Veronika Zangl – författare
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3 produkter
3 produkter
E-bok
PDF, Tyska, 2018497 kr
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Das NS-Repräsentationstheater, das Theater des Kulturbundes deutscher Juden sowie theatrale Aktivitäten in Ghettos und Konzentrationslagern stehen im Fokus dieses Bandes. Berücksichtigt werden insbesondere bislang kaum erarbeitete Themenbereiche. Dazu gehören unter anderem die Frage nach der Aneignung avantgardistischer Theaterbegriffe durch NS-Instanzen, die Erschließung von und der bewusste Umgang mit historischem Quellenmaterial sowie die Aufarbeitung von jiddischem Theater in Ghettos und Konzentrationslagern. Die Zusammenschau der Theaterformen ermöglicht erstmals, die Wechselwirkungen zwischen den Teilbereichen in den Blick zu nehmen, ohne die Differenzen zu relativieren. Kritische Betrachtungen bzw. Analysen der unterschiedlichen Theatergenres runden den Band ab.The central focus of the anthology is a critical juxtaposition of the NS theatre of representation, the Theatre of the Cultural Association of German Jews, as well as theatrical activities in ghettos and concentration camps. Special attention is given to source materials, the current state of research, to specific theatre concepts in the three focal areas and to interpretative patterns that have emerged in the field of research and memory studies. The juxtaposition of the research areas allows for new (theatre-related) historical, historiographical, dramaturgical and theoretical insights, that provide new perspectives in Theatre Studies in general.
Häftad, Tyska, 2018
807 kr
Skickas inom 3-6 vardagar
Häftad, Engelska, 2021
384 kr
Skickas inom 10-15 vardagar
The image of the dramaturg resembling a stuffy librarian, as opposed to the largely intuitive process of theatre making, belongs to the past. Contemporary theatre performances not only tell a story, but constantly reflect on the world in which that story takes place and is shown. As a result, dramaturgy has become part of the artistic process. Thus everybody involved in a theatre production is concerned with dramaturgical thinking, i.e. how to relate to material, process, audience and society. The dramaturg crosses borders between theory and practice, between theatre makers, performance and audience. 'Dramaturgy. An Introduction' provides a broad overview of the concept of dramaturgy and the profession of the dramaturg. It is intended for students and teachers of theatre and performance studies, but also for directors, scenographers, actors and for all lovers of theatre.