Victor Mair – författare

Including works of varied genres from fiction and poetry to folk stories and elegies, travelogues and jokes to criticism and theory, this wide-ranging collection brings together more than two thousand years of great works in one portable volume.

With its fresh translations by newer voices in the field, its broad scope, and its flowing style, this anthology places the immense riches of Chinese literature within easy reach. Ranging from the beginnings to 1919, this abridged version of The Columbia Anthology of Traditional Chinese Literature retains all the characteristics of the original. In putting together these selections Victor H. Mair interprets "literature" very broadly to include not just literary fiction, poetry, and drama, but folk and popular literature, lyrics and arias, elegies and rhapsodies, biographies, autobiographies and memoirs, letters, criticism and theory, and travelogues and jokes.

With its fresh translations by newer voices in the field, its broad scope, and its flowing style, this anthology places the immense riches of Chinese literature within easy reach. Ranging from the beginnings to 1919, this abridged version of The Columbia Anthology of Traditional Chinese Literature retains all the characteristics of the original. In putting together these selections Victor H. Mair interprets "literature" very broadly to include not just literary fiction, poetry, and drama, but folk and popular literature, lyrics and arias, elegies and rhapsodies, biographies, autobiographies and memoirs, letters, criticism and theory, and travelogues and jokes.

In The Columbia Anthology of Chinese Folk and Popular Literature, two of the world's leading sinologists, Victor H. Mair and Mark Bender, capture the breadth of China's oral-based literary heritage. This collection presents works drawn from the large body of oral literature of many of China's recognized ethnic groups--including the Han, Yi, Miao, Tu, Daur, Tibetan, Uyghur, and Kazak--and the selections include a variety of genres. Chapters cover folk stories, songs, rituals, and drama, as well as epic traditions and professional storytelling, and feature both familiar and little-known texts, from the story of the woman warrior Hua Mulan to the love stories of urban storytellers in the Yangtze delta, the shaman rituals of the Manchu, and a trickster tale of the Daur people from the forests of the northeast. The Cannibal Grandmother of the Yi and other strange creatures and characters unsettle accepted notions of Chinese fable and literary form.Readers are introduced to antiphonal songs of the Zhuang and the Dong, who live among the fantastic limestone hills of the Guangxi Zhuang Autonomous Region; work and matchmaking songs of the mountain-dwelling She of Fujian province; and saltwater songs of the Cantonese-speaking boat people of Hong Kong. The editors feature the Mongolian epic poems of Geser Khan and Jangar; the sad tale of the Qeo family girl, from the Tu people of Gansu and Qinghai provinces; and local plays known as "rice sprouts" from Hebei province. These fascinating juxtapositions invite comparisons among cultures, styles, and genres, and expert translations preserve the individual character of each thrillingly imaginative work.

In The Columbia Anthology of Chinese Folk and Popular Literature, two of the world's leading sinologists, Victor H. Mair and Mark Bender, capture the breadth of China's oral-based literary heritage. This collection presents works drawn from the large body of oral literature of many of China's recognized ethnic groups--including the Han, Yi, Miao, Tu, Daur, Tibetan, Uyghur, and Kazak--and the selections include a variety of genres. Chapters cover folk stories, songs, rituals, and drama, as well as epic traditions and professional storytelling, and feature both familiar and little-known texts, from the story of the woman warrior Hua Mulan to the love stories of urban storytellers in the Yangtze delta, the shaman rituals of the Manchu, and a trickster tale of the Daur people from the forests of the northeast. The Cannibal Grandmother of the Yi and other strange creatures and characters unsettle accepted notions of Chinese fable and literary form.Readers are introduced to antiphonal songs of the Zhuang and the Dong, who live among the fantastic limestone hills of the Guangxi Zhuang Autonomous Region; work and matchmaking songs of the mountain-dwelling She of Fujian province; and saltwater songs of the Cantonese-speaking boat people of Hong Kong. The editors feature the Mongolian epic poems of Geser Khan and Jangar; the sad tale of the Qeo family girl, from the Tu people of Gansu and Qinghai provinces; and local plays known as "rice sprouts" from Hebei province. These fascinating juxtapositions invite comparisons among cultures, styles, and genres, and expert translations preserve the individual character of each thrillingly imaginative work.

