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In this book the distinguished historian Victor Kiernan makes a case for seeing Shakespeare as a writer profoundly sensitive to the great social and political upheavals through which he lived. Shakespeare's poetic and dramatic achievement, Kiernan argues, was not something which transcended his environment but was directly enlarged by his civic consciousness and his critical reactions to a changing social fabric.Shakespeare's phase of dramatic activity coincides with the first challenges to the institution of monarchy. Kiernan analyses the cycle of History plays in the light of the demise of feudal allegiances and the emergence of the modern state apparatus. He shows how the far-reaching transformations in social hierarchy which simultaneously began to take place are crucial to an understanding of the Comedies, in which confusion of identity, disguise and cross-dressing are central. And he examines the ways in which women's roles are affected by this nascent individualism, especially in relation to the ideas of romantic love around which the Comedies revolve.Shakespeare: Poet and Citizen draws a vivid portrait of the outstanding dramatist of modernity. Lucid, scholarly and absorbing, it will be a rich resource for both students and the general reader.
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European Empires from Conquest to Collapse is a vivid anticolonial reckoning with the history of imperial warfare. Global in scope, it deftly surveys the fighting forces and military engagements of the Great Powers, from the British in India to the scramble for Africa. Victor Kiernan lays bare the doctrines and realities of colonial fighting, dispelling official legends. Europe often boasted that coloni- alism was 'civilised', but the facts show it could be barbaric. Kiernan traces how guerrilla insurgency against colonial oppression developed into one of the most sophisticated branches of the art of war.With a foreword by Tariq Ali, author of Winston Churchill: His Times, His Crimes.
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The seventeenth century saw the brief flowering of tragic drama in western Europe as a whole and in England in particular. It was, argues Victor Kiernan, the artistic expression of the consciousness of change which permeated every aspect of life during this period.In this companion volume to Shakespeare: Poet and Citizen Kiernan sets out to rescue Shakespearean studies from the increasingly solipsistic terrain of literary criticism, focusing instead on historical location as a means to understanding Shakespeare's writing. Kiernan contends that the deep and accelerating changes in economy and society, brought about by the development of modern capitalism, drew the underlying tragic tensions of the History plays to the forefront.Other writers were feeling similar influences and across Western Europe, especially in France and Spain, tragic drama became a popular form. Kiernan shows how England's supremacy in this genre was both a mirror and a result of the profound nature of its social and economic development and the uncertainty and anxiety which it created.Opening with a sketch of the progress of the theatre, Kiernan goes on to provide a portrait of Shakespeare as a professional. He then considers each of the eight tragedies from Julius Caesar to Coriolanus, drawing out their contrasts and recurring themes. In a final section he analyses the group as a whole and explores attitudes to the monarchy, political life, war, religion and philosophy and the relationship between the sexes.