V.G. Julie Rajan – författare

Violence and Gender in the Globalized World expands the critical picture of gender and violence in the age of globalization by introducing a variety of uncommonly discussed geo-political sites and dynamics. The volume hosts methodologically and disciplinarily diverse contributions from around the world, discussing various contexts including Chechnya, Germany, Iraq, Kenya, Malaysia, Nicaragua, Palestine, the former Yugoslavia, Syria, South Africa, the United States, and the Internet. Bringing together scholars’ and activists’ historicized and site-specific perspectives, this book bridges the gap between theory and practice concerning violence, gender, and agency. In this revised and updated edition, the scope of inquiry is expanded to incorporate phenomena that have recently come to the forefront of public and scholarly scrutiny, such as Internet-based discourses of violence, female suicide bombers, and the Islamic State’s violence against women. At the same time, new data and developments are brought to bear on earlier discussions of violence against women across the globe in order to bring them fully up to date. With an international team of contributors, comprising eminent scholars, activists and policy-makers, this volume will be of interest to anyone conducting research in the areas of gender and sexuality, human rights, cultural studies, law, sociology, political science, history, post-colonialism and colonialism, anthropology, philosophy and religion.

This book offers an evaluation of female suicide bombers through postcolonial, Third World, feminist, and human-rights framework, drawing on case studies from conflicts in Palestine, Sri Lanka, and Chechnya, among others.Women Suicide Bombers explores why cultural, media and political reports from various geographies present different information about and portraits of the same women suicide bombers. The majority of Western media and sovereign states engaged in wars against groups deploying bombings tend to focus on women bombers' abnormal mental conditions; their physicality-for example, their painted fingernails or their beautiful eyes; their sexualities; and the various ways in which they have been victimized by their backward Third World cultures, especially by "Islam." In contrast, propaganda produced by rebel groups deploying women bombers, cultures supporting those campaigns, and governments of those nations at war with sovereign states and Western nations tend to project women bombers as mythical heroes, in ways that supersedes the martyrdom operations of male bombers.Many of the books published on this phenomenon have revealed interesting ways to read women bombers' subjectivities, but do not explore the phenomenon of women bombers both inside and outside of their militant activities, or against the patriarchal, Orientalist, and Western feminist cultural and theoretical frameworks that label female bombers primarily as victims of backward cultures. In contrast, this book offers a corrective lens to the existing discourse, and encourages a more balanced evaluation of women bombers in contemporary conflict.This book will be of interest to students of terrorism, gender studies and security studies in general.

This book offers an evaluation of female suicide bombers through postcolonial, Third World, feminist, and human-rights framework, drawing on case studies from conflicts in Palestine, Sri Lanka, and Chechnya, among others.Women Suicide Bombers explores why cultural, media and political reports from various geographies present different information about and portraits of the same women suicide bombers. The majority of Western media and sovereign states engaged in wars against groups deploying bombings tend to focus on women bombers' abnormal mental conditions; their physicality-for example, their painted fingernails or their beautiful eyes; their sexualities; and the various ways in which they have been victimized by their backward Third World cultures, especially by "Islam." In contrast, propaganda produced by rebel groups deploying women bombers, cultures supporting those campaigns, and governments of those nations at war with sovereign states and Western nations tend to project women bombers as mythical heroes, in ways that supersedes the martyrdom operations of male bombers.Many of the books published on this phenomenon have revealed interesting ways to read women bombers' subjectivities, but do not explore the phenomenon of women bombers both inside and outside of their militant activities, or against the patriarchal, Orientalist, and Western feminist cultural and theoretical frameworks that label female bombers primarily as victims of backward cultures. In contrast, this book offers a corrective lens to the existing discourse, and encourages a more balanced evaluation of women bombers in contemporary conflict.This book will be of interest to students of terrorism, gender studies and security studies in general.

