Vasily Grossman – författare

The Complete Black Book of Russian Jewryis a collection of eyewitness testimonies, letters, diaries, affidavits, and other documents on the activities of the Nazis against Jews in the camps, ghettoes, and towns of Eastern Europe. Arguably, the only apt comparism is to The Gulag Archipelago of Alexander Solzhenitsyn. This definitive edition of The Black Book, including for the first time materials omitted from previous editions, is a major addition to the literature on the Holocaust. It will be of particular interest to students, teachers, and scholars of the Holocaust and those interested in the history of Europe.

By the end of 1942, 1.4 million Jews had been killed by the Einsatzgruppen that followed the German army eastward; by the end of the war, nearly two million had been murdered in Russia and Eastern Europe. Of the six million Jews who perished in the Holocaust, about one-third fell in the territories of the USSR. The single most important text documenting that slaughter is The Black Book, compiled by two renowned Russian authors Ilya Ehrenburg and Vasily Grossman. Until now, The Black Book was only available in English in truncated editions. Because of its profound significance, this new and definitive English translation of The Complete Black Book of Russian Jewry is a major literary and intellectual event.

From the time of the outbreak of the war, Ehrenburg and Grossman collected the eyewitness testimonies that went into The Black Book. As early as 1943 they were planning its publication; the first edition appeared in 1944. During the years immediately after the war, Grossman assisted Ehrenburg in compiling additional materials for a second edition, which appeared in 1946 (in English as well as Russian).

Since the fall of the Soviet regime, Irina Ehrenburg, the daughter of Ilya Ehrenburg, has recovered the lost portions of the manuscript sent to Yad Vashem. The texts recove

The Complete Black Book of Russian Jewryis a collection of eyewitness testimonies, letters, diaries, affidavits, and other documents on the activities of the Nazis against Jews in the camps, ghettoes, and towns of Eastern Europe. Arguably, the only apt comparism is to The Gulag Archipelago of Alexander Solzhenitsyn. This definitive edition of The Black Book, including for the first time materials omitted from previous editions, is a major addition to the literature on the Holocaust. It will be of particular interest to students, teachers, and scholars of the Holocaust and those interested in the history of Europe.

By the end of 1942, 1.4 million Jews had been killed by the Einsatzgruppen that followed the German army eastward; by the end of the war, nearly two million had been murdered in Russia and Eastern Europe. Of the six million Jews who perished in the Holocaust, about one-third fell in the territories of the USSR. The single most important text documenting that slaughter is The Black Book, compiled by two renowned Russian authors Ilya Ehrenburg and Vasily Grossman. Until now, The Black Book was only available in English in truncated editions. Because of its profound significance, this new and definitive English translation of The Complete Black Book of Russian Jewry is a major literary and intellectual event.

From the time of the outbreak of the war, Ehrenburg and Grossman collected the eyewitness testimonies that went into The Black Book. As early as 1943 they were planning its publication; the first edition appeared in 1944. During the years immediately after the war, Grossman assisted Ehrenburg in compiling additional materials for a second edition, which appeared in 1946 (in English as well as Russian).

Since the fall of the Soviet regime, Irina Ehrenburg, the daughter of Ilya Ehrenburg, has recovered the lost portions of the manuscript sent to Yad Vashem. The texts recove

Brought to you by Penguin.THE SUNDAY TIMES BESTSELLER AND NOW A MAJOR RADIO 4 DRAMA''One of the great novels of the 20th century, and now published in English for the first time'' Observer''A gripping panorama of the human experience'' Kenneth BranaghIn April 1942, Hitler and Mussolini plan the huge offensive on the Eastern Front that will culminate in the greatest battle in human history.Hundreds of miles away, Pyotr Vavilov receives his call-up papers and spends a final night with his wife and children in the hut that is his home. As war approaches, the Shaposhnikov family gathers for a meal: despite her age, Alexandra will soon become a refugee; Tolya will enlist in the reserves; Vera, a nurse, will fall in love with a wounded pilot; and Viktor Shtrum will receive a letter from his doomed mother which will haunt him forever. The war will consume the lives of a huge cast of characters – lives which express Grossman’s grand themes of the nation and the individual, nature’s beauty and war’s cruelty, love and separation.For months, Soviet forces are driven back inexorably by the German advance eastward and eventually Stalingrad is all that remains between the invaders and victory. The city stands on a cliff top by the Volga River. The battle for Stalingrad – a maelstrom of violence and firepower – will reduce it to ruins. But it will also be the cradle of a new sense of hope. Stalingrad is a magnificent novel not only of war but of all human life: its subjects are mothers and daughters, husbands and brothers, generals, nurses, political officers, steelworkers, tractor girls. It is tender, epic, and a testament to the power of the human spirit.‘You will not only discover that you love his characters and want to stay with them – that you need them in your life as much as you need your own family and loved ones – but that at the end... you will want to read it again’ Daily Telegraph

