Victoria Goddard – författare

Magic is out of fashion.Good manners never are.Jemis Greenwing returned from university with a broken heart, a bad cold, and no prospects beyond a problematic inheritance and a job at the local bookstore.Ragnor Bella is a placid little market town on the road to nowhere, where Jemis’ family affairs have always been the main source of gossip. Having missed his stepfather's funeral, he is determined to keep his head down.Unfortunately for his reputation, though fortunately for several other people, he falls quickly under the temptation of resuming the friendship of Mr. Dart of Dartington, Squire-in-training and beloved local daredevil. Mr. Dart is delighted to have Jemis' company for what will be, he assures him, a very small adventure.Jemis expected the cut direct. The secret societies, criminal gangs, and illegal cult to the old gods--to say nothing of the mermaid--come as a complete surprise.Book One of Greenwing & Dart, fantasies of manners—and mischief.

What the gods desire, they take.

When the gods take a person, there is not much one can do about it, even if there seems something strange and terrible about the god. Through the gates of the eastern mountains pass only the gods, the dead, and the heroes of legend. Mere mortals do not go farther than the tombs lining the roads of the Middle Desert.

Except for the daughters of the Bandit Queen of the Oclaresh, that is. The lord of the Blue Wind took their youngest sister. When Pali and Arzu discover that there is something gravely wrong, they decide that the gods work through the hands of men, that justice binds everyone-god, man, djinn, or demon-and that they are not afraid of the road east.

The first book of The Sisters Avramapul.

In the cities along the river Ihil, the nomad tribes of the Middle Desert are almost as legendary as the gods. Sardeet is the youngest daughter of the Bandit Queen of the Oclaresh, but her father was a man of the city, and after her husband''s death, he brings her to her uncle to recover from her grief.

She walks veiled and silent, as befits one who is rumoured to be the widow of a god, and the people of the city whisper about how beautiful she must be for those rumours to be abroad. They generally dismiss the other part of the story, that the reason her husband is dead is because her sister killed him.

Sardeet''s sister Pali, however, knows that this is true--and that there are consequences.

The Warrior of the Third Veil is the second story of those about the Sisters Avramapul. It takes place after The Bride of the Blue Wind. While you do not need to have read The Bride of the Blue Wind first, you will probably enjoy this one better having done so.

In response to global change, people create new opportunities and conditions, and in their responses they are influenced by both gender and age. In Gender, Agency and Change the contributors illustrate the complexities involved in the constitution and performance of agency. Such agency may be reflected in strategies of accommodation and adaption that can nevertheless produce new institutional arrangements. Alternatively, they may be directed towards the outright rejection of these processes. The cases examined in this volume explore the ways in which different subjects engage in the reformulation of spaces, roles and identities, redefining the boundaries between, and the content of, the ''public'' and the ''private''. The examples also provide an account of how gendered discourses are deployed to convey new meanings, a new sense of place and time, confirming or challenging ideas of ''tradition'' and ''modernity''. This collection will be of particular interest to students of anthropology and gender studies.

In response to global change, people create new opportunities and conditions, and in their responses they are influenced by both gender and age. In Gender, Agency and Change the contributors illustrate the complexities involved in the constitution and performance of agency. Such agency may be reflected in strategies of accommodation and adaption that can nevertheless produce new institutional arrangements. Alternatively, they may be directed towards the outright rejection of these processes. The cases examined in this volume explore the ways in which different subjects engage in the reformulation of spaces, roles and identities, redefining the boundaries between, and the content of, the ''public'' and the ''private''. The examples also provide an account of how gendered discourses are deployed to convey new meanings, a new sense of place and time, confirming or challenging ideas of ''tradition'' and ''modernity''. This collection will be of particular interest to students of anthropology and gender studies.

Throughout history and in every geographical location, the rise and fall of industry, which impact the fate of large populations, are tied to the development and cultural entanglement of particular models that are articulated with political power. Models are understood as knowledge devices – expert, theoretical, practical and commonsense – that are embedded in cultural and social environments and designed through struggles at various scales.

This book results from the collaboration of an interdisciplinary team bringing together specialists in anthropology, geography, sociology, economics, political science, mathematics and engineering around the theme of ‘Models and their Effects on Development Paths’. Based on empirical research conducted on the heavy industries, Industry and Work in Contemporary Capitalism addresses how models that inform the organization of work and production and are created by powerful actors may diverge from, overlap with, or contradict the models articulated by less powerful actors on the ground, and how they are connected across material and cultural spaces. Careful observation of industrial work and production as they unfold in and across specific localities and affects people’s livelihoods is complemented by analysis of how models circulate, through which channels of power, which institutional entities, which political connections.

This volume explores an extensive theoretical terrain and a number of empirical cases that show, from different perspectives, how ideas about the economy, about work and industry, materialize in specific practices and interventions that affect people’s livelihoods.

Throughout history and in every geographical location, the rise and fall of industry, which impact the fate of large populations, are tied to the development and cultural entanglement of particular models that are articulated with political power. Models are understood as knowledge devices – expert, theoretical, practical and commonsense – that are embedded in cultural and social environments and designed through struggles at various scales.

This book results from the collaboration of an interdisciplinary team bringing together specialists in anthropology, geography, sociology, economics, political science, mathematics and engineering around the theme of ‘Models and their Effects on Development Paths’. Based on empirical research conducted on the heavy industries, Industry and Work in Contemporary Capitalism addresses how models that inform the organization of work and production and are created by powerful actors may diverge from, overlap with, or contradict the models articulated by less powerful actors on the ground, and how they are connected across material and cultural spaces. Careful observation of industrial work and production as they unfold in and across specific localities and affects people’s livelihoods is complemented by analysis of how models circulate, through which channels of power, which institutional entities, which political connections.

This volume explores an extensive theoretical terrain and a number of empirical cases that show, from different perspectives, how ideas about the economy, about work and industry, materialize in specific practices and interventions that affect people’s livelihoods.

Magic is out of fashion.Gambling is merely illegal.Neither law nor common sense has ever stopped anyone in Ragnor Bella from making—or breaking—their fortunes at the table, at the racetrack, and especially at the Dartington Harvest Fair. With Mad Jack Greenwing’s only son Jemis finally back from university, this year’s betting is bidding fair to be the stuff of legend.Jemis assumes the speculative glances are for his inherited notoriety (and, perhaps, his adventurous first weekend back in town), and is determined to do nothing more than a little light wagering at the Fair.Perhaps one footrace.The odds on his placing are remarkably high—but the real bets are whether he makes it to the starting line at all.Lost heirs. Botanizing dukes. Riddling dragons. High Gothic melodrama. And all that’s just to get his name in the race.Book Two of Greenwing & Dart, fantasies of manners—and mischief.

Magic is out of fashion.Outlaws make their own.

Jemis Greenwing has slain a dragon, been acknowledged as the Viscount St-Noire, and not incidentally also been given a raise. After a chaotic first month back in Ragnor Bella, he’s finally feeling confident that he can make it to the Winterturn Assizes and the reading of his stepfather’s will without falling headlong into any more disaster.

Then he’s arrested on suspicion of murder.

By magic.

Of one of the greatest folk heroes of legend.

Trained to be a politically radical gentleman-of-leisure, Jemis thought he was doing fairly well as a bookstore clerk. That, of course, is before he ends up on the run in the Arguty Forest confronting highwaymen, illegal distillers, the odd relation, and the Wild Saint—not to mention the secrets a town truly committed to being infamously dull can hold.  

Book Three of Greenwing & Dart, fantasies of manners—and mischief.