Victor Deupi – författare

This book focuses on the life and artistic activities of Emilio Sanchez (1921–1999) in New York, and Latin America in the 1940s and 1950s. More specifically, the book will consider Sanchez in the wider context of mid-century Cuban artists, and cross-cultural exchange between New York, Cuba, and the Caribbean. The book reflects on why Sanchez chose to be a mobile observer of the American and Caribbean vernacular at a time when such an approach seemed at odds with the mainstream avant-garde. The book includes a foreword by Dr. Ann Koll, former Executive Director/Curator of the Emilio Sanchez Foundation, and an introduction by Dr. Nathan J. Timpano, University of Miami Department of Art and Art History. This book will be of interest to scholars in modern art, Caribbean studies, architectural history, and Latin American and Hispanic studies.

This book focuses on the life and artistic activities of Emilio Sanchez (1921–1999) in New York, and Latin America in the 1940s and 1950s. More specifically, the book will consider Sanchez in the wider context of mid-century Cuban artists, and cross-cultural exchange between New York, Cuba, and the Caribbean. The book reflects on why Sanchez chose to be a mobile observer of the American and Caribbean vernacular at a time when such an approach seemed at odds with the mainstream avant-garde. The book includes a foreword by Dr. Ann Koll, former Executive Director/Curator of the Emilio Sanchez Foundation, and an introduction by Dr. Nathan J. Timpano, University of Miami Department of Art and Art History. This book will be of interest to scholars in modern art, Caribbean studies, architectural history, and Latin American and Hispanic studies.

Architectural Temperance examines relations between Bourbon Spain and papal Rome (1700-1759) through the lens of cultural politics. With a focus on key Spanish architects sent to study in Rome by the Bourbon Kings, the book also discusses the establishment of a program of architectural education at the newly founded Real Academia de Bellas Artes de San Fernando in Madrid. Victor Deupi explores why a powerful nation like Spain would temper its own building traditions with the more cosmopolitan trends associated with Rome; often at the expense of its own national and regional traditions. Through the inclusion of previously unpublished documents and images that shed light on the theoretical debates which shaped eighteenth-century architecture in Rome and Madrid, Architectural Temperance provides readers with new insights into the cultural history of early modern Spain.

The life and work of two photographers who captured the rise of Tropical Modern architecture in Miami and the surrounding regionIn this first critical biography of the life and work of Annette and Rudi Rada, two photographers working in South Florida and the Caribbean from approximately 1946 to 1975, architectural historian Victor Deupi explores the lasting significance of the Radas in documenting the cities, buildings, landscapes, and people of the region during major social and economic transformations of the twentieth century.During the South Florida building boom of the 1950s, the Radas were highly sought-after photographers. Magazines, newspapers, and travel firms hired the Radas to help advertise new houses and hotels, promoting the tropics and subtropics as a still-untouched paradise. In the Caribbean, Rudi Rada photographed new buildings intruding artistically and commercially into the natural environment while Annette Rada adopted a more ethnographic approach, photographing local people amid burgeoning mass tourism. Whether in South Florida, Cuba, or elsewhere in their travels, the work of the Radas captured postwar architectural evolution, as well as challenges faced by populations adapting to modernization.Featuring a wealth of never-before-published photographs and material from several archives and collections, Rada Photography adds portrayals of the largely overlooked mid-century architecture of South Florida and the Caribbean to existing architectural photography in the US and Latin America. The artistic output of Annette and Rudi Rada documents how architects and architecture in the region gave shape to architectural styles now known as Miami Modernism or Tropical Modern.

Wineries of the World celebrates the architecture and design of contemporary viniculture. From a vineyard in Napa Valley in the U.S., to an Italian winery estate in the hills of Tuscany, to an Australian enterprise at the cutting edge of organic viniculture, the projects featured are all exemplars of the finest taste in both wine and design, and increasingly popular destinations for wine lovers. With the rise in destination travel by wine lovers over the past years, vintners the world over have embraced the opportunity to create splendid spaces for visitors to enjoy unique varieties alongside good company. Rather than repeat established, even ancient traditions cultivated over centuries throughout Europe, the contemporary architecture of wine has become a modern celebration of place, reflecting the topography of the landscape in which a winery is situated, the agricultural heritage, and at times the regional vernacular. Ultimately, these projects comprise an expression of bold vision coupled with a passion for sustainability and design.

