Already a Marvel/Timely legend for his creation of the Sub-Mariner in 1939, Bill Everett returned to Marvel during the 1950s to become Atlas' most versatile and effective practitioner of horror-fantasy. Everett's art was a combination of Graham Ingels, Harry Anderson, and Bernie Wrightson, with the slick ink line of Jack Davis, all melded within his own uniquely captivating imagery and in-your-face ghastliness. Following the magnificent Creator Collections of Joe Maneely and Al Williamson, Fantagraphics is proud to present here for the first time all of Bill Everett's Atlas Pre-Code horror stories in one volume! Including: 'Spectacles of Doom,' 'The Evil Eye,' 'The Pit of Horror!' 'Horror in the Moonlight!' 'Don't Bury Me Deep,' 'One Head Too Many!' 'Burton's Blood!' Werewolf!' 'The Madman,' and 'The Graymoor Ghost,' from titles like Menace, Journey into Unknown Worlds, Strange Tales, Uncanny Tales, Spellbound, Mystic, Suspense, as well as 'Zombie!' from Menace #5, featuring a character rebooted as Simon Garth in the black-and-white Marvel Magazine explosion of the 1970s. An introduction by Atlas expert Dr. Michael J. Vassallo puts it all in context.

When Harvey Kurtzman and Bill Gaines launched EC's Mad comic book as a warmly received satirical magazine, a flood of imitators soon filled newsstands, but the first and best to follow in Mad's footsteps (coinciding with the second issue of Mad magazine) was Snafu, edited and written by Kurtzman's former boss: Stan 'The Man' Lee! Snafu was packed with Marvel/Atlas' top humor creators and, following the Mad playbook, filled pages with ad and news spoofs, alongside film, television, and book parodies like 'The Blackboard Forest' by Russ Heath, 'Pete Kelsey's Booze' and 'Bleed, You Bum!' by Joe Maneely, 'Drugnet' by Howie Post, 'Emily Toast's Etiquette Page' by John Severin, and 'Snafu's Lovely Ladies' by Bill Everett, with production supervised by Marie Severin. Seen here is some of the most eye-popping work of Maneely's short life, including great Hollywood caricatures done in a wash style. In this new volume in our Atlas Library collaboration with Marvel, Fantagraphics is tickled pink to present for the first time, the complete Snafu collection along with a history of Martin Goodman's humor publications in all genres by editor Dr. Michael J. Vassallo.

This new volume in Fantagraphics' and Marvel's collaborative Atlas Library presents Girl Comics #1-12, a long unseen subversion of romance comics beautifully designed for a new generation of readers! In 1950, Timely/Atlas/Marvel took a typical romance title called Girl Comics and turned it into a sister companion to its successful men's-adventure comics: an empowering girls'-adventure comic! Mystery, adventure and suspense was promised and delivered! At the hands of a stellar artistic line-up, including John Buscema, Mike Sekowsky, Bill Everett, Joe Maneely, Russ Heath, and Bernard Krigstein, Girl Comics evolved from heart-stricken love stories to hair-raising girl-power thrill rides like 'The Death Plunge!,' 'The House of Shadows!,' 'I was a Murderer's Daughter!,' 'They Called me a Spy!,' 'The Dead Hands at the Controls,' and 'The Dark Hallway.' This volume also features the story behind the stories, with editor Dr. Michael J. Vassallo's essays on Marvel publisher Martin Goodman's enthusiastic relationship with romance comics and magazines at a time when the artform was cementing itself into American youth culture!

The 1950s boom in horror comics saw Atlas Comics' entree into the genre. Beginning in March 1952, Amazing Detective Cases began detailing cases where justice was served in supernatural fashion and beginning in May 1953, the adventures in Men's Adventures were taken over by ghosts, murderous revenge, and psychological terror. The cream of Atlas' artistic line-up - including recent EC stars and future Marvel staples - rose to the grisly challenge of the horror genre. Each issue is crammed with four condensed tales of creeping dread, ironic comeuppance, or startling twists, all from a different artist or team. Among the short, sharp shocks included in this volume are the mini masterpieces 'The Eerie Escape' by B. Krigstein, 'The Torture Master!' by Russ Heath, The Drowning Witch' by Reed Crandall and 'The 3rd Corpse' by Bill Everett. Stories by Gene Colan, John Romita, Joe Sinnott, Dick Ayers, Jim Mooney, Paul Reinman and George Tuska, all of whom remained through the shift to Marvel Comics, additionally fill out these issues, along with Atlas regulars Fred Kida, Mort Lawrence, Mike Sekowsky and Myron Fass. Notably included is the first appearance of 'Gorilla Man' by Robert Q. Sale, a character brought back in Marvel's contemporary Agents of Atlas series, and part of their ongoing continuity. Collecting Amazing Detective Cases #11-14 and Men's Adventures #21-26, Shiver As You Read! is a perfect companion to Adventures Into Terror, Venus, and the other titles of the Atlas Comics Library.