This Handbook presents a comprehensive overview of 3,000 years of Chinese literature from its earliest beginnings to the end of the Qing (1644–1911), the last empire of China. With a focus on well-known authors and masterpieces in each important genre, this volume covers verses, prose, drama, and fiction arranged in the following thematic groupings:Pre-Qin and Han poetry, poetry of the Six Dynasties, poetry of the Tang, poetry of the Song, and lyrics of the SongProse of historians, prose of philosophers, and literati proseTragedy and romance in Yuan drama, southern plays of ethics, and chuanqi plays of the Ming and the QingClassical-language tales, vernacular short stories, heroic romances, novels of spirits and devils, novels of manners and satire, and novels of social exposure and prostitutionFeaturing both introductions and in-depth analyses, this Handbook incorporates the most recent scholarly works for each entry and also facilitates future research by providing further readings. Authored by a stellar line-up of experts in the field of Chinese literature, this is an essential reference guide for all students and scholars in the fields of Chinese literature and culture.

This Handbook presents a comprehensive overview of 3,000 years of Chinese literature from its earliest beginnings to the end of the Qing (1644–1911), the last empire of China. With a focus on well-known authors and masterpieces in each important genre, this volume covers verses, prose, drama, and fiction arranged in the following thematic groupings:Pre-Qin and Han poetry, poetry of the Six Dynasties, poetry of the Tang, poetry of the Song, and lyrics of the SongProse of historians, prose of philosophers, and literati proseTragedy and romance in Yuan drama, southern plays of ethics, and chuanqi plays of the Ming and the QingClassical-language tales, vernacular short stories, heroic romances, novels of spirits and devils, novels of manners and satire, and novels of social exposure and prostitutionFeaturing both introductions and in-depth analyses, this Handbook incorporates the most recent scholarly works for each entry and also facilitates future research by providing further readings. Authored by a stellar line-up of experts in the field of Chinese literature, this is an essential reference guide for all students and scholars in the fields of Chinese literature and culture.

This Handbook presents a comprehensive overview of 3,000 years of Chinese literature from its earliest beginnings to the end of the Qing (1644–1911), the last empire of China.

With a focus on well-known authors and masterpieces in each important genre, this volume covers verses, prose, drama, and fiction arranged in the following thematic groupings:

Pre-Qin and Han poetry, poetry of the Six Dynasties, poetry of the Tang, poetry of the Song, and lyrics of the Song Prose of historians, prose of philosophers, and literati prose Tragedy and romance in Yuan drama, southern plays of ethics, and chuanqi plays of the Ming and the Qing Classical-language tales, vernacular short stories, heroic romances, novels of spirits and devils, novels of manners and satire, and novels of social exposure and prostitution

Featuring both introductions and in-depth analyses, this Handbook incorporates the most recent scholarly works for each entry and also facilitates future research by providing further readings.

Authored by a stellar line-up of experts in the field of Chinese literature, this is an essential reference guide for all students and scholars in the fields of Chinese literature and culture.

This Handbook presents a comprehensive overview of 3,000 years of Chinese literature from its earliest beginnings to the end of the Qing (1644–1911), the last empire of China.

With a focus on well-known authors and masterpieces in each important genre, this volume covers verses, prose, drama, and fiction arranged in the following thematic groupings:

Pre-Qin and Han poetry, poetry of the Six Dynasties, poetry of the Tang, poetry of the Song, and lyrics of the Song Prose of historians, prose of philosophers, and literati prose Tragedy and romance in Yuan drama, southern plays of ethics, and chuanqi plays of the Ming and the Qing Classical-language tales, vernacular short stories, heroic romances, novels of spirits and devils, novels of manners and satire, and novels of social exposure and prostitution

Featuring both introductions and in-depth analyses, this Handbook incorporates the most recent scholarly works for each entry and also facilitates future research by providing further readings.

Authored by a stellar line-up of experts in the field of Chinese literature, this is an essential reference guide for all students and scholars in the fields of Chinese literature and culture.

Victor Mair and Tansen Sen have provided an account of China’s engagement with the Eurasian world around it that is succinct, accessible, and masterful. They demonstrate how—from their Neolithic origins through Zheng He’s fifteenth century voyages across maritime Asia—the Chinese were constantly interacting with their neighbors, through warfare, diplomacy, religious pilgrimages, trade, the accounts of travelers, and the translation of foreign books. These interactions, which are treated both topically and chronologically, are interwoven with a historical narrative and handsomely supported by illustrations, maps, translated travel accounts, and a glossary. This is a valuable addition to the literature on Chinese history in a global context.

This volume is the first complete English rendition of the 45 famous tales in the monumental anthology masterfully selected and edited by Lu Xun (1881–1936). It is the most distinctive, authoritative, and influential chuanqi collection thus far, and many of the pieces are rendered for the first time. This is an important contribution to the field of Chinese studies in the English-speaking world.