that the success of Paris ultimately rests on the strength of its fashion culture – created by a host of fashion performers and spectators, including actresses, dandies, milliners, artists, and writers. First published in 1988 to great international acclaim, this pioneering book has now been completely revised and brought up to date, encompassing the rise of fashion''s multiple world cities in the 21st century. Lavishly illustrated, deeply learned, and elegantly written, Valerie Steele''s masterwork explores with brilliance and flair why Paris remains the capital of fashion.

* An essential reference for students, curators and scholars of fashion, cultural studies, and the expanding range of disciplines that see fashion as imbued with meaning far beyond the material. * Over 300 in-depth entries covering designers, articles of clothing, key concepts and styles. * Edited and introduced by Valerie Steele, a scholar who has revolutionized the study of fashion, and who has been described by The Washington Post as one of "fashion's brainiest women." Derided by some as frivolous, even dangerous, and celebrated by others as art, fashion is anything but a neutral topic. Behind the hype and the glamour is an industry that affects all cultures of the world. A potent force in the global economy, fashion is also highly influential in everyday lives, even amongst those who may feel impervious. This handy volume is a one-stop reference for anyone interested in fashion - its meaning, history and theory.From Avedon to Codpiece, Dandyism to the G-String, Japanese Fashion to Subcultures, Trickle down to Zoot Suit, The Berg Companion to Fashion provides a comprehensive overview of this most fascinating of topics and will serve as the benchmark guide to the subject for many years to come.

From Azzedine Alaïa, Cristóbal Balenciaga, and Coco Chanel to Alexander McQueen, Yves Saint Laurent, and Vivienne Westwood, more than a century’s worth of fashion greats from the permanent collection of The Museum at FIT in New York City are celebrated in this fresh edition of Fashion Designers A–Z. 15 new names join the ranks of the industry’s most admired—Phoebe Philo, Patrick Kelly, and Sonia Rykiel, to name a few—in this updated and expanded release showcasing some 500 garments in the Museum’s permanent collection. From an exquisitely embroidered velvet evening gown to Mondrian-influenced minimalist chic, each piece has been selected and photographed not only for its beauty, but for its representative value, distilling the unique philosophy and aesthetics of each of the featured designers. In her introductory essay, the Museum’s director and chief curator Valerie Steele writes about the rise of the fashion museum, and the emergence of the fashion exhibition as a popular and controversial phenomenon. International style authority Suzy Menkes contributes a foreword, texts by the museum’s curators shine historical light on each label and garment pictured, and 125 drawn portraits by artist Robert Nippoldt pay homage to the creators behind them.

From Azzedine Alaïa, Cristóbal Balenciaga, and Coco Chanel to Alexander McQueen, Yves Saint Laurent, and Vivienne Westwood, more than a century’s worth of fashion greats are celebrated in this new edition of Fashion Designers A–Z. An accessibly priced and updated volume features photographs of hundreds of garments selected from the Fashion Institute of Technology (FIT) museum's permanent collection. Elegant gowns from the turn of the century, Mondrian-style minimalist chic, and everything inbetween. Each of these works of art is chosen not only for its beauty but also for exemplifyingthe unique philosophy, skill, and aesthetics of each of the featured designers. In her introductory essay, the museum’s director and chief curator, Valerie Steele, writes about the rise of the fashion museum and the emergence of the fashion exhibition as a popular and controversial phenomenon. The foreword is contributed by international style maven Suzy Menkes, texts by the museum’s curators help shine historical light on each label and garment pictured, and beautifully drawn portraits by the artist Robert Nippoldt pay homage to the creators behind them.

From Azzedine Alaïa, Cristóbal Balenciaga, and Coco Chanel to Alexander McQueen, Yves Saint Laurent, and Vivienne Westwood, more than a century’s worth of fashion greats are celebrated in this new edition of Fashion Designers A–Z. An accessibly priced and updated volume features photographs of hundreds of garments selected from the Fashion Institute of Technology (FIT) museum's permanent collection. Elegant gowns from the turn of the century, Mondrian-style minimalist chic, and everything inbetween. Each of these works of art is chosen not only for its beauty but also for exemplifyingthe unique philosophy, skill, and aesthetics of each of the featured designers. In her introductory essay, the museum’s director and chief curator, Valerie Steele, writes about the rise of the fashion museum and the emergence of the fashion exhibition as a popular and controversial phenomenon. The foreword is contributed by international style maven Suzy Menkes, texts by the museum’s curators help shine historical light on each label and garment pictured, and beautifully drawn portraits by the artist Robert Nippoldt pay homage to the creators behind them.

Sky-high, ornate, and the pinnacle of glamour, both restrictive and liberating, art object and deeply ordinary, shoes tell the story of shifting attitudes toward desire, power, and wealth throughout history. Lace up for a journey through the most enviable shoe closet from the permanent collection at The Museum at the Fashion Institute of Technology—and four centuries of fashion’s hardest working accessory.Featuring designs from the likes of Louis Vuitton, Salvatore Ferragamo, Chanel, Gucci, Saint Laurent, Roger Vivier, Christian Louboutin, and more, Shoes A–Z. The Collection of The Museum at FIT celebrates fashion’s most revolutionary and coveted labels with more than 400 styles selected from the Museum’s pristinely preserved collection. Texts from Daphne Guinness, Valerie Steele, Colleen Hill, and The Museum’s expert team of curators explore the unique legacy of each of the featured designers and the lasting cultural impact of the shoe. Also featured are custom portraits of the designers by illustrator Robert Nippoldt. Exclusive access to original sketches, advertisements, and photographs from the designers’ private archives further illuminate the genius behind the functional, sculptural delights we cannot live without. Also available as Collector’s Edition of 1,000 numbered copies, including three prints by Manolo Blahník created exclusively for this edition with a hallmark stamp. The 6/8 color drawings are printed on 100% cotton paper, by famed Italian company Fabriano, and are housed in a luxury portfolio with gold foil embossing and with a ribbon closure.