Atlas holds a special place among aficionados of the genre, producing more horror titles and issues by far, than anyone in the industry. While the quality of EC's six horror/sci-fi titles was unsurpassed with their elite cadre of talent, Atlas was the equivalent of the B-movies studio, churning out anywhere from 8 to 12 different horror titles a month, giving a wider array of artists, including some of the best craftsmen of the era, a chance to show off their talents: in addition to those already mentioned, future volumes will include Bill Everett, John Romita, Bernie Krigstein, Jerry Robinson, Harry Anderson, and Matt Fox. Stories from Marvel's Atlas line have barely been reprinted. The Fantagraphics Atlas Comics Library is the first attempt to publish a carefully curated line of Atlas titles. Our first volume, Adventures Into Terror, includes a treasure trove of stories drawn by many of the most stylistically accomplished artists of the Golden Age including George Tuska, Carl Burgos, Mike Sekowsky, Joe Maneely, and Joe Sinnott. Highlights include Russ Heath's two-part story 'The Brain' from issue #4 and 'Return of the Brain' from issue #6; Basil Wolverton's classic 'Where Monsters Dwell' from issue #7; Gene Colan's moody 'House of Horror' in issue #3; and Don Rico's wild layouts are on display from #4's 'The Torture Room. ' The stories are written firmly in the tradition of the pulpy, perverse, borderline deranged style that brought Fredric Wertham, the United States Senate Sub-Committee, and public opinion down like a sledgehammer on comics in the early 50s. Edited by Atlas scholar Dr. Michael J. Vassallo, scanned directly from the published comics, and meticulously restored by Allan Harvey, the first volume of the new Fantagraphics Atlas Library series is an event among comics lovers, collectors, and historians

"It’s probably his age that makes the worrying worse. But he can’t help picking up on every detail that ruins his day, stoking his unease and filling him with fear and shame. After dinner he gathers up the empty wine bottles, shoves them in rubbish bags and drives two kilometres to dump them in a bin. He’s worried about being denounced by that red-haired guy who monitors the parking in his street, the one who’s let his beard grow and calls the girls at the private school bitches and whores. “We should marry them off whether they like it or not, right professor?” Amine does not reply. Amine says nothing." Leïla SlimaniThis collection brings together three short volumes of work by Goncourt-winning author Leïla Slimani. The stories and essays in The Devil is in the Detail approach questions close to Slimani’s heart: Islam and fundamentalism, the importance of literature, and Paris as a symbol of freedom and tolerance. On Writing is an illuminating dialogue in which Slimani discusses her writing approach and techniques, and My Heroine: Simone Veil is a homage to Veil, a feminist pioneer who fought tirelessly for women’s rights. From everyday restrictions to national tragedies, Slimani grapples with important and eternal issues, and is unafraid to face them head on.

"It’s probably his age that makes the worrying worse. But he can’t help picking up on every detail that ruins his day, stoking his unease and filling him with fear and shame. After dinner he gathers up the empty wine bottles, shoves them in rubbish bags and drives two kilometres to dump them in a bin. He’s worried about being denounced by that red-haired guy who monitors the parking in his street, the one who’s let his beard grow and calls the girls at the private school bitches and whores. “We should marry them off whether they like it or not, right professor?” Amine does not reply. Amine says nothing." Leïla SlimaniThis collection brings together three short volumes of work by Goncourt-winning author Leïla Slimani. The stories and essays in The Devil is in the Detail approach questions close to Slimani’s heart: Islam and fundamentalism, the importance of literature, and Paris as a symbol of freedom and tolerance. On Writing is an illuminating dialogue in which Slimani discusses her writing approach and techniques, and My Heroine: Simone Veil is a homage to Veil, a feminist pioneer who fought tirelessly for women’s rights. From everyday restrictions to national tragedies, Slimani grapples with important and eternal issues, and is unafraid to face them head on.

In the unrestrained days before the Comics Code Authority censored the industry, these stories drawn by the cream of the Atlas crop - Russ Heath, Bill Everett, Joe Maneely, Carmine Infantino, Mort Meskin, George Tuska, Bob Fujitani, Joe Sinnott, and Bernard Krigstein - chilled readers to the bone: Irradiated, postapocalyptic monsters become 'The Walking Death!' A frantic, tiny voice calls out from 'The Thing in the Bottle'! Humanity faces intergalactic doomsday 'When a World Goes Mad!' A cemetery robber tells how 'I Crawl Through Graves'! Satan himself unveils 'The Pit of Horror,' as only Bill Everett could envision it! This is the first of three volumes that will re-present this classic Atlas horror series in its entirety. Adventures don't get any weirder!