THE URBAN HOUSING HANDBOOK An insightful and revealing look at the intersection of housing and urban design In the newly revised Second Edition of The Urban Housing Handbook, Eric Firley and Victor Deupi deliver a vital design and analysis tool for housing practitioners, students, and researchers. The book outlines the characteristics of 30 of the most notable housing types from around the world, studied against a background of increasing densification. Each of the 30 chapters includes a fully-explored tradi tional example followed by one or two contemporary projects of similar spatial configuration that address changing trends in architecture and urban design. For this latest edition all contemporary examples have been updated and are now presented on two full spreads per chapter. Other features include: A rigorous analytical method that classifies the types according to four main categories (courtyard houses, row houses, compounds and apartment buildings)A thorough introduction to the relationship between an individual housing unit and the urban fabric that it creates through repetitionA strong focus on dense metropolitan projects from around the worldA set of key figures that translate visual information into metricsUnique, original drawings of illustrated housing accompanied by aerial and street-level context photosConceived for architects and urban designers, The Urban Housing Handbook is also an ideal resource for urban planners, housing developers, builders, and housing trust professionals.

Architectural Temperance examines relations between Bourbon Spain and papal Rome (1700-1759) through the lens of cultural politics. With a focus on key Spanish architects sent to study in Rome by the Bourbon Kings, the book also discusses the establishment of a program of architectural education at the newly founded Real Academia de Bellas Artes de San Fernando in Madrid. Victor Deupi explores why a powerful nation like Spain would temper its own building traditions with the more cosmopolitan trends associated with Rome; often at the expense of its own national and regional traditions. Through the inclusion of previously unpublished documents and images that shed light on the theoretical debates which shaped eighteenth-century architecture in Rome and Madrid, Architectural Temperance provides readers with new insights into the cultural history of early modern Spain.

Emilio Sanchez Fonts (1921–1999) was a Cuban American artist known for his architectural paintings, drawings, and graphic prints of New York, Latin America, and the Caribbean. As a realist artist, he was attracted to folklore and the vernacular, with architectural scenes of everyday life taking preference over the great historical narratives of western civilization. His keen eye and remarkable ability to edit incidental elements also made him a painter of dreamlike architectural enigmas, as if the buildings he depicted existed only in memory.Sanchez’s work is in the permanent collections of many institutions, including the Metropolitan Museum of Art (New York), the Boston Museum of Fine Arts, the Brooklyn Museum of Art, the Hirshhorn Museum and Sculpture Garden (Washington DC), the Museo Nacional de Bellas Artes de La Habana (Havana), the Museo de Arte Moderno (Bogotá), and the Philadelphia Museum of Art. He received First Prize at the 1974 San Juan Biennial in, Puerto Rico, and was awarded the CINTAS Fellowship in the Visual Arts (1989-90). His remarkable story, like that of his tragic country, is a tale of powerful contrasts, intense light, and mysteriously penetrating shadows.

Pavilion Living looks at the architecture of three recently completed pavilions by Peter Zimmerman Architects on the gardens of a large private house on Philadelphia’s Main Line, and the associated characteristics that accompany these beautifully conceived and carefully built structures.

Pavilion Living looks at the architecture of three recently completed pavilions by Peter Zimmerman Architects on the gardens of a large private house on Philadelphia’s Main Line, and the associated characteristics that accompany these beautifully conceived and carefully built structures. Located on a portion of what was once the extensive property of the Ardrossan Estate, an early 20th-century Georgian Revival mansion by Horace Trumbauer, the new pavilions accompany one of the next generation of houses that can now be seen on the rolling hills of the historic manor. Pavilion Living is a story that encompasses architecture, patronage, and the art of benessere (well-being) with the aim of serving designers and homeowners seeking similar solutions to meaningful outdoor living.

Pavilion Living looks at the architecture of three recently completed pavilions by Peter Zimmerman Architects on the gardens of a large private house on Philadelphia’s Main Line, and the associated characteristics that accompany these beautifully conceived and carefully built structures. Located on a portion of what was once the extensive property of the Ardrossan Estate, an early 20th-century Georgian Revival mansion by Horace Trumbauer, the new pavilions accompany one of the next generation of houses that can now be seen on the rolling hills of the historic manor. Pavilion Living is a story that encompasses architecture, patronage, and the art of benessere (well-being) with the aim of serving designers and homeowners seeking similar solutions to meaningful outdoor living.