Violence and Gender in the Globalized World expands the critical picture of gender and violence in the age of globalization by introducing a variety of uncommonly discussed geo-political sites and dynamics. The volume hosts methodologically and disciplinarily diverse contributions from around the world, discussing various contexts including Chechnya, Germany, Iraq, Kenya, Malaysia, Nicaragua, Palestine, the former Yugoslavia, Syria, South Africa, the United States, and the Internet. Bringing together scholars’ and activists’ historicized and site-specific perspectives, this book bridges the gap between theory and practice concerning violence, gender, and agency. In this revised and updated edition, the scope of inquiry is expanded to incorporate phenomena that have recently come to the forefront of public and scholarly scrutiny, such as Internet-based discourses of violence, female suicide bombers, and the Islamic State’s violence against women. At the same time, new data and developments are brought to bear on earlier discussions of violence against women across the globe in order to bring them fully up to date. With an international team of contributors, comprising eminent scholars, activists and policy-makers, this volume will be of interest to anyone conducting research in the areas of gender and sexuality, human rights, cultural studies, law, sociology, political science, history, post-colonialism and colonialism, anthropology, philosophy and religion.

Violence and Gender in the Globalized World expands the critical picture of gender and violence in the age of globalization by introducing a variety of uncommonly discussed geo-political sites and dynamics. The volume hosts methodologically and disciplinarily diverse contributions from around the world, discussing various contexts including Chechnya, Germany, Iraq, Kenya, Malaysia, Nicaragua, Palestine, the former Yugoslavia, Syria, South Africa, the United States, and the Internet. Bringing together scholars’ and activists’ historicized and site-specific perspectives, this book bridges the gap between theory and practice concerning violence, gender, and agency. In this revised and updated edition, the scope of inquiry is expanded to incorporate phenomena that have recently come to the forefront of public and scholarly scrutiny, such as Internet-based discourses of violence, female suicide bombers, and the Islamic State’s violence against women. At the same time, new data and developments are brought to bear on earlier discussions of violence against women across the globe in order to bring them fully up to date. With an international team of contributors, comprising eminent scholars, activists and policy-makers, this volume will be of interest to anyone conducting research in the areas of gender and sexuality, human rights, cultural studies, law, sociology, political science, history, post-colonialism and colonialism, anthropology, philosophy and religion.

How various mythologies challenge, enable, and inspire women artists and activists across the globe to communicate personal and historical experiences of violence is the central concern of this collection. Beginning with the observation that twentieth- and twenty-first century female writers and artists often use myth to represent their social and artistic struggles, the distinguished international scholars and writers consider mythic fabulations as spaces for contested meanings and resistant readings. The identified resistance of the mythic material to repression-working, as it were, in opposition to another celebrated drive/role of myth, that of containment-makes the use of myth particularly stimulating for twentieth-century and contemporary female artists; and it is an interest in the aesthetic and political consequences of such resistances that animates this book. Exemplifying the diverse types of engagement with myth and femininity, literary criticism, discussions of film and art, artwork, as well as original creative writing, could all be found within the boundaries of this innovative volume. Femininity, myth, and violence are here explored in contexts such as female mythopoiesis in the early twentieth century; the politics of representation in contemporary writing; revision of old myths; and creation of new myths in multicultural female experiences. Keeping the focus on the actual works of art, the editors and contributors offer scholars and teachers an inclusive way to approach literature and the arts that avoids the limits imposed by genre or national and regional boundaries.

How various mythologies challenge, enable, and inspire women artists and activists across the globe to communicate personal and historical experiences of violence is the central concern of this collection. Beginning with the observation that twentieth- and twenty-first century female writers and artists often use myth to represent their social and artistic struggles, the distinguished international scholars and writers consider mythic fabulations as spaces for contested meanings and resistant readings. The identified resistance of the mythic material to repression-working, as it were, in opposition to another celebrated drive/role of myth, that of containment-makes the use of myth particularly stimulating for twentieth-century and contemporary female artists; and it is an interest in the aesthetic and political consequences of such resistances that animates this book. Exemplifying the diverse types of engagement with myth and femininity, literary criticism, discussions of film and art, artwork, as well as original creative writing, could all be found within the boundaries of this innovative volume. Femininity, myth, and violence are here explored in contexts such as female mythopoiesis in the early twentieth century; the politics of representation in contemporary writing; revision of old myths; and creation of new myths in multicultural female experiences. Keeping the focus on the actual works of art, the editors and contributors offer scholars and teachers an inclusive way to approach literature and the arts that avoids the limits imposed by genre or national and regional boundaries.