Already a Marvel/Timely legend for his creation of the Sub-Mariner in 1939, Bill Everett returned to Marvel during the 1950s to become Atlas' most versatile and effective practitioner of horror-fantasy. Everett's art was a combination of Graham Ingels, Harry Anderson, and Bernie Wrightson, with the slick ink line of Jack Davis, all melded within his own uniquely captivating imagery and in-your-face ghastliness. Following the magnificent Creator Collections of Joe Maneely and Al Williamson, Fantagraphics is proud to present here for the first time all of Bill Everett's Atlas Pre-Code horror stories in one volume! Including: 'Spectacles of Doom,' 'The Evil Eye,' 'The Pit of Horror!' 'Horror in the Moonlight!' 'Don't Bury Me Deep,' 'One Head Too Many!' 'Burton's Blood!' Werewolf!' 'The Madman,' and 'The Graymoor Ghost,' from titles like Menace, Journey into Unknown Worlds, Strange Tales, Uncanny Tales, Spellbound, Mystic, Suspense, as well as 'Zombie!' from Menace #5, featuring a character rebooted as Simon Garth in the black-and-white Marvel Magazine explosion of the 1970s. An introduction by Atlas expert Dr. Michael J. Vassallo puts it all in context.

When Harvey Kurtzman and Bill Gaines launched EC's Mad comic book as a warmly received satirical magazine, a flood of imitators soon filled newsstands, but the first and best to follow in Mad's footsteps (coinciding with the second issue of Mad magazine) was Snafu, edited and written by Kurtzman's former boss: Stan 'The Man' Lee! Snafu was packed with Marvel/Atlas' top humor creators and, following the Mad playbook, filled pages with ad and news spoofs, alongside film, television, and book parodies like 'The Blackboard Forest' by Russ Heath, 'Pete Kelsey's Booze' and 'Bleed, You Bum!' by Joe Maneely, 'Drugnet' by Howie Post, 'Emily Toast's Etiquette Page' by John Severin, and 'Snafu's Lovely Ladies' by Bill Everett, with production supervised by Marie Severin. Seen here is some of the most eye-popping work of Maneely's short life, including great Hollywood caricatures done in a wash style. In this new volume in our Atlas Library collaboration with Marvel, Fantagraphics is tickled pink to present for the first time, the complete Snafu collection along with a history of Martin Goodman's humor publications in all genres by editor Dr. Michael J. Vassallo.

This new volume in Fantagraphics' and Marvel's collaborative Atlas Library presents Girl Comics #1-12, a long unseen subversion of romance comics beautifully designed for a new generation of readers! In 1950, Timely/Atlas/Marvel took a typical romance title called Girl Comics and turned it into a sister companion to its successful men's-adventure comics: an empowering girls'-adventure comic! Mystery, adventure and suspense was promised and delivered! At the hands of a stellar artistic line-up, including John Buscema, Mike Sekowsky, Bill Everett, Joe Maneely, Russ Heath, and Bernard Krigstein, Girl Comics evolved from heart-stricken love stories to hair-raising girl-power thrill rides like 'The Death Plunge!,' 'The House of Shadows!,' 'I was a Murderer's Daughter!,' 'They Called me a Spy!,' 'The Dead Hands at the Controls,' and 'The Dark Hallway.' This volume also features the story behind the stories, with editor Dr. Michael J. Vassallo's essays on Marvel publisher Martin Goodman's enthusiastic relationship with romance comics and magazines at a time when the artform was cementing itself into American youth culture!

The 1950s boom in horror comics saw Atlas Comics' entree into the genre. Beginning in March 1952, Amazing Detective Cases began detailing cases where justice was served in supernatural fashion and beginning in May 1953, the adventures in Men's Adventures were taken over by ghosts, murderous revenge, and psychological terror. The cream of Atlas' artistic line-up - including recent EC stars and future Marvel staples - rose to the grisly challenge of the horror genre. Each issue is crammed with four condensed tales of creeping dread, ironic comeuppance, or startling twists, all from a different artist or team. Among the short, sharp shocks included in this volume are the mini masterpieces 'The Eerie Escape' by B. Krigstein, 'The Torture Master!' by Russ Heath, The Drowning Witch' by Reed Crandall and 'The 3rd Corpse' by Bill Everett. Stories by Gene Colan, John Romita, Joe Sinnott, Dick Ayers, Jim Mooney, Paul Reinman and George Tuska, all of whom remained through the shift to Marvel Comics, additionally fill out these issues, along with Atlas regulars Fred Kida, Mort Lawrence, Mike Sekowsky and Myron Fass. Notably included is the first appearance of 'Gorilla Man' by Robert Q. Sale, a character brought back in Marvel's contemporary Agents of Atlas series, and part of their ongoing continuity. Collecting Amazing Detective Cases #11-14 and Men's Adventures #21-26, Shiver As You Read! is a perfect companion to Adventures Into Terror, Venus, and the other titles of the Atlas Comics Library.