One of Grossman''s three great war novels - alongside Life and Fate and Stalingrad."A significant, valuable addition to Grossman''s small but powerful body of work" WILLIAM BOYD"A remarkable novel that illuminates the terrible realities of Barbarossa and the banal horror of warfare with incomparable understanding and insight" JONATHAN DIMBLEBY"There are always good reasons for reading Grossman, but few times are as resonant as our own" Financial Times"At the heart of his writing lies a tireless humanity and empathy" Telegraph"Grossman combines a journalist''s eye with a novelist''s empathy" SpectatorSet during the catastrophic defeats of the war''s first months, it tracks a Red Army regiment that wins a minor victory in eastern Belorussia but fails to exploit this success. A battalion is then entrusted with the task of slowing the German advance, and eventually encircled, before ultimately breaking out and joining with the rest of the Soviet forces.Grossman''s descriptions of the natural world - and his characters'' relationship to it - are both vivid and unexpected, as are his memorable character sketches: eleven-year-old Lionya is determined to hang on to his toy revolver as he walks a long distance behind German lines; his defiant grandmother slaps a German officer in the face and is shot; Kotenko, a fiercely anti-Soviet peasant who initially welcomes the Germans, hangs himself in despair when they treat him with contempt; and Semion Ignatiev, a womanizer and gifted story-teller, turns out to be the boldest and most resourceful of the rank-and file soldiers.Grossman spent most of the war years close to the front line. But The People Immortal is far from being mere morale-boosting propaganda. On the contrary, as letters included in this volume make clear, it was read as a textbook, and as a work of military education. This edition includes not only the unredacted novel itself, translated here for the first time since 1946, but also a wealth of background material.A heavily redacted English translation of The People Immortal was published in 1946. This current edition is the first that reflects Grossman''s original text.Translated from the Russian by Robert and Elizabeth Chandler

Few writers had to confront so many of the last century''s mass tragedies as Vasily Grossman. He is likely to be remembered, above all, for the terrifying clarity with which he writes about the Shoah, the Battle of Stalingrad and the Terror Famine in the Ukraine. An Armenian Sketchbook, however, shows us a very different Grossman; it is notable for its warmth, its sense of fun and for the benign humility that is always to be found in his writing. After the ''arrest'' - as Grossman always put it - of Life and Fate, Grossman took on the task of editing a literal Russian translation of a lengthy Armenian novel. The novel was of little interest to him, but he was glad of an excuse to travel to Armenia. This is his account of the two months he spent there. It is by far the most personal and intimate of Grossman''s works, with an air of absolute spontaneity, as though Grossman is simply chatting to the reader about his impressions of Armenia - its mountains, its ancient churches and its people.

A two-part radio dramatisation of Vasily Grossman''s dark, honest account of the battle of Stalingrad; a prequel to Life and Fate – plus Stalingrad: Destiny of a NovelEpic BBC serial Life and Fate stunned radio audiences in 2011, garnering rave reviews for its powerful depiction of a family torn apart by war in Soviet Russia. Now, with this astonishing prequel published in its first ever English translation by Richard and Elizabeth Chandler, we are transported back to the very beginning of Vasily Grossman’s panoramic tale, as the ‘harsh whirlwind’ of war approaches the city of Stalingrad.As Stalingrad opens, we are introduced to the many lives of the Shaposhnikov family and their partners. Atomic scientist Viktor Shtrum struggles with his work for the State and with his own conscience, while his family live, love and work (despite swirling rumours) to run the city’s power stations, factories and hospitals.Meanwhile, at the Front, we meet old-school Bolshevik Commissar Nikolai Krymov in the thick of the Russian army’s pell-mell retreat before Operation Barbarossa, and follow the ''unknown'' soldiers giving their lives to hold the line at the Volga.This vivid, gripping drama features many of the same acclaimed cast as Life and Fate, including Kenneth Branagh as Viktor Shtrum and Greta Scacchi as Lyuda Shaposhnikova.Accompanying this stellar dramatisation is Stalingrad: Destiny Of A Novel; featuring extracts from Grossman''s private journal, translated here for the first time, and chronicling Stalingrad’s tortuous gestation and long, tormented passage to print. Written and presented by author and historian Catherine Merridale, with readings by Anton Lesser, this five-part series reveals the dramatic backstory behind the classic novel and explores the beginnings of Grossman’s own journey towards Soviet heresy.Written by Vasily GrossmanTranslated by Robert and Elizabeth ChandlerDramatised by Mike Walker (Part One) and Jonathan Myerson (Part Two)Part One produced and directed by Jonquil PantingPart Two produced by James Robinson and directed by Jonathan MyersonSeries Producer: Alison HindellOriginal music composed by John Hardy, with Rob Whitehead, and performed by Oliver Wilson-Dixon, Tom Jackson, Stacey Blythe and Max PownallFirst broadcast BBC Radio 4, 30 November-1 December 2019