Victor Sage - Böcker

A sparkling collection of journalism from the critically acclaimed author of BAD BLOOD and MOMENTS OF TRUTH.This selection of the work of Lorna Sage spans the years 1972-2001, when she wrote for the London and New York literary papers and journals, and contains some of her very best pieces. From carefully worked interviews and profiles to the snappiest and deftest of weekly reviews, we can trace the often surprising development of that very distinctive voice and follow its sharpest critical reactions to the important authors and landmark publications of our times.From George Eliot, Laurence Sterne, Charles Dickens and Mary Shelley to Sylvia Plath, Angela Carter, Umberto Eco and Salman Rushdie, Sage's unmistakable voice is here: clever, hilarious, anarchic, sly, wise, kind, courageous, genial and serious.

One of the most significant and intriguing Gothic novels of the Victorian period and is enjoyed today as a modern psychological thriller. In UNCLE SILAS (1864) Le Fanu brought up to date Mrs Radcliffe's earlier tales of virtue imprisoned and menacedby unscrupulous schemers. The narrator, Maud Ruthyn, is a 17 year old orphan left in the care of her fearful uncle, Silas. Together with his boorish son and a sinister French governess, Silas plots to kill Maud and claim her fortune. The novel established Le Fanu as a master of horror fiction.

Created by an Irish clergyman, Melmoth is one of the most fiendish characters in literature. In a satanic bargain, Melmoth exchanges his soul for immortality. The story of his tortured wanderings through the centuries is pieced together through those who have been implored by Melmoth to take over his pact with the devil. Influenced by the Gothic romances of the late 18th century, Maturin's diabolic tale raised the genre to a new and macabre pitch. Its many admirers include Poe, Balzac, Oscar Wilde and Baudelaire.

This volume in the "novels" section of casebooks surveys the rise and development of the Gothic tale of mystery and horror, from the mid-19th century to the eve of the Victorian period. The editor's introduction traces the development of the genre and its relation to contemporary aesthetic and literary movements and assesses the 18th and 19th centuries and the modern critical responses to it. Particular attention is given to the cardinal place in this literary genre of Walpole's "Castle of Otranto", Beckford's "Vathek", Lewis' "The Monk", Ann Radcliffe's "Mysteries of Udolpho" and Mary Shelley's "Frankenstein".