Atlas holds a special place among aficionados of the genre, producing more horror titles and issues by far, than anyone in the industry. While the quality of EC's six horror/sci-fi titles was unsurpassed with their elite cadre of talent, Atlas was the equivalent of the B-movies studio, churning out anywhere from 8 to 12 different horror titles a month, giving a wider array of artists, including some of the best craftsmen of the era, a chance to show off their talents: in addition to those already mentioned, future volumes will include Bill Everett, John Romita, Bernie Krigstein, Jerry Robinson, Harry Anderson, and Matt Fox. Stories from Marvel's Atlas line have barely been reprinted. The Fantagraphics Atlas Comics Library is the first attempt to publish a carefully curated line of Atlas titles. Our first volume, Adventures Into Terror, includes a treasure trove of stories drawn by many of the most stylistically accomplished artists of the Golden Age including George Tuska, Carl Burgos, Mike Sekowsky, Joe Maneely, and Joe Sinnott. Highlights include Russ Heath's two-part story 'The Brain' from issue #4 and 'Return of the Brain' from issue #6; Basil Wolverton's classic 'Where Monsters Dwell' from issue #7; Gene Colan's moody 'House of Horror' in issue #3; and Don Rico's wild layouts are on display from #4's 'The Torture Room. ' The stories are written firmly in the tradition of the pulpy, perverse, borderline deranged style that brought Fredric Wertham, the United States Senate Sub-Committee, and public opinion down like a sledgehammer on comics in the early 50s. Edited by Atlas scholar Dr. Michael J. Vassallo, scanned directly from the published comics, and meticulously restored by Allan Harvey, the first volume of the new Fantagraphics Atlas Library series is an event among comics lovers, collectors, and historians

"It’s probably his age that makes the worrying worse. But he can’t help picking up on every detail that ruins his day, stoking his unease and filling him with fear and shame. After dinner he gathers up the empty wine bottles, shoves them in rubbish bags and drives two kilometres to dump them in a bin. He’s worried about being denounced by that red-haired guy who monitors the parking in his street, the one who’s let his beard grow and calls the girls at the private school bitches and whores. “We should marry them off whether they like it or not, right professor?” Amine does not reply. Amine says nothing." Leïla SlimaniThis collection brings together three short volumes of work by Goncourt-winning author Leïla Slimani. The stories and essays in The Devil is in the Detail approach questions close to Slimani’s heart: Islam and fundamentalism, the importance of literature, and Paris as a symbol of freedom and tolerance. On Writing is an illuminating dialogue in which Slimani discusses her writing approach and techniques, and My Heroine: Simone Veil is a homage to Veil, a feminist pioneer who fought tirelessly for women’s rights. From everyday restrictions to national tragedies, Slimani grapples with important and eternal issues, and is unafraid to face them head on.

"It’s probably his age that makes the worrying worse. But he can’t help picking up on every detail that ruins his day, stoking his unease and filling him with fear and shame. After dinner he gathers up the empty wine bottles, shoves them in rubbish bags and drives two kilometres to dump them in a bin. He’s worried about being denounced by that red-haired guy who monitors the parking in his street, the one who’s let his beard grow and calls the girls at the private school bitches and whores. “We should marry them off whether they like it or not, right professor?” Amine does not reply. Amine says nothing." Leïla SlimaniThis collection brings together three short volumes of work by Goncourt-winning author Leïla Slimani. The stories and essays in The Devil is in the Detail approach questions close to Slimani’s heart: Islam and fundamentalism, the importance of literature, and Paris as a symbol of freedom and tolerance. On Writing is an illuminating dialogue in which Slimani discusses her writing approach and techniques, and My Heroine: Simone Veil is a homage to Veil, a feminist pioneer who fought tirelessly for women’s rights. From everyday restrictions to national tragedies, Slimani grapples with important and eternal issues, and is unafraid to face them head on.

In the unrestrained days before the Comics Code Authority censored the industry, these stories drawn by the cream of the Atlas crop - Russ Heath, Bill Everett, Joe Maneely, Carmine Infantino, Mort Meskin, George Tuska, Bob Fujitani, Joe Sinnott, and Bernard Krigstein - chilled readers to the bone: Irradiated, postapocalyptic monsters become 'The Walking Death!' A frantic, tiny voice calls out from 'The Thing in the Bottle'! Humanity faces intergalactic doomsday 'When a World Goes Mad!' A cemetery robber tells how 'I Crawl Through Graves'! Satan himself unveils 'The Pit of Horror,' as only Bill Everett could envision it! This is the first of three volumes that will re-present this classic Atlas horror series in its entirety. Adventures don't get any weirder!