How various mythologies challenge, enable, and inspire women artists and activists across the globe to communicate personal and historical experiences of violence is the central concern of this collection. Beginning with the observation that twentieth- and twenty-first century female writers and artists often use myth to represent their social and artistic struggles, the distinguished international scholars and writers consider mythic fabulations as spaces for contested meanings and resistant readings. The identified resistance of the mythic material to repression-working, as it were, in opposition to another celebrated drive/role of myth, that of containment-makes the use of myth particularly stimulating for twentieth-century and contemporary female artists; and it is an interest in the aesthetic and political consequences of such resistances that animates this book. Exemplifying the diverse types of engagement with myth and femininity, literary criticism, discussions of film and art, artwork, as well as original creative writing, could all be found within the boundaries of this innovative volume. Femininity, myth, and violence are here explored in contexts such as female mythopoiesis in the early twentieth century; the politics of representation in contemporary writing; revision of old myths; and creation of new myths in multicultural female experiences. Keeping the focus on the actual works of art, the editors and contributors offer scholars and teachers an inclusive way to approach literature and the arts that avoids the limits imposed by genre or national and regional boundaries.

How various mythologies challenge, enable, and inspire women artists and activists across the globe to communicate personal and historical experiences of violence is the central concern of this collection. Beginning with the observation that twentieth- and twenty-first century female writers and artists often use myth to represent their social and artistic struggles, the distinguished international scholars and writers consider mythic fabulations as spaces for contested meanings and resistant readings. The identified resistance of the mythic material to repression-working, as it were, in opposition to another celebrated drive/role of myth, that of containment-makes the use of myth particularly stimulating for twentieth-century and contemporary female artists; and it is an interest in the aesthetic and political consequences of such resistances that animates this book. Exemplifying the diverse types of engagement with myth and femininity, literary criticism, discussions of film and art, artwork, as well as original creative writing, could all be found within the boundaries of this innovative volume. Femininity, myth, and violence are here explored in contexts such as female mythopoiesis in the early twentieth century; the politics of representation in contemporary writing; revision of old myths; and creation of new myths in multicultural female experiences. Keeping the focus on the actual works of art, the editors and contributors offer scholars and teachers an inclusive way to approach literature and the arts that avoids the limits imposed by genre or national and regional boundaries.

Violence and Gender in the Globalized World expands the critical picture of gender and violence in the age of globalization by introducing a variety of uncommonly discussed geo-political sites and dynamics. The volume hosts methodologically and disciplinarily diverse contributions from around the world, discussing various contexts including Chechnya, Germany, Iraq, Kenya, Malaysia, Nicaragua, Palestine, the former Yugoslavia, Syria, South Africa, the United States, and the Internet. Bringing together scholars’ and activists’ historicized and site-specific perspectives, this book bridges the gap between theory and practice concerning violence, gender, and agency. In this revised and updated edition, the scope of inquiry is expanded to incorporate phenomena that have recently come to the forefront of public and scholarly scrutiny, such as Internet-based discourses of violence, female suicide bombers, and the Islamic State’s violence against women. At the same time, new data and developments are brought to bear on earlier discussions of violence against women across the globe in order to bring them fully up to date. With an international team of contributors, comprising eminent scholars, activists and policy-makers, this volume will be of interest to anyone conducting research in the areas of gender and sexuality, human rights, cultural studies, law, sociology, political science, history, post-colonialism and colonialism, anthropology, philosophy